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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4D382 it is the complementary color #5B2C7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4D382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4D382 shade: #A9D37D, #BAE590, #CBF7A3, #DCFFB6 and #EDFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4D382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4D382 shade: #A4D382, #93C16F, #82AF5C, #719D49 and #608B36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4D382 shade: #A4D382, #BAD382, #CFD382, #D3C082 and #D3AA82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4D382 shade: #A4D382, #8ED382, #82D38C, #82D3A1 and #82D3B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4D382 shade matches the following richer shades: #A4D382, #A2E074, #A0EE67 and #9DFC59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4D382 shade: #A4D382, #A6C590, #A8B89D, #AAAAAB and #AD9CB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4D382 shade: #D0D382, #BBD382, #A5D382, #8FD382 and #82D38A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4D382 shade: #77BD45, #8EC863, #A4D382, #BADDA0 and #D0E8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4D382 shade: #A4D382, #82D3C0 and #D382C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4D382 shade: #A4D382, #82A5D3 and #D382A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4D382 shade: #A4D382, #82D3C0, #B082D3 and #D38295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4D382 shade: #A4D382, #82CDD3, #B082D3 and #D38782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

Complementary color

CMYK 27 / 65 / 0 / 51

HEX #5B2C7D

RGB 91 44 125

HSL 274.81, 0.48%, 0.33%

LAB 28.13, 36.97, -37.59

 

CMYK 20 / 0 / 41 / 17

HEX #A9D37D

RGB 169 211 125

HSL 89.3, 0.49%, 0.66%

LAB 79.9, -28.46, 38.13

 

CMYK 19 / 0 / 37 / 10

HEX #BAE590

RGB 186 229 144

HSL 90.35, 0.62%, 0.73%

LAB 86.25, -28.41, 36.99

 

CMYK 18 / 0 / 34 / 3

HEX #CBF7A3

RGB 203 247 163

HSL 91.43, 0.84%, 0.8%

LAB 92.51, -28.35, 35.89

 

CMYK 14 / 0 / 29 / 0

HEX #DCFFB6

RGB 220 255 182

HSL 88.77, 1%, 0.86%

LAB 96.04, -23.56, 31.27

 

CMYK 7 / 0 / 21 / 0

HEX #EDFFC9

RGB 237 255 201

HSL 80, 1%, 0.89%

LAB 97.53, -14.86, 23.89

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 24 / 0 / 42 / 24

HEX #93C16F

RGB 147 193 111

HSL 93.66, 0.4%, 0.6%

LAB 73.21, -29.7, 36.41

 

CMYK 26 / 0 / 47 / 31

HEX #82AF5C

RGB 130 175 92

HSL 92.53, 0.34%, 0.52%

LAB 66.66, -29.77, 37.6

 

CMYK 28 / 0 / 54 / 38

HEX #719D49

RGB 113 157 73

HSL 91.43, 0.37%, 0.45%

LAB 59.98, -29.78, 38.8

 

CMYK 31 / 0 / 61 / 45

HEX #608B36

RGB 96 139 54

HSL 90.35, 0.44%, 0.38%

LAB 53.19, -29.7, 39.9

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 12 / 0 / 38 / 17

HEX #BAD382

RGB 186 211 130

HSL 78.52, 0.48%, 0.67%

LAB 81.09, -21.52, 37.36

 

CMYK 2 / 0 / 38 / 17

HEX #CFD382

RGB 207 211 130

HSL 62.96, 0.48%, 0.67%

LAB 82.63, -13.43, 39.64

 

CMYK 0 / 9 / 38 / 17

HEX #D3C082

RGB 211 192 130

HSL 45.93, 0.48%, 0.67%

LAB 77.97, -2.11, 33.7

 

CMYK 0 / 19 / 38 / 17

HEX #D3AA82

RGB 211 170 130

HSL 29.63, 0.48%, 0.67%

LAB 72.37, 9.57, 26.3

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 33 / 0 / 38 / 17

HEX #8ED382

RGB 142 211 130

HSL 111.11, 0.48%, 0.67%

LAB 78.43, -37.16, 33.39

 

CMYK 38 / 0 / 34 / 17

HEX #82D38C

RGB 130 211 140

HSL 127.41, 0.48%, 0.67%

LAB 78.01, -39.36, 27.58

 

CMYK 38 / 0 / 24 / 17

HEX #82D3A1

RGB 130 211 161

HSL 142.96, 0.48%, 0.67%

LAB 78.41, -35.6, 17.1

 

CMYK 38 / 0 / 13 / 17

HEX #82D3B7

RGB 130 211 183

HSL 159.26, 0.48%, 0.67%

LAB 78.9, -31.11, 6.09

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 28 / 0 / 48 / 12

HEX #A2E074

RGB 162 224 116

HSL 94.44, 0.64%, 0.67%

LAB 83.05, -38.08, 46.4

 

CMYK 33 / 0 / 57 / 7

HEX #A0EE67

RGB 160 238 103

HSL 94.67, 0.8%, 0.67%

LAB 86.8, -46.27, 56.83

 

CMYK 38 / 0 / 65 / 1

HEX #9DFC59

RGB 157 252 89

HSL 94.97, 0.96%, 0.67%

LAB 90.56, -54.28, 66.8

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 16 / 0 / 27 / 23

HEX #A6C590

RGB 166 197 144

HSL 95.09, 0.31%, 0.67%

LAB 76.1, -20.04, 23.24

 

CMYK 9 / 0 / 15 / 28

HEX #A8B89D

RGB 168 184 157

HSL 95.56, 0.16%, 0.67%

LAB 72.92, -10.54, 11.86

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 6 / 15 / 0 / 28

HEX #AD9CB8

RGB 173 156 184

HSL 276.43, 0.16%, 0.67%

LAB 66.61, 11.52, -12.2

 

CMYK 1 / 0 / 38 / 17

HEX #D0D382

RGB 208 211 130

HSL 62.22, 0.48%, 0.67%

LAB 82.71, -13.04, 39.75

 

CMYK 11 / 0 / 38 / 17

HEX #BBD382

RGB 187 211 130

HSL 77.78, 0.48%, 0.67%

LAB 81.16, -21.14, 37.46

 

CMYK 22 / 0 / 38 / 17

HEX #A5D382

RGB 165 211 130

HSL 94.07, 0.48%, 0.67%

LAB 79.73, -29.26, 35.33

 

CMYK 32 / 0 / 38 / 17

HEX #8FD382

RGB 143 211 130

HSL 110.37, 0.48%, 0.67%

LAB 78.48, -36.83, 33.47

 

CMYK 38 / 0 / 35 / 17

HEX #82D38A

RGB 130 211 138

HSL 125.93, 0.48%, 0.67%

LAB 77.97, -39.69, 28.57

 

CMYK 37 / 0 / 63 / 26

HEX #77BD45

RGB 119 189 69

HSL 95, 0.48%, 0.51%

LAB 70, -42.49, 52.17

 

CMYK 29 / 0 / 51 / 22

HEX #8EC863

RGB 142 200 99

HSL 94.46, 0.48%, 0.59%

LAB 74.8, -36.23, 44.27

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 16 / 0 / 28 / 13

HEX #BADDA0

RGB 186 221 160

HSL 94.43, 0.47%, 0.75%

LAB 84.32, -22.31, 26.26

 

CMYK 10 / 0 / 18 / 9

HEX #D0E8BF

RGB 208 232 191

HSL 95.12, 0.47%, 0.83%

LAB 89.34, -15.18, 17.33

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 38 / 0 / 9 / 17

HEX #82D3C0

RGB 130 211 192

HSL 165.93, 0.48%, 0.67%

LAB 79.12, -29.13, 1.6

 

CMYK 0 / 38 / 7 / 17

HEX #D382C5

RGB 211 130 197

HSL 310.37, 0.48%, 0.67%

LAB 64.84, 41.03, -21.8

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 38 / 22 / 0 / 17

HEX #82A5D3

RGB 130 165 211

HSL 214.07, 0.48%, 0.67%

LAB 66.79, -0.48, -27.22

 

CMYK 0 / 38 / 22 / 17

HEX #D382A5

RGB 211 130 165

HSL 334.07, 0.48%, 0.67%

LAB 63.78, 35.87, -5.31

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 38 / 0 / 9 / 17

HEX #82D3C0

RGB 130 211 192

HSL 165.93, 0.48%, 0.67%

LAB 79.12, -29.13, 1.6

 

CMYK 17 / 38 / 0 / 17

HEX #B082D3

RGB 176 130 211

HSL 274.07, 0.48%, 0.67%

LAB 61.57, 32.85, -35.02

 

CMYK 0 / 38 / 29 / 17

HEX #D38295

RGB 211 130 149

HSL 345.93, 0.48%, 0.67%

LAB 63.33, 33.6, 3.14

 

CMYK 22 / 0 / 38 / 17

HEX #A4D382

RGB 164 211 130

HSL 94.81, 0.48%, 0.67%

LAB 79.67, -29.61, 35.24

 

CMYK 38 / 3 / 0 / 17

HEX #82CDD3

RGB 130 205 211

HSL 184.44, 0.48%, 0.67%

LAB 77.94, -21.69, -10.34

 

CMYK 17 / 38 / 0 / 17

HEX #B082D3

RGB 176 130 211

HSL 274.07, 0.48%, 0.67%

LAB 61.57, 32.85, -35.02

 

CMYK 0 / 36 / 38 / 17

HEX #D38782

RGB 211 135 130

HSL 3.7, 0.48%, 0.67%

LAB 63.99, 28.53, 14.85

 

Description

Color code: HEX #A4D382 | qconv.com Color code: HEX #A4D382 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 211 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 211 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 38 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 38% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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