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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A51B94 it is the complementary color #5AE46B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A51B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A51B94 shade: #AA1B8F, #BB2DA2, #CC3FB5, #DD51C8 and #EE63DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A51B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A51B94 shade: #A51B94, #940981, #83006E, #72005B and #610048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A51B94 shade: #A61B95, #A61B6F, #A61B4A, #A61B24 and #A61B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A51B94 shade: #A61B95, #921BA6, #6C1BA6, #461BA6 and #211BA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A51B94 shade matches the following richer shades: #A61B95 and #B60BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A51B94 shade: #A61B95, #962A89, #873A7D, #774A72 and #675966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A51B94 shade: #6C1BA6, #911BA6, #A61B96, #A61B71 and #A61B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A51B94 shade: #5F0F55, #831575, #A61B95, #CA20B5 and #DE36C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A51B94 shade: #A51B94, #A6471B and #1BA67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A51B94 shade: #A51B94, #96A61B and #1B96A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A51B94 shade: #A51B94, #A6471B, #1BA62B and #1B7AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A51B94 shade: #A51B94, #A6711B, #1BA62B and #1B50A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

Complementary color

CMYK 61 / 0 / 53 / 11

HEX #5AE46B

RGB 90 228 107

HSL 127.39, 0.72%, 0.62%

LAB 81.14, -61.64, 47.65

 

CMYK 0 / 84 / 16 / 33

HEX #AA1B8F

RGB 170 27 143

HSL 311.33, 0.73%, 0.39%

LAB 40.1, 64.83, -28.94

 

CMYK 0 / 76 / 13 / 27

HEX #BB2DA2

RGB 187 45 162

HSL 310.56, 0.61%, 0.45%

LAB 45.7, 66.55, -31.42

 

CMYK 0 / 69 / 11 / 20

HEX #CC3FB5

RGB 204 63 181

HSL 309.79, 0.58%, 0.52%

LAB 51.53, 67.38, -33.29

 

CMYK 0 / 63 / 10 / 13

HEX #DD51C8

RGB 221 81 200

HSL 309, 0.67%, 0.59%

LAB 57.49, 67.63, -34.74

 

CMYK 0 / 58 / 8 / 7

HEX #EE63DB

RGB 238 99 219

HSL 308.2, 0.8%, 0.66%

LAB 63.52, 67.51, -35.89

 

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

CMYK 0 / 94 / 13 / 42

HEX #940981

RGB 148 9 129

HSL 308.2, 0.89%, 0.31%

LAB 34.14, 61.51, -29.96

 

CMYK 0 / 100 / 16 / 49

HEX #83006E

RGB 131 0 110

HSL 309.62, 1%, 0.26%

LAB 29.29, 56.83, -25.8

 

CMYK 0 / 100 / 20 / 55

HEX #72005B

RGB 114 0 91

HSL 312.11, 1%, 0.22%

LAB 24.74, 50.82, -20.79

 

CMYK 0 / 100 / 26 / 62

HEX #610048

RGB 97 0 72

HSL 315.46, 1%, 0.19%

LAB 20.08, 44.66, -15.51

 

CMYK 0 / 84 / 10 / 35

HEX #A61B95

RGB 166 27 149

HSL 307.34, 0.72%, 0.38%

LAB 39.68, 64.84, -33.31

 

CMYK 0 / 84 / 33 / 35

HEX #A61B6F

RGB 166 27 111

HSL 323.74, 0.72%, 0.38%

LAB 37.91, 59.91, -12.54

 

CMYK 0 / 84 / 55 / 35

HEX #A61B4A

RGB 166 27 74

HSL 339.71, 0.72%, 0.38%

LAB 36.72, 56.43, 9.36

 

CMYK 0 / 84 / 78 / 35

HEX #A61B24

RGB 166 27 36

HSL 356.12, 0.72%, 0.38%

LAB 36.02, 54.34, 32.52

 

CMYK 0 / 84 / 84 / 35

HEX #A61B1B

RGB 166 27 27

HSL 0, 0.72%, 0.38%

LAB 35.93, 54.06, 37.58

 

CMYK 0 / 84 / 10 / 35

HEX #A61B95

RGB 166 27 149

HSL 307.34, 0.72%, 0.38%

LAB 39.68, 64.84, -33.31

 

CMYK 12 / 84 / 0 / 35

HEX #921BA6

RGB 146 27 166

HSL 291.37, 0.72%, 0.38%

LAB 37.2, 63.69, -47.75

 

CMYK 35 / 84 / 0 / 35

HEX #6C1BA6

RGB 108 27 166

HSL 274.96, 0.72%, 0.38%

LAB 31.17, 57.28, -57.81

 

CMYK 58 / 84 / 0 / 35

HEX #461BA6

RGB 70 27 166

HSL 258.56, 0.72%, 0.38%

LAB 26.27, 52.26, -66.04

 

CMYK 80 / 84 / 0 / 35

HEX #211BA6

RGB 33 27 166

HSL 242.59, 0.72%, 0.38%

LAB 23.2, 49.24, -71.22

 

CMYK 0 / 84 / 10 / 35

HEX #A61B95

RGB 166 27 149

HSL 307.34, 0.72%, 0.38%

LAB 39.68, 64.84, -33.31

 

CMYK 0 / 94 / 12 / 29

HEX #B60BA1

RGB 182 11 161

HSL 307.37, 0.89%, 0.38%

LAB 42.4, 72.22, -36.08

 

CMYK 0 / 84 / 10 / 35

HEX #A61B95

RGB 166 27 149

HSL 307.34, 0.72%, 0.38%

LAB 39.68, 64.84, -33.31

 

CMYK 0 / 72 / 9 / 41

HEX #962A89

RGB 150 42 137

HSL 307.22, 0.56%, 0.38%

LAB 37.75, 55.05, -29.22

 

CMYK 0 / 57 / 7 / 47

HEX #873A7D

RGB 135 58 125

HSL 307.79, 0.4%, 0.38%

LAB 37.22, 42.03, -22.8

 

CMYK 0 / 38 / 4 / 53

HEX #774A72

RGB 119 74 114

HSL 306.67, 0.23%, 0.38%

LAB 37.9, 25.89, -15.11

 

CMYK 0 / 14 / 1 / 60

HEX #675966

RGB 103 89 102

HSL 304.29, 0.07%, 0.38%

LAB 39.56, 8.28, -5.35

 

CMYK 35 / 84 / 0 / 35

HEX #6C1BA6

RGB 108 27 166

HSL 274.96, 0.72%, 0.38%

LAB 31.17, 57.28, -57.81

 

CMYK 13 / 84 / 0 / 35

HEX #911BA6

RGB 145 27 166

HSL 290.94, 0.72%, 0.38%

LAB 37.03, 63.51, -48.03

 

CMYK 0 / 84 / 10 / 35

HEX #A61B96

RGB 166 27 150

HSL 306.91, 0.72%, 0.38%

LAB 39.74, 64.99, -33.84

 

CMYK 0 / 84 / 32 / 35

HEX #A61B71

RGB 166 27 113

HSL 322.88, 0.72%, 0.38%

LAB 37.99, 60.14, -13.67

 

CMYK 0 / 84 / 55 / 35

HEX #A61B4B

RGB 166 27 75

HSL 339.28, 0.72%, 0.38%

LAB 36.74, 56.51, 8.75

 

CMYK 0 / 84 / 11 / 63

HEX #5F0F55

RGB 95 15 85

HSL 307.5, 0.73%, 0.22%

LAB 21.69, 42.32, -21.85

 

CMYK 0 / 84 / 11 / 49

HEX #831575

RGB 131 21 117

HSL 307.64, 0.72%, 0.3%

LAB 30.99, 54.02, -27.59

 

CMYK 0 / 84 / 10 / 35

HEX #A61B95

RGB 166 27 149

HSL 307.34, 0.72%, 0.38%

LAB 39.68, 64.84, -33.31

 

CMYK 0 / 84 / 10 / 21

HEX #CA20B5

RGB 202 32 181

HSL 307.41, 0.73%, 0.46%

LAB 48.17, 75.6, -38.6

 

CMYK 0 / 76 / 9 / 13

HEX #DE36C9

RGB 222 54 201

HSL 307.5, 0.72%, 0.54%

LAB 54.43, 77.2, -40.1

 

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

CMYK 0 / 57 / 84 / 35

HEX #A6471B

RGB 166 71 27

HSL 18.99, 0.72%, 0.38%

LAB 42.3, 36.79, 43.45

 

CMYK 84 / 0 / 23 / 35

HEX #1BA67F

RGB 27 166 127

HSL 163.17, 0.72%, 0.38%

LAB 60.81, -44.4, 10.4

 

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

CMYK 10 / 0 / 84 / 35

HEX #96A61B

RGB 150 166 27

HSL 66.91, 0.72%, 0.38%

LAB 64.83, -22.13, 62.52

 

CMYK 84 / 10 / 0 / 35

HEX #1B96A6

RGB 27 150 166

HSL 186.91, 0.72%, 0.38%

LAB 56.88, -25.72, -17.47

 

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

CMYK 0 / 57 / 84 / 35

HEX #A6471B

RGB 166 71 27

HSL 18.99, 0.72%, 0.38%

LAB 42.3, 36.79, 43.45

 

CMYK 84 / 0 / 74 / 35

HEX #1BA62B

RGB 27 166 43

HSL 126.91, 0.72%, 0.38%

LAB 59.6, -58.54, 50.75

 

CMYK 84 / 27 / 0 / 35

HEX #1B7AA6

RGB 27 122 166

HSL 198.99, 0.72%, 0.38%

LAB 48.14, -10.57, -30.94

 

CMYK 0 / 84 / 10 / 35

HEX #A51B94

RGB 165 27 148

HSL 307.39, 0.72%, 0.38%

LAB 39.45, 64.49, -33.09

 

CMYK 0 / 32 / 84 / 35

HEX #A6711B

RGB 166 113 27

HSL 37.12, 0.72%, 0.38%

LAB 51.83, 13.81, 51.91

 

CMYK 84 / 0 / 74 / 35

HEX #1BA62B

RGB 27 166 43

HSL 126.91, 0.72%, 0.38%

LAB 59.6, -58.54, 50.75

 

CMYK 84 / 52 / 0 / 35

HEX #1B50A6

RGB 27 80 166

HSL 217.12, 0.72%, 0.38%

LAB 35.45, 15.88, -51.14

 

Description

Color code: HEX #A51B94 | qconv.com Color code: HEX #A51B94 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 27 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 27 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 10 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 10% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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