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Color name
HEX #A4FDBE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4FDBE it is the complementary color #5B0241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4FDBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4FDBE shade: #A9FDB9, #BAFFCC, #CBFFDF, #DCFFF2 and #EDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4FDBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4FDBE shade: #A4FDBE, #93EBAB, #82D998, #71C785 and #60B572

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4FDBE shade: #A5FDBE, #A5FDA7, #BAFDA5, #D2FDA5 and #EAFDA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4FDBE shade: #A5FDBE, #A5FDD6, #A5FDEE, #A5F4FD and #A5DCFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4FDBE shade matches the following richer shades: #A5FDBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4FDBE shade: #A5FDBE, #ACF5C1, #B3EEC4, #BBE6C8 and #C2DFCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4FDBE shade: #BBFDA5, #A5FDA6, #A5FDBE, #A5FDD5 and #A5FDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4FDBE shade: #54FB85, #7CFCA1, #A5FDBE, #CDFDDB and #F5FEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4FDBE shade: #A4FDBE, #A5D2FD and #FDA5AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4FDBE shade: #A4FDBE, #BEA5FD and #FDBEA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4FDBE shade: #A4FDBE, #A5D2FD, #FDA5E4 and #FDCFA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4FDBE shade: #A4FDBE, #A5B8FD, #FDA5E4 and #FDEAA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

Complementary color

CMYK 0 / 98 / 29 / 64

HEX #5B0241

RGB 91 2 65

HSL 317.53, 0.96%, 0.18%

LAB 18.58, 41.85, -13.1

 

CMYK 33 / 0 / 27 / 1

HEX #A9FDB9

RGB 169 253 185

HSL 131.43, 0.95%, 0.83%

LAB 92.66, -38.85, 24.67

 

CMYK 27 / 0 / 20 / 0

HEX #BAFFCC

RGB 186 255 204

HSL 135.65, 1%, 0.86%

LAB 94.45, -31.28, 17.6

 

CMYK 20 / 0 / 13 / 0

HEX #CBFFDF

RGB 203 255 223

HSL 143.08, 1%, 0.9%

LAB 95.81, -22.56, 9.92

 

CMYK 14 / 0 / 5 / 0

HEX #DCFFF2

RGB 220 255 242

HSL 157.71, 1%, 0.93%

LAB 97.29, -13.67, 2.42

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

CMYK 37 / 0 / 27 / 8

HEX #93EBAB

RGB 147 235 171

HSL 136.36, 0.69%, 0.75%

LAB 86.29, -39.72, 22.91

 

CMYK 40 / 0 / 30 / 15

HEX #82D998

RGB 130 217 152

HSL 135.17, 0.53%, 0.68%

LAB 79.98, -39.98, 23.99

 

CMYK 43 / 0 / 33 / 22

HEX #71C785

RGB 113 199 133

HSL 133.95, 0.43%, 0.61%

LAB 73.58, -40.22, 25.15

 

CMYK 47 / 0 / 37 / 29

HEX #60B572

RGB 96 181 114

HSL 132.71, 0.36%, 0.54%

LAB 67.09, -40.43, 26.38

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 35 / 0 / 34 / 1

HEX #A5FDA7

RGB 165 253 167

HSL 121.36, 0.96%, 0.82%

LAB 92.15, -43, 33.03

 

CMYK 26 / 0 / 35 / 1

HEX #BAFDA5

RGB 186 253 165

HSL 105.68, 0.96%, 0.82%

LAB 93.19, -36.64, 35.6

 

CMYK 17 / 0 / 35 / 1

HEX #D2FDA5

RGB 210 253 165

HSL 89.32, 0.96%, 0.82%

LAB 94.6, -28.44, 37.72

 

CMYK 8 / 0 / 35 / 1

HEX #EAFDA5

RGB 234 253 165

HSL 72.95, 0.96%, 0.82%

LAB 96.19, -19.79, 40.1

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 35 / 0 / 15 / 1

HEX #A5FDD6

RGB 165 253 214

HSL 153.41, 0.96%, 0.82%

LAB 93.06, -34.65, 10.35

 

CMYK 35 / 0 / 6 / 1

HEX #A5FDEE

RGB 165 253 238

HSL 169.77, 0.96%, 0.82%

LAB 93.63, -29.63, -1.21

 

CMYK 35 / 4 / 0 / 1

HEX #A5F4FD

RGB 165 244 253

HSL 186.14, 0.96%, 0.82%

LAB 91.59, -21.9, -12.01

 

CMYK 35 / 13 / 0 / 1

HEX #A5DCFD

RGB 165 220 253

HSL 202.5, 0.96%, 0.82%

LAB 85.14, -9.8, -21.71

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 30 / 0 / 21 / 4

HEX #ACF5C1

RGB 172 245 193

HSL 137.26, 0.78%, 0.82%

LAB 90.75, -32.89, 17.95

 

CMYK 25 / 0 / 18 / 7

HEX #B3EEC4

RGB 179 238 196

HSL 137.29, 0.63%, 0.82%

LAB 89.26, -26.88, 14.36

 

CMYK 19 / 0 / 13 / 10

HEX #BBE6C8

RGB 187 230 200

HSL 138.14, 0.46%, 0.82%

LAB 87.64, -19.7, 10.04

 

CMYK 13 / 0 / 9 / 13

HEX #C2DFCB

RGB 194 223 203

HSL 138.62, 0.31%, 0.82%

LAB 86.28, -13.36, 6.58

 

CMYK 26 / 0 / 35 / 1

HEX #BBFDA5

RGB 187 253 165

HSL 105, 0.96%, 0.82%

LAB 93.25, -36.31, 35.69

 

CMYK 35 / 0 / 34 / 1

HEX #A5FDA6

RGB 165 253 166

HSL 120.68, 0.96%, 0.82%

LAB 92.13, -43.15, 33.51

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 35 / 0 / 16 / 1

HEX #A5FDD5

RGB 165 253 213

HSL 152.73, 0.96%, 0.82%

LAB 93.04, -34.84, 10.84

 

CMYK 35 / 0 / 6 / 1

HEX #A5FDED

RGB 165 253 237

HSL 169.09, 0.96%, 0.82%

LAB 93.61, -29.85, -0.73

 

CMYK 67 / 0 / 47 / 2

HEX #54FB85

RGB 84 251 133

HSL 137.6, 0.95%, 0.66%

LAB 88.24, -67.32, 44.09

 

CMYK 51 / 0 / 36 / 1

HEX #7CFCA1

RGB 124 252 161

HSL 137.34, 0.96%, 0.74%

LAB 90.08, -54.82, 32.97

 

CMYK 35 / 0 / 25 / 1

HEX #A5FDBE

RGB 165 253 190

HSL 137.05, 0.96%, 0.82%

LAB 92.56, -39.17, 21.96

 

CMYK 19 / 0 / 13 / 1

HEX #CDFDDB

RGB 205 253 219

HSL 137.5, 0.92%, 0.9%

LAB 95.31, -21.69, 11.27

 

CMYK 4 / 0 / 2 / 0

HEX #F5FEF8

RGB 245 254 248

HSL 140, 0.82%, 0.98%

LAB 98.86, -4.01, 1.83

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

CMYK 35 / 17 / 0 / 1

HEX #A5D2FD

RGB 165 210 253

HSL 209.32, 0.96%, 0.82%

LAB 82.48, -4.58, -25.76

 

CMYK 0 / 35 / 31 / 1

HEX #FDA5AF

RGB 253 165 175

HSL 353.18, 0.96%, 0.82%

LAB 76.61, 33.75, 8.39

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

CMYK 25 / 35 / 0 / 1

HEX #BEA5FD

RGB 190 165 253

HSL 257.05, 0.96%, 0.82%

LAB 72.86, 27.03, -40.45

 

CMYK 0 / 25 / 35 / 1

HEX #FDBEA5

RGB 253 190 165

HSL 17.05, 0.96%, 0.82%

LAB 82.07, 19.41, 21.45

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

CMYK 35 / 17 / 0 / 1

HEX #A5D2FD

RGB 165 210 253

HSL 209.32, 0.96%, 0.82%

LAB 82.48, -4.58, -25.76

 

CMYK 0 / 35 / 10 / 1

HEX #FDA5E4

RGB 253 165 228

HSL 317.05, 0.96%, 0.82%

LAB 78.11, 41.48, -18.31

 

CMYK 0 / 18 / 35 / 1

HEX #FDCFA5

RGB 253 207 165

HSL 28.64, 0.96%, 0.82%

LAB 86.12, 10.53, 26.98

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBE

RGB 164 253 190

HSL 137.53, 0.96%, 0.82%

LAB 92.51, -39.46, 21.89

 

CMYK 35 / 27 / 0 / 1

HEX #A5B8FD

RGB 165 184 253

HSL 227.05, 0.96%, 0.82%

LAB 75.68, 9.48, -36.21

 

CMYK 0 / 35 / 10 / 1

HEX #FDA5E4

RGB 253 165 228

HSL 317.05, 0.96%, 0.82%

LAB 78.11, 41.48, -18.31

 

CMYK 0 / 8 / 35 / 1

HEX #FDEAA5

RGB 253 234 165

HSL 47.05, 0.96%, 0.82%

LAB 92.77, -3.29, 35.89

 

Description

Color code: HEX #A4FDBE | qconv.com Color code: HEX #A4FDBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 253 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 253 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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