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Color name
HEX #A4DA6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4DA6D it is the complementary color #5B2592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4DA6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4DA6D shade: #A9DA68, #BAEC7B, #CBFE8E, #DCFFA1 and #EDFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4DA6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4DA6D shade: #A4DA6D, #93C85A, #82B647, #71A434 and #609221

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4DA6D shade: #A3DA6C, #C1DA6C, #DAD56C, #DAB76C and #DA9A6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4DA6D shade: #A3DA6C, #86DA6C, #6CDA6F, #6CDA8D and #6CDAAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4DA6D shade matches the following richer shades: #A3DA6C, #A3E95D and #A3F74E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4DA6D shade: #A3DA6C, #A3CB7A, #A3BC89, #A3AD98 and #A39EA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4DA6D shade: #DAD46C, #C2DA6C, #A5DA6C, #87DA6C and #6CDA6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4DA6D shade: #7AC330, #8FD24B, #A3DA6C, #B8E28D and #CCEAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4DA6D shade: #A4DA6D, #6CDAB7 and #DA6CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4DA6D shade: #A4DA6D, #6CA5DA and #DA6CA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4DA6D shade: #A4DA6D, #6CDAB7, #A16CDA and #DA6C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4DA6D shade: #A4DA6D, #6CDAD8, #A16CDA and #DA6C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

Complementary color

CMYK 38 / 75 / 0 / 43

HEX #5B2592

RGB 91 37 146

HSL 269.72, 0.6%, 0.36%

LAB 28.44, 45.78, -50.17

 

CMYK 22 / 0 / 52 / 15

HEX #A9DA68

RGB 169 218 104

HSL 85.79, 0.61%, 0.63%

LAB 81.61, -34.13, 50.43

 

CMYK 21 / 0 / 48 / 7

HEX #BAEC7B

RGB 186 236 123

HSL 86.55, 0.75%, 0.7%

LAB 87.9, -34.19, 49.33

 

CMYK 20 / 0 / 44 / 0

HEX #CBFE8E

RGB 203 254 142

HSL 87.32, 0.98%, 0.78%

LAB 94.11, -34.21, 48.21

 

CMYK 14 / 0 / 37 / 0

HEX #DCFFA1

RGB 220 255 161

HSL 82.34, 1%, 0.82%

LAB 95.71, -26.33, 41.26

 

CMYK 7 / 0 / 29 / 0

HEX #EDFFB4

RGB 237 255 180

HSL 74.4, 1%, 0.85%

LAB 97.15, -17.78, 33.97

 

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

CMYK 27 / 0 / 55 / 22

HEX #93C85A

RGB 147 200 90

HSL 88.91, 0.5%, 0.57%

LAB 74.98, -35.39, 48.82

 

CMYK 29 / 0 / 61 / 29

HEX #82B647

RGB 130 182 71

HSL 88.11, 0.44%, 0.5%

LAB 68.5, -35.26, 49.81

 

CMYK 31 / 0 / 68 / 36

HEX #71A434

RGB 113 164 52

HSL 87.32, 0.52%, 0.42%

LAB 61.92, -35.01, 50.55

 

CMYK 34 / 0 / 77 / 43

HEX #609221

RGB 96 146 33

HSL 86.55, 0.63%, 0.35%

LAB 55.23, -34.58, 50.73

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 11 / 0 / 50 / 15

HEX #C1DA6C

RGB 193 218 108

HSL 73.64, 0.6%, 0.64%

LAB 83.21, -24.63, 50.85

 

CMYK 0 / 2 / 50 / 15

HEX #DAD56C

RGB 218 213 108

HSL 57.27, 0.6%, 0.64%

LAB 83.74, -12.23, 51.94

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76C

RGB 218 183 108

HSL 40.91, 0.6%, 0.64%

LAB 75.98, 3.23, 42.57

 

CMYK 0 / 29 / 50 / 15

HEX #DA9A6C

RGB 218 154 108

HSL 25.09, 0.6%, 0.64%

LAB 68.82, 18.74, 33.59

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 39 / 0 / 50 / 15

HEX #86DA6C

RGB 134 218 108

HSL 105.82, 0.6%, 0.64%

LAB 79.78, -45.77, 45.91

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA6F

RGB 108 218 111

HSL 121.64, 0.6%, 0.64%

LAB 78.74, -52.99, 42.94

 

CMYK 50 / 0 / 35 / 15

HEX #6CDA8D

RGB 108 218 141

HSL 138, 0.6%, 0.64%

LAB 79.19, -48.31, 28.48

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAB

RGB 108 218 171

HSL 154.36, 0.6%, 0.64%

LAB 79.77, -42.5, 13.59

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 30 / 0 / 60 / 9

HEX #A3E95D

RGB 163 233 93

HSL 90, 0.76%, 0.64%

LAB 85.43, -44.02, 59.65

 

CMYK 34 / 0 / 68 / 3

HEX #A3F74E

RGB 163 247 78

HSL 89.82, 0.91%, 0.64%

LAB 89.33, -51.07, 69.77

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 20 / 0 / 40 / 20

HEX #A3CB7A

RGB 163 203 122

HSL 89.63, 0.44%, 0.64%

LAB 77.22, -27.21, 36.14

 

CMYK 13 / 0 / 27 / 26

HEX #A3BC89

RGB 163 188 137

HSL 89.41, 0.28%, 0.64%

LAB 73.26, -17.68, 23.06

 

CMYK 6 / 0 / 12 / 32

HEX #A3AD98

RGB 163 173 152

HSL 88.57, 0.11%, 0.64%

LAB 69.43, -7.41, 9.59

 

CMYK 2 / 5 / 0 / 35

HEX #A39EA7

RGB 163 158 167

HSL 273.33, 0.05%, 0.64%

LAB 65.77, 3.53, -4.04

 

CMYK 0 / 3 / 50 / 15

HEX #DAD46C

RGB 218 212 108

HSL 56.73, 0.6%, 0.64%

LAB 83.48, -11.73, 51.63

 

CMYK 11 / 0 / 50 / 15

HEX #C2DA6C

RGB 194 218 108

HSL 73.09, 0.6%, 0.64%

LAB 83.28, -24.24, 50.95

 

CMYK 24 / 0 / 50 / 15

HEX #A5DA6C

RGB 165 218 108

HSL 88.91, 0.6%, 0.64%

LAB 81.42, -35.18, 48.27

 

CMYK 38 / 0 / 50 / 15

HEX #87DA6C

RGB 135 218 108

HSL 105.27, 0.6%, 0.64%

LAB 79.83, -45.45, 45.97

 

CMYK 50 / 0 / 50 / 15

HEX #6CDA6D

RGB 108 218 109

HSL 120.55, 0.6%, 0.64%

LAB 78.71, -53.26, 43.88

 

CMYK 37 / 0 / 75 / 24

HEX #7AC330

RGB 122 195 48

HSL 89.8, 0.6%, 0.48%

LAB 71.81, -45.52, 62.11

 

CMYK 32 / 0 / 64 / 18

HEX #8FD24B

RGB 143 210 75

HSL 89.78, 0.6%, 0.56%

LAB 77.54, -42.64, 58.22

 

CMYK 25 / 0 / 50 / 15

HEX #A3DA6C

RGB 163 218 108

HSL 90, 0.6%, 0.64%

LAB 81.3, -35.9, 48.1

 

CMYK 19 / 0 / 38 / 11

HEX #B8E28D

RGB 184 226 141

HSL 89.65, 0.59%, 0.72%

LAB 85.25, -28.1, 37.17

 

CMYK 13 / 0 / 26 / 8

HEX #CCEAAE

RGB 204 234 174

HSL 90, 0.59%, 0.8%

LAB 89.27, -20.2, 25.97

 

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

CMYK 50 / 0 / 16 / 15

HEX #6CDAB7

RGB 108 218 183

HSL 160.91, 0.6%, 0.64%

LAB 80.04, -39.88, 7.61

 

CMYK 0 / 50 / 4 / 15

HEX #DA6CD1

RGB 218 108 209

HSL 304.91, 0.6%, 0.64%

LAB 61.86, 56.37, -33.08

 

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

CMYK 50 / 24 / 0 / 15

HEX #6CA5DA

RGB 108 165 218

HSL 208.91, 0.6%, 0.64%

LAB 65.87, -4, -32.61

 

CMYK 0 / 50 / 24 / 15

HEX #DA6CA5

RGB 218 108 165

HSL 328.91, 0.6%, 0.64%

LAB 60.2, 49.55, -10.54

 

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

CMYK 50 / 0 / 16 / 15

HEX #6CDAB7

RGB 108 218 183

HSL 160.91, 0.6%, 0.64%

LAB 80.04, -39.88, 7.61

 

CMYK 26 / 50 / 0 / 15

HEX #A16CDA

RGB 161 108 218

HSL 268.91, 0.6%, 0.64%

LAB 55.45, 42.45, -48.7

 

CMYK 0 / 50 / 34 / 15

HEX #DA6C8F

RGB 218 108 143

HSL 340.91, 0.6%, 0.64%

LAB 59.54, 46.69, 1.19

 

CMYK 25 / 0 / 50 / 15

HEX #A4DA6D

RGB 164 218 109

HSL 89.72, 0.6%, 0.64%

LAB 81.37, -35.43, 47.72

 

CMYK 50 / 0 / 1 / 15

HEX #6CDAD8

RGB 108 218 216

HSL 178.91, 0.6%, 0.64%

LAB 80.9, -31.91, -8.71

 

CMYK 26 / 50 / 0 / 15

HEX #A16CDA

RGB 161 108 218

HSL 268.91, 0.6%, 0.64%

LAB 55.45, 42.45, -48.7

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6D

RGB 218 108 109

HSL 359.45, 0.6%, 0.64%

LAB 58.73, 43.1, 19.74

 

Description

Color code: HEX #A4DA6D | qconv.com Color code: HEX #A4DA6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 218 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 218 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 50% 15% C M Y K

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Provide designers and agencies with accurate color values.

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