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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A524A7 it is the complementary color #5ADB58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A524A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A524A7 shade: #AA24A2, #BB36B5, #CC48C8, #DD5ADB and #EE6CEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A524A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A524A7 shade: #A524A7, #941294, #830081, #72006E and #61005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A524A7 shade: #A623A8, #A82386, #A82362, #A8233F and #A82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A524A7 shade: #A623A8, #8223A8, #5E23A8, #3A23A8 and #2323A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A524A7 shade matches the following richer shades: #A623A8, #B613B8 and #C602C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A524A7 shade: #A623A8, #963497, #864487, #765576 and #666566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A524A7 shade: #5F23A8, #8223A8, #A623A8, #A82387 and #A82363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A524A7 shade: #631564, #841C86, #A623A8, #C72ACA and #D546D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A524A7 shade: #A524A7, #A83C23 and #23A871

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A524A7 shade: #A524A7, #A8A623 and #23A8A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A524A7 shade: #A524A7, #A83C23, #25A823 and #238FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A524A7 shade: #A524A7, #A86323, #25A823 and #2368A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

Complementary color

CMYK 59 / 0 / 60 / 14

HEX #5ADB58

RGB 90 219 88

HSL 119.08, 0.65%, 0.6%

LAB 78.19, -60.69, 52.81

 

CMYK 0 / 79 / 5 / 33

HEX #AA24A2

RGB 170 36 162

HSL 303.58, 0.65%, 0.4%

LAB 41.87, 65.4, -37.65

 

CMYK 0 / 71 / 3 / 27

HEX #BB36B5

RGB 187 54 181

HSL 302.71, 0.55%, 0.47%

LAB 47.67, 66.55, -39.54

 

CMYK 0 / 65 / 2 / 20

HEX #CC48C8

RGB 204 72 200

HSL 301.82, 0.56%, 0.54%

LAB 53.65, 66.99, -40.96

 

CMYK 0 / 59 / 1 / 13

HEX #DD5ADB

RGB 221 90 219

HSL 300.92, 0.66%, 0.61%

LAB 59.71, 66.98, -42.04

 

CMYK 0 / 55 / 0 / 7

HEX #EE6CEE

RGB 238 108 238

HSL 300, 0.79%, 0.68%

LAB 65.81, 66.69, -42.89

 

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

CMYK 0 / 88 / 0 / 42

HEX #941294

RGB 148 18 148

HSL 300, 0.78%, 0.33%

LAB 35.73, 62.97, -39.19

 

CMYK 0 / 100 / 2 / 49

HEX #830081

RGB 131 0 129

HSL 300.92, 1%, 0.26%

LAB 30.42, 59.62, -36.07

 

CMYK 0 / 100 / 4 / 55

HEX #72006E

RGB 114 0 110

HSL 302.11, 1%, 0.22%

LAB 25.87, 53.61, -31.43

 

CMYK 0 / 100 / 6 / 62

HEX #61005B

RGB 97 0 91

HSL 303.71, 1%, 0.19%

LAB 21.2, 47.43, -26.63

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 0 / 79 / 20 / 34

HEX #A82386

RGB 168 35 134

HSL 315.34, 0.66%, 0.4%

LAB 40, 61.16, -23.62

 

CMYK 0 / 79 / 42 / 34

HEX #A82362

RGB 168 35 98

HSL 331.58, 0.66%, 0.4%

LAB 38.57, 56.92, -3.29

 

CMYK 0 / 79 / 63 / 34

HEX #A8233F

RGB 168 35 63

HSL 347.37, 0.66%, 0.4%

LAB 37.64, 54.05, 17.74

 

CMYK 0 / 79 / 79 / 34

HEX #A82323

RGB 168 35 35

HSL 0, 0.66%, 0.4%

LAB 37.2, 52.68, 34.48

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 23 / 79 / 0 / 34

HEX #8223A8

RGB 130 35 168

HSL 282.86, 0.66%, 0.4%

LAB 35.55, 58.83, -51.75

 

CMYK 44 / 79 / 0 / 34

HEX #5E23A8

RGB 94 35 168

HSL 266.62, 0.66%, 0.4%

LAB 30.42, 52.71, -60.32

 

CMYK 65 / 79 / 0 / 34

HEX #3A23A8

RGB 58 35 168

HSL 250.38, 0.66%, 0.4%

LAB 26.53, 48.02, -66.86

 

CMYK 79 / 79 / 0 / 34

HEX #2323A8

RGB 35 35 168

HSL 240, 0.66%, 0.4%

LAB 24.91, 46.04, -69.6

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 1 / 90 / 0 / 28

HEX #B613B8

RGB 182 19 184

HSL 299.27, 0.81%, 0.4%

LAB 44.05, 74.56, -47.12

 

CMYK 1 / 99 / 0 / 21

HEX #C602C9

RGB 198 2 201

HSL 299.1, 0.98%, 0.4%

LAB 47.32, 81.48, -51.65

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 1 / 66 / 0 / 41

HEX #963497

RGB 150 52 151

HSL 299.39, 0.49%, 0.4%

LAB 39.87, 53.52, -34.4

 

CMYK 1 / 50 / 0 / 47

HEX #864487

RGB 134 68 135

HSL 299.1, 0.33%, 0.4%

LAB 39.5, 38.41, -25.42

 

CMYK 0 / 28 / 0 / 54

HEX #765576

RGB 118 85 118

HSL 300, 0.16%, 0.4%

LAB 40.66, 19.75, -13.38

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 43 / 79 / 0 / 34

HEX #5F23A8

RGB 95 35 168

HSL 267.07, 0.66%, 0.4%

LAB 30.55, 52.86, -60.11

 

CMYK 23 / 79 / 0 / 34

HEX #8223A8

RGB 130 35 168

HSL 282.86, 0.66%, 0.4%

LAB 35.55, 58.83, -51.75

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 0 / 79 / 41 / 34

HEX #A82363

RGB 168 35 99

HSL 331.13, 0.66%, 0.4%

LAB 38.6, 57.02, -3.88

 

CMYK 1 / 79 / 0 / 61

HEX #631564

RGB 99 21 100

HSL 299.24, 0.65%, 0.24%

LAB 24.03, 43.94, -28.04

 

CMYK 1 / 79 / 0 / 47

HEX #841C86

RGB 132 28 134

HSL 298.87, 0.65%, 0.32%

LAB 32.83, 55.06, -35.35

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

CMYK 1 / 79 / 0 / 21

HEX #C72ACA

RGB 199 42 202

HSL 298.88, 0.66%, 0.48%

LAB 49.57, 75.89, -48.62

 

CMYK 1 / 67 / 0 / 16

HEX #D546D7

RGB 213 70 215

HSL 299.17, 0.64%, 0.56%

LAB 55.52, 72.27, -46.47

 

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

CMYK 0 / 64 / 79 / 34

HEX #A83C23

RGB 168 60 35

HSL 11.28, 0.66%, 0.4%

LAB 40.7, 43.1, 38.09

 

CMYK 79 / 0 / 33 / 34

HEX #23A871

RGB 35 168 113

HSL 155.19, 0.66%, 0.4%

LAB 61.27, -47.65, 18.79

 

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

CMYK 0 / 1 / 79 / 34

HEX #A8A623

RGB 168 166 35

HSL 59.1, 0.66%, 0.4%

LAB 66.3, -14, 62.17

 

CMYK 79 / 0 / 1 / 34

HEX #23A8A6

RGB 35 168 166

HSL 179.1, 0.66%, 0.4%

LAB 62.61, -33.79, -8.83

 

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

CMYK 0 / 64 / 79 / 34

HEX #A83C23

RGB 168 60 35

HSL 11.28, 0.66%, 0.4%

LAB 40.7, 43.1, 38.09

 

CMYK 78 / 0 / 79 / 34

HEX #25A823

RGB 37 168 35

HSL 119.1, 0.66%, 0.4%

LAB 60.36, -58.5, 54.29

 

CMYK 79 / 15 / 0 / 34

HEX #238FA8

RGB 35 143 168

HSL 191.28, 0.66%, 0.4%

LAB 54.9, -20.69, -21.63

 

CMYK 1 / 78 / 0 / 35

HEX #A524A7

RGB 165 36 167

HSL 299.08, 0.65%, 0.4%

LAB 41.3, 65.16, -41.61

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 78 / 0 / 79 / 34

HEX #25A823

RGB 37 168 35

HSL 119.1, 0.66%, 0.4%

LAB 60.36, -58.5, 54.29

 

CMYK 79 / 38 / 0 / 34

HEX #2368A8

RGB 35 104 168

HSL 208.87, 0.66%, 0.4%

LAB 42.89, 1.85, -40.38

 

Description

Color code: HEX #A524A7 | qconv.com Color code: HEX #A524A7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 36 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 36 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 78 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 78% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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