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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4EE5D it is the complementary color #5B11A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4EE5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4EE5D shade: #A9EE58, #BAFF6B, #CBFF7E, #DCFF91 and #EDFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4EE5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4EE5D shade: #A4EE5D, #93DC4A, #82CA37, #71B824 and #60A611

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4EE5D shade: #A4EE5D, #CBEE5D, #EEE95D, #EEC25D and #EE9B5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4EE5D shade: #A4EE5D, #7DEE5D, #5DEE64, #5DEE8B and #5DEEB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4EE5D shade matches the following richer shades: #A4EE5D and #A3FC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4EE5D shade: #A4EE5D, #A4DF6B, #A4D17A, #A5C288 and #A5B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4EE5D shade: #EEE95D, #CCEE5D, #A5EE5D, #7FEE5D and #5DEE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4EE5D shade: #7AE117, #8FEA38, #A4EE5D, #B9F182 and #CEF5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4EE5D shade: #A4EE5D, #5DEEC2 and #EE5DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4EE5D shade: #A4EE5D, #5DA5EE and #EE5DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4EE5D shade: #A4EE5D, #5DEEC2, #A55DEE and #EE5D88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4EE5D shade: #A4EE5D, #5DEEEE, #A55DEE and #EE5D5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

Complementary color

CMYK 44 / 90 / 0 / 36

HEX #5B11A2

RGB 91 17 162

HSL 270.62, 0.81%, 0.35%

LAB 27.39, 56.9, -61.68

 

CMYK 29 / 0 / 63 / 7

HEX #A9EE58

RGB 169 238 88

HSL 87.6, 0.82%, 0.64%

LAB 87.14, -44.47, 63.7

 

CMYK 27 / 0 / 58 / 0

HEX #BAFF6B

RGB 186 255 107

HSL 87.97, 1%, 0.71%

LAB 93.02, -44.22, 62.57

 

CMYK 20 / 0 / 51 / 0

HEX #CBFF7E

RGB 203 255 126

HSL 84.19, 1%, 0.75%

LAB 94.19, -36.38, 55.78

 

CMYK 14 / 0 / 43 / 0

HEX #DCFF91

RGB 220 255 145

HSL 79.09, 1%, 0.78%

LAB 95.49, -28.19, 48.73

 

CMYK 7 / 0 / 36 / 0

HEX #EDFFA4

RGB 237 255 164

HSL 71.87, 1%, 0.82%

LAB 96.9, -19.77, 41.56

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 33 / 0 / 66 / 14

HEX #93DC4A

RGB 147 220 74

HSL 90, 0.68%, 0.58%

LAB 80.67, -45.59, 62.02

 

CMYK 36 / 0 / 73 / 21

HEX #82CA37

RGB 130 202 55

HSL 89.39, 0.58%, 0.5%

LAB 74.36, -45.24, 62.35

 

CMYK 39 / 0 / 80 / 28

HEX #71B824

RGB 113 184 36

HSL 88.78, 0.67%, 0.43%

LAB 67.96, -44.69, 62.02

 

CMYK 42 / 0 / 90 / 35

HEX #60A611

RGB 96 166 17

HSL 88.19, 0.81%, 0.36%

LAB 61.48, -43.88, 60.55

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 15 / 0 / 61 / 7

HEX #CBEE5D

RGB 203 238 93

HSL 74.48, 0.81%, 0.65%

LAB 89.22, -31.46, 64.51

 

CMYK 0 / 2 / 61 / 7

HEX #EEE95D

RGB 238 233 93

HSL 57.93, 0.81%, 0.65%

LAB 90.43, -15.17, 66.56

 

CMYK 0 / 18 / 61 / 7

HEX #EEC25D

RGB 238 194 93

HSL 41.79, 0.81%, 0.65%

LAB 80.49, 4.58, 55.62

 

CMYK 0 / 35 / 61 / 7

HEX #EE9B5D

RGB 238 155 93

HSL 25.66, 0.81%, 0.65%

LAB 71.15, 25.14, 44.81

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 47 / 0 / 61 / 7

HEX #7DEE5D

RGB 125 238 93

HSL 106.76, 0.81%, 0.65%

LAB 85.15, -58.17, 58.86

 

CMYK 61 / 0 / 58 / 7

HEX #5DEE64

RGB 93 238 100

HSL 122.9, 0.81%, 0.65%

LAB 84.17, -65.42, 54.44

 

CMYK 61 / 0 / 42 / 7

HEX #5DEE8B

RGB 93 238 139

HSL 139.03, 0.81%, 0.65%

LAB 84.66, -59.97, 36.62

 

CMYK 61 / 0 / 25 / 7

HEX #5DEEB2

RGB 93 238 178

HSL 155.17, 0.81%, 0.65%

LAB 85.35, -52.64, 17.69

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 35 / 0 / 69 / 1

HEX #A3FC4F

RGB 163 252 79

HSL 90.87, 0.97%, 0.65%

LAB 90.77, -53.04, 70.88

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 26 / 0 / 52 / 13

HEX #A4DF6B

RGB 164 223 107

HSL 90.52, 0.64%, 0.65%

LAB 82.77, -37.91, 50.35

 

CMYK 22 / 0 / 42 / 18

HEX #A4D17A

RGB 164 209 122

HSL 91.03, 0.49%, 0.65%

LAB 78.98, -29.71, 38.4

 

CMYK 15 / 0 / 30 / 24

HEX #A5C288

RGB 165 194 136

HSL 90, 0.32%, 0.65%

LAB 75.05, -20.12, 26.04

 

CMYK 8 / 0 / 16 / 29

HEX #A5B497

RGB 165 180 151

HSL 91.03, 0.16%, 0.65%

LAB 71.47, -10.56, 13.05

 

CMYK 0 / 2 / 61 / 7

HEX #EEE95D

RGB 238 233 93

HSL 57.93, 0.81%, 0.65%

LAB 90.43, -15.17, 66.56

 

CMYK 14 / 0 / 61 / 7

HEX #CCEE5D

RGB 204 238 93

HSL 74.07, 0.81%, 0.65%

LAB 89.29, -31.07, 64.6

 

CMYK 31 / 0 / 61 / 7

HEX #A5EE5D

RGB 165 238 93

HSL 90.21, 0.81%, 0.65%

LAB 86.97, -45.46, 61.39

 

CMYK 47 / 0 / 61 / 7

HEX #7FEE5D

RGB 127 238 93

HSL 105.93, 0.81%, 0.65%

LAB 85.23, -57.6, 58.96

 

CMYK 61 / 0 / 59 / 7

HEX #5DEE62

RGB 93 238 98

HSL 122.07, 0.81%, 0.65%

LAB 84.15, -65.64, 55.29

 

CMYK 46 / 0 / 90 / 12

HEX #7AE117

RGB 122 225 23

HSL 90.59, 0.81%, 0.49%

LAB 80.77, -58.35, 76.11

 

CMYK 39 / 0 / 76 / 8

HEX #8FEA38

RGB 143 234 56

HSL 90.67, 0.81%, 0.57%

LAB 84.47, -53.84, 72.04

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 23 / 0 / 46 / 5

HEX #B9F182

RGB 185 241 130

HSL 90.27, 0.8%, 0.73%

LAB 89.32, -36.05, 47.73

 

CMYK 16 / 0 / 31 / 4

HEX #CEF5A8

RGB 206 245 168

HSL 90.39, 0.79%, 0.81%

LAB 92.24, -25.66, 33.06

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 61 / 0 / 18 / 7

HEX #5DEEC2

RGB 93 238 194

HSL 161.79, 0.81%, 0.65%

LAB 85.69, -49.13, 9.84

 

CMYK 0 / 61 / 6 / 7

HEX #EE5DDF

RGB 238 93 223

HSL 306.21, 0.81%, 0.65%

LAB 62.79, 70.62, -39.28

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 61 / 31 / 0 / 7

HEX #5DA5EE

RGB 93 165 238

HSL 210.21, 0.81%, 0.65%

LAB 66.07, -0.89, -43.35

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA5

RGB 238 93 165

HSL 330.21, 0.81%, 0.65%

LAB 60.54, 62.57, -9.74

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 61 / 0 / 18 / 7

HEX #5DEEC2

RGB 93 238 194

HSL 161.79, 0.81%, 0.65%

LAB 85.69, -49.13, 9.84

 

CMYK 31 / 61 / 0 / 7

HEX #A55DEE

RGB 165 93 238

HSL 269.79, 0.81%, 0.65%

LAB 54.03, 56.07, -62.18

 

CMYK 0 / 61 / 43 / 7

HEX #EE5D88

RGB 238 93 136

HSL 342.21, 0.81%, 0.65%

LAB 59.69, 59.41, 5.86

 

CMYK 31 / 0 / 61 / 7

HEX #A4EE5D

RGB 164 238 93

HSL 90.62, 0.81%, 0.65%

LAB 86.91, -45.81, 61.31

 

CMYK 61 / 0 / 0 / 7

HEX #5DEEEE

RGB 93 238 238

HSL 180, 0.81%, 0.65%

LAB 86.82, -38.18, -11.57

 

CMYK 31 / 61 / 0 / 7

HEX #A55DEE

RGB 165 93 238

HSL 269.79, 0.81%, 0.65%

LAB 54.03, 56.07, -62.18

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

Description

Color code: HEX #A4EE5D | qconv.com Color code: HEX #A4EE5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 238 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 238 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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