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Color name
HEX #A4F768

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4F768 it is the complementary color #5B0897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4F768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4F768 shade: #A9F763, #BAFF76, #CBFF89, #DCFF9C and #EDFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4F768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4F768 shade: #A4F768, #93E555, #82D342, #71C12F and #60AF1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4F768 shade: #A4F768, #CAF768, #F1F768, #F7D668 and #F7B068

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4F768 shade: #A4F768, #7EF768, #68F779, #68F7A0 and #68F7C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4F768 shade matches the following richer shades: #A4F768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4F768 shade: #A4F768, #A6EA75, #A8DD82, #AAD08F and #ACC39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4F768 shade: #F2F768, #CCF768, #A6F768, #80F768 and #68F777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4F768 shade: #75F21A, #8CF541, #A4F768, #BCF990 and #D3FBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4F768 shade: #A4F768, #68F7D5 and #F768DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4F768 shade: #A4F768, #68A6F7 and #F768A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4F768 shade: #A4F768, #68F7D5, #B968F7 and #F7688A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4F768 shade: #A4F768, #68EDF7, #B968F7 and #F77268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

Complementary color

CMYK 40 / 95 / 0 / 41

HEX #5B0897

RGB 91 8 151

HSL 274.83, 0.9%, 0.31%

LAB 25.66, 56.37, -57.8

 

CMYK 32 / 0 / 60 / 3

HEX #A9F763

RGB 169 247 99

HSL 91.62, 0.9%, 0.68%

LAB 89.79, -47.39, 62.07

 

CMYK 27 / 0 / 54 / 0

HEX #BAFF76

RGB 186 255 118

HSL 90.22, 1%, 0.73%

LAB 93.13, -43.2, 57.89

 

CMYK 20 / 0 / 46 / 0

HEX #CBFF89

RGB 203 255 137

HSL 86.44, 1%, 0.77%

LAB 94.32, -35.23, 50.83

 

CMYK 14 / 0 / 39 / 0

HEX #DCFF9C

RGB 220 255 156

HSL 81.21, 1%, 0.81%

LAB 95.64, -26.93, 43.61

 

CMYK 7 / 0 / 31 / 0

HEX #EDFFAF

RGB 237 255 175

HSL 73.5, 1%, 0.84%

LAB 97.07, -18.42, 36.35

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 36 / 0 / 63 / 10

HEX #93E555

RGB 147 229 85

HSL 94.17, 0.73%, 0.62%

LAB 83.39, -48.49, 60.51

 

CMYK 38 / 0 / 69 / 17

HEX #82D342

RGB 130 211 66

HSL 93.52, 0.62%, 0.54%

LAB 77.12, -48.24, 61.13

 

CMYK 41 / 0 / 76 / 24

HEX #71C12F

RGB 113 193 47

HSL 92.88, 0.61%, 0.47%

LAB 70.77, -47.81, 61.28

 

CMYK 45 / 0 / 84 / 31

HEX #60AF1C

RGB 96 175 28

HSL 92.24, 0.72%, 0.4%

LAB 64.35, -47.14, 60.61

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 18 / 0 / 58 / 3

HEX #CAF768

RGB 202 247 104

HSL 78.88, 0.9%, 0.69%

LAB 91.72, -35.11, 62.63

 

CMYK 2 / 0 / 58 / 3

HEX #F1F768

RGB 241 247 104

HSL 62.52, 0.9%, 0.69%

LAB 94.41, -20.03, 66.37

 

CMYK 0 / 13 / 58 / 3

HEX #F7D668

RGB 247 214 104

HSL 46.15, 0.9%, 0.69%

LAB 86.44, -1.25, 57.56

 

CMYK 0 / 29 / 58 / 3

HEX #F7B068

RGB 247 176 104

HSL 30.21, 0.9%, 0.69%

LAB 77.18, 18.5, 46.72

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 49 / 0 / 58 / 3

HEX #7EF768

RGB 126 247 104

HSL 110.77, 0.9%, 0.69%

LAB 87.95, -60.2, 57.33

 

CMYK 58 / 0 / 51 / 3

HEX #68F779

RGB 104 247 121

HSL 127.13, 0.9%, 0.69%

LAB 87.41, -63.63, 48.84

 

CMYK 58 / 0 / 35 / 3

HEX #68F7A0

RGB 104 247 160

HSL 143.5, 0.9%, 0.69%

LAB 87.97, -57.54, 30.54

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 29 / 0 / 50 / 8

HEX #A6EA75

RGB 166 234 117

HSL 94.87, 0.74%, 0.69%

LAB 86.12, -41.03, 49.73

 

CMYK 24 / 0 / 41 / 13

HEX #A8DD82

RGB 168 221 130

HSL 94.95, 0.57%, 0.69%

LAB 82.73, -32.89, 39.23

 

CMYK 18 / 0 / 31 / 18

HEX #AAD08F

RGB 170 208 143

HSL 95.08, 0.41%, 0.69%

LAB 79.41, -24.19, 28.28

 

CMYK 12 / 0 / 21 / 24

HEX #ACC39B

RGB 172 195 155

HSL 94.5, 0.25%, 0.69%

LAB 76.17, -15.12, 17.54

 

CMYK 2 / 0 / 58 / 3

HEX #F2F768

RGB 242 247 104

HSL 62.1, 0.9%, 0.69%

LAB 94.48, -19.63, 66.47

 

CMYK 17 / 0 / 58 / 3

HEX #CCF768

RGB 204 247 104

HSL 78.04, 0.9%, 0.69%

LAB 91.85, -34.36, 62.81

 

CMYK 33 / 0 / 58 / 3

HEX #A6F768

RGB 166 247 104

HSL 93.99, 0.9%, 0.69%

LAB 89.69, -47.96, 59.78

 

CMYK 48 / 0 / 58 / 3

HEX #80F768

RGB 128 247 104

HSL 109.93, 0.9%, 0.69%

LAB 88.02, -59.65, 57.43

 

CMYK 58 / 0 / 52 / 3

HEX #68F777

RGB 104 247 119

HSL 126.29, 0.9%, 0.69%

LAB 87.39, -63.89, 49.74

 

CMYK 52 / 0 / 89 / 5

HEX #75F21A

RGB 117 242 26

HSL 94.72, 0.89%, 0.53%

LAB 85.69, -65.88, 79.67

 

CMYK 43 / 0 / 73 / 4

HEX #8CF541

RGB 140 245 65

HSL 95, 0.9%, 0.61%

LAB 87.61, -58.58, 72.2

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 24 / 0 / 42 / 2

HEX #BCF990

RGB 188 249 144

HSL 94.86, 0.9%, 0.77%

LAB 91.89, -36.96, 44.26

 

CMYK 16 / 0 / 27 / 2

HEX #D3FBB7

RGB 211 251 183

HSL 95.29, 0.89%, 0.85%

LAB 94.42, -24.63, 28.48

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 58 / 0 / 14 / 3

HEX #68F7D5

RGB 104 247 213

HSL 165.73, 0.9%, 0.69%

LAB 89.05, -46.55, 4.81

 

CMYK 0 / 58 / 10 / 3

HEX #F768DF

RGB 247 104 223

HSL 310.07, 0.9%, 0.69%

LAB 65.75, 68.35, -34.56

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 58 / 33 / 0 / 3

HEX #68A6F7

RGB 104 166 247

HSL 213.99, 0.9%, 0.69%

LAB 67.23, 3.48, -46.42

 

CMYK 0 / 58 / 33 / 3

HEX #F768A6

RGB 247 104 166

HSL 333.99, 0.9%, 0.69%

LAB 63.7, 60.63, -5.46

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 58 / 0 / 14 / 3

HEX #68F7D5

RGB 104 247 213

HSL 165.73, 0.9%, 0.69%

LAB 89.05, -46.55, 4.81

 

CMYK 25 / 58 / 0 / 3

HEX #B968F7

RGB 185 104 247

HSL 273.99, 0.9%, 0.69%

LAB 58.91, 57.18, -59.23

 

CMYK 0 / 58 / 44 / 3

HEX #F7688A

RGB 247 104 138

HSL 345.73, 0.9%, 0.69%

LAB 62.94, 57.64, 9.52

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 58 / 4 / 0 / 3

HEX #68EDF7

RGB 104 237 247

HSL 184.2, 0.9%, 0.69%

LAB 87.11, -33.45, -15.83

 

CMYK 25 / 58 / 0 / 3

HEX #B968F7

RGB 185 104 247

HSL 273.99, 0.9%, 0.69%

LAB 58.91, 57.18, -59.23

 

CMYK 0 / 54 / 58 / 3

HEX #F77268

RGB 247 114 104

HSL 4.2, 0.9%, 0.69%

LAB 64.01, 50.18, 30.33

 

Description

Color code: HEX #A4F768 | qconv.com Color code: HEX #A4F768 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 247 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 247 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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