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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A505B7 it is the complementary color #5AFA48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A505B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A505B7 shade: #AA05B2, #BB17C5, #CC29D8, #DD3BEB and #EE4DFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A505B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A505B7 shade: #A505B7, #9400A4, #830091, #72007E and #61006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A505B7 shade: #A504B7, #B70499, #B70469, #B70439 and #B70408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A505B7 shade: #A504B7, #7504B7, #4504B7, #1404B7 and #0404B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A505B7 shade matches the following richer shades: #A504B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A505B7 shade: #A504B7, #9913A8, #8D2399, #81328A and #75417A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A505B7 shade: #4304B7, #7304B7, #A304B7, #B7049D and #B7046D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A505B7 shade: #5D0267, #81038F, #A504B7, #CA05E0 and #E216F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A505B7 shade: #A505B7, #B71304 and #04B75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A505B7 shade: #A505B7, #B7A304 and #04B7A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A505B7 shade: #A505B7, #B71304, #19B704 and #04A9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A505B7 shade: #A505B7, #B74904, #19B704 and #0473B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

Complementary color

CMYK 64 / 0 / 71 / 2

HEX #5AFA48

RGB 90 250 72

HSL 113.93, 0.95%, 0.63%

LAB 87.49, -72.73, 69.17

 

CMYK 4 / 97 / 0 / 30

HEX #AA05B2

RGB 170 5 178

HSL 297.23, 0.95%, 0.36%

LAB 41.01, 73.21, -48.57

 

CMYK 5 / 88 / 0 / 23

HEX #BB17C5

RGB 187 23 197

HSL 296.55, 0.79%, 0.43%

LAB 45.92, 76.83, -51.68

 

CMYK 6 / 81 / 0 / 15

HEX #CC29D8

RGB 204 41 216

HSL 295.89, 0.69%, 0.5%

LAB 51.13, 79.28, -54.12

 

CMYK 6 / 75 / 0 / 8

HEX #DD3BEB

RGB 221 59 235

HSL 295.23, 0.81%, 0.58%

LAB 56.58, 80.78, -55.99

 

CMYK 6 / 70 / 0 / 0

HEX #EE4DFE

RGB 238 77 254

HSL 294.58, 0.99%, 0.65%

LAB 62.2, 81.59, -57.44

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 10 / 100 / 0 / 36

HEX #9400A4

RGB 148 0 164

HSL 294.15, 1%, 0.32%

LAB 35.94, 68.04, -48.56

 

CMYK 10 / 100 / 0 / 43

HEX #830091

RGB 131 0 145

HSL 294.21, 1%, 0.28%

LAB 31.51, 62.21, -44.28

 

CMYK 10 / 100 / 0 / 51

HEX #72007E

RGB 114 0 126

HSL 294.29, 1%, 0.25%

LAB 26.97, 56.24, -39.89

 

CMYK 9 / 100 / 0 / 58

HEX #61006B

RGB 97 0 107

HSL 294.39, 1%, 0.21%

LAB 22.31, 50.11, -35.38

 

CMYK 10 / 98 / 0 / 28

HEX #A504B7

RGB 165 4 183

HSL 293.97, 0.96%, 0.37%

LAB 40.42, 73.32, -52.52

 

CMYK 0 / 98 / 16 / 28

HEX #B70499

RGB 183 4 153

HSL 310.06, 0.96%, 0.37%

LAB 41.93, 72.03, -31.99

 

CMYK 0 / 98 / 43 / 28

HEX #B70469

RGB 183 4 105

HSL 326.15, 0.96%, 0.37%

LAB 39.87, 66.73, -5.46

 

CMYK 0 / 98 / 69 / 28

HEX #B70439

RGB 183 4 57

HSL 342.23, 0.96%, 0.37%

LAB 38.64, 63.42, 23.47

 

CMYK 0 / 98 / 96 / 28

HEX #B70408

RGB 183 4 8

HSL 358.66, 0.96%, 0.37%

LAB 38.15, 62.08, 49.36

 

CMYK 10 / 98 / 0 / 28

HEX #A504B7

RGB 165 4 183

HSL 293.97, 0.96%, 0.37%

LAB 40.42, 73.32, -52.52

 

CMYK 36 / 98 / 0 / 28

HEX #7504B7

RGB 117 4 183

HSL 277.88, 0.96%, 0.37%

LAB 32.45, 66.81, -65.84

 

CMYK 62 / 98 / 0 / 28

HEX #4504B7

RGB 69 4 183

HSL 261.79, 0.96%, 0.37%

LAB 26.07, 62.65, -76.59

 

CMYK 89 / 98 / 0 / 28

HEX #1404B7

RGB 20 4 183

HSL 245.36, 0.96%, 0.37%

LAB 22.49, 60.95, -82.65

 

CMYK 98 / 98 / 0 / 28

HEX #0404B7

RGB 4 4 183

HSL 240, 0.96%, 0.37%

LAB 22.06, 60.78, -83.39

 

CMYK 10 / 98 / 0 / 28

HEX #A504B7

RGB 165 4 183

HSL 293.97, 0.96%, 0.37%

LAB 40.42, 73.32, -52.52

 

CMYK 10 / 98 / 0 / 28

HEX #A504B7

RGB 165 4 183

HSL 293.97, 0.96%, 0.37%

LAB 40.42, 73.32, -52.52

 

CMYK 9 / 89 / 0 / 34

HEX #9913A8

RGB 153 19 168

HSL 293.96, 0.8%, 0.37%

LAB 37.96, 66.97, -47.67

 

CMYK 8 / 77 / 0 / 40

HEX #8D2399

RGB 141 35 153

HSL 293.9, 0.63%, 0.37%

LAB 36.3, 58.12, -41.39

 

CMYK 7 / 64 / 0 / 46

HEX #81328A

RGB 129 50 138

HSL 293.86, 0.47%, 0.37%

LAB 35.56, 46.62, -33.5

 

CMYK 4 / 47 / 0 / 52

HEX #75417A

RGB 117 65 122

HSL 294.74, 0.3%, 0.37%

LAB 35.92, 32.08, -23.16

 

CMYK 63 / 98 / 0 / 28

HEX #4304B7

RGB 67 4 183

HSL 261.12, 0.96%, 0.37%

LAB 25.86, 62.53, -76.95

 

CMYK 37 / 98 / 0 / 28

HEX #7304B7

RGB 115 4 183

HSL 277.21, 0.96%, 0.37%

LAB 32.15, 66.58, -66.35

 

CMYK 11 / 98 / 0 / 28

HEX #A304B7

RGB 163 4 183

HSL 293.3, 0.96%, 0.37%

LAB 40.07, 73.01, -53.11

 

CMYK 0 / 98 / 14 / 28

HEX #B7049D

RGB 183 4 157

HSL 308.72, 0.96%, 0.37%

LAB 42.14, 72.56, -34.07

 

CMYK 0 / 98 / 40 / 28

HEX #B7046D

RGB 183 4 109

HSL 324.8, 0.96%, 0.37%

LAB 40.01, 67.1, -7.78

 

CMYK 10 / 98 / 0 / 60

HEX #5D0267

RGB 93 2 103

HSL 294.06, 0.96%, 0.21%

LAB 21.39, 48.24, -34.29

 

CMYK 10 / 98 / 0 / 44

HEX #81038F

RGB 129 3 143

HSL 294, 0.96%, 0.29%

LAB 31.15, 61.1, -43.64

 

CMYK 10 / 98 / 0 / 28

HEX #A504B7

RGB 165 4 183

HSL 293.97, 0.96%, 0.37%

LAB 40.42, 73.32, -52.52

 

CMYK 10 / 98 / 0 / 12

HEX #CA05E0

RGB 202 5 224

HSL 293.97, 0.96%, 0.45%

LAB 49.55, 85.35, -61.23

 

CMYK 9 / 91 / 0 / 2

HEX #E216F9

RGB 226 22 249

HSL 293.92, 0.95%, 0.53%

LAB 55.67, 91.33, -65.24

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 90 / 98 / 28

HEX #B71304

RGB 183 19 4

HSL 5.03, 0.96%, 0.37%

LAB 38.8, 60.12, 51.15

 

CMYK 98 / 0 / 50 / 28

HEX #04B75B

RGB 4 183 91

HSL 149.16, 0.96%, 0.37%

LAB 65.47, -59.49, 35.84

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 11 / 98 / 28

HEX #B7A304

RGB 183 163 4

HSL 53.3, 0.96%, 0.37%

LAB 66.73, -6.41, 69.17

 

CMYK 98 / 0 / 11 / 28

HEX #04B7A3

RGB 4 183 163

HSL 173.3, 0.96%, 0.37%

LAB 66.93, -43.21, -0.81

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 90 / 98 / 28

HEX #B71304

RGB 183 19 4

HSL 5.03, 0.96%, 0.37%

LAB 38.8, 60.12, 51.15

 

CMYK 86 / 0 / 98 / 28

HEX #19B704

RGB 25 183 4

HSL 112.96, 0.96%, 0.37%

LAB 65.03, -65.59, 64.54

 

CMYK 98 / 8 / 0 / 28

HEX #04A9B7

RGB 4 169 183

HSL 184.69, 0.96%, 0.37%

LAB 63.19, -30.75, -17.49

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 60 / 98 / 28

HEX #B74904

RGB 183 73 4

HSL 23.13, 0.96%, 0.37%

LAB 45.42, 41.96, 54.72

 

CMYK 86 / 0 / 98 / 28

HEX #19B704

RGB 25 183 4

HSL 112.96, 0.96%, 0.37%

LAB 65.03, -65.59, 64.54

 

CMYK 98 / 37 / 0 / 28

HEX #0473B7

RGB 4 115 183

HSL 202.79, 0.96%, 0.37%

LAB 46.59, -1.21, -43.3

 

Description

Color code: HEX #A505B7 | qconv.com Color code: HEX #A505B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 5 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 5 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 97 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 97% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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