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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A526CA it is the complementary color #5AD935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A526CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A526CA shade: #AA26C5, #BB38D8, #CC4AEB, #DD5CFE and #EE6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A526CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A526CA shade: #A526CA, #9414B7, #8302A4, #720091 and #61007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A526CA shade: #A426C9, #C926C2, #C92696, #C9266A and #C9263E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A526CA shade: #A426C9, #7826C9, #4C26C9 and #2626C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A526CA shade matches the following richer shades: #A426C9 and #AF12DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A526CA shade: #A426C9, #9939B5, #8F4DA2, #84608F and #7A737B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A526CA shade: #4C26C9, #7726C9, #A326C9, #C926C3 and #C92698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A526CA shade: #6B1984, #881FA6, #A426C9, #B73EDA and #C461E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A526CA shade: #A526CA, #C9262B and #26C962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A526CA shade: #A526CA, #C9A326 and #26C9A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A526CA shade: #A526CA, #C9262B, #4CC926 and #26C9C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A526CA shade: #A526CA, #C95126, #4CC926 and #269DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

Complementary color

CMYK 59 / 0 / 76 / 15

HEX #5AD935

RGB 90 217 53

HSL 106.46, 0.68%, 0.53%

LAB 77.31, -63.03, 65.39

 

CMYK 14 / 81 / 0 / 23

HEX #AA26C5

RGB 170 38 197

HSL 289.81, 0.68%, 0.46%

LAB 44.18, 70.69, -54.63

 

CMYK 13 / 74 / 0 / 15

HEX #BB38D8

RGB 187 56 216

HSL 289.13, 0.67%, 0.53%

LAB 49.92, 71.85, -56.2

 

CMYK 13 / 69 / 0 / 8

HEX #CC4AEB

RGB 204 74 235

HSL 288.45, 0.8%, 0.61%

LAB 55.82, 72.31, -57.35

 

CMYK 13 / 64 / 0 / 0

HEX #DD5CFE

RGB 221 92 254

HSL 287.78, 0.99%, 0.68%

LAB 61.81, 72.32, -58.2

 

CMYK 7 / 57 / 0 / 0

HEX #EE6EFF

RGB 238 110 255

HSL 292.97, 1%, 0.72%

LAB 66.94, 68.76, -50.47

 

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

CMYK 19 / 89 / 0 / 28

HEX #9414B7

RGB 148 20 183

HSL 287.12, 0.8%, 0.4%

LAB 38.23, 68.59, -56.21

 

CMYK 20 / 99 / 0 / 36

HEX #8302A4

RGB 131 2 164

HSL 287.78, 0.98%, 0.33%

LAB 33.03, 65.23, -53.42

 

CMYK 21 / 100 / 0 / 43

HEX #720091

RGB 114 0 145

HSL 287.17, 1%, 0.28%

LAB 28.44, 59.64, -49.4

 

CMYK 23 / 100 / 0 / 51

HEX #61007E

RGB 97 0 126

HSL 286.19, 1%, 0.25%

LAB 23.83, 53.62, -45.14

 

CMYK 18 / 81 / 0 / 21

HEX #A426C9

RGB 164 38 201

HSL 286.38, 0.68%, 0.47%

LAB 43.5, 70.36, -58.09

 

CMYK 0 / 81 / 3 / 21

HEX #C926C2

RGB 201 38 194

HSL 302.58, 0.68%, 0.47%

LAB 49.13, 76, -44.67

 

CMYK 0 / 81 / 25 / 21

HEX #C92696

RGB 201 38 150

HSL 318.77, 0.68%, 0.47%

LAB 46.98, 70.03, -22.05

 

CMYK 0 / 81 / 47 / 21

HEX #C9266A

RGB 201 38 106

HSL 334.97, 0.68%, 0.47%

LAB 45.42, 65.48, 2.47

 

CMYK 0 / 81 / 69 / 21

HEX #C9263E

RGB 201 38 62

HSL 351.17, 0.68%, 0.47%

LAB 44.45, 62.55, 28.38

 

CMYK 18 / 81 / 0 / 21

HEX #A426C9

RGB 164 38 201

HSL 286.38, 0.68%, 0.47%

LAB 43.5, 70.36, -58.09

 

CMYK 40 / 81 / 0 / 21

HEX #7826C9

RGB 120 38 201

HSL 270.18, 0.68%, 0.47%

LAB 37.11, 63.34, -68.78

 

CMYK 62 / 81 / 0 / 21

HEX #4C26C9

RGB 76 38 201

HSL 253.99, 0.68%, 0.47%

LAB 32.12, 57.98, -77.16

 

CMYK 81 / 81 / 0 / 21

HEX #2626C9

RGB 38 38 201

HSL 240, 0.68%, 0.47%

LAB 29.45, 55.17, -81.67

 

CMYK 18 / 81 / 0 / 21

HEX #A426C9

RGB 164 38 201

HSL 286.38, 0.68%, 0.47%

LAB 43.5, 70.36, -58.09

 

CMYK 20 / 92 / 0 / 14

HEX #AF12DC

RGB 175 18 220

HSL 286.63, 0.85%, 0.47%

LAB 45.24, 79.52, -66.14

 

CMYK 18 / 81 / 0 / 21

HEX #A426C9

RGB 164 38 201

HSL 286.38, 0.68%, 0.47%

LAB 43.5, 70.36, -58.09

 

CMYK 15 / 69 / 0 / 29

HEX #9939B5

RGB 153 57 181

HSL 286.45, 0.52%, 0.47%

LAB 42.82, 57.79, -47.59

 

CMYK 12 / 52 / 0 / 36

HEX #8F4DA2

RGB 143 77 162

HSL 286.59, 0.36%, 0.47%

LAB 43.88, 41.76, -34.74

 

CMYK 8 / 33 / 0 / 44

HEX #84608F

RGB 132 96 143

HSL 285.96, 0.2%, 0.47%

LAB 45.98, 23.42, -20.24

 

CMYK 1 / 7 / 0 / 52

HEX #7A737B

RGB 122 115 123

HSL 292.5, 0.03%, 0.47%

LAB 49.29, 4.28, -3.44

 

CMYK 62 / 81 / 0 / 21

HEX #4C26C9

RGB 76 38 201

HSL 253.99, 0.68%, 0.47%

LAB 32.12, 57.98, -77.16

 

CMYK 41 / 81 / 0 / 21

HEX #7726C9

RGB 119 38 201

HSL 269.82, 0.68%, 0.47%

LAB 36.98, 63.2, -69

 

CMYK 19 / 81 / 0 / 21

HEX #A326C9

RGB 163 38 201

HSL 286.01, 0.68%, 0.47%

LAB 43.34, 70.19, -58.35

 

CMYK 0 / 81 / 3 / 21

HEX #C926C3

RGB 201 38 195

HSL 302.21, 0.68%, 0.47%

LAB 49.18, 76.15, -45.17

 

CMYK 0 / 81 / 24 / 21

HEX #C92698

RGB 201 38 152

HSL 318.04, 0.68%, 0.47%

LAB 47.07, 70.28, -23.12

 

CMYK 19 / 81 / 0 / 48

HEX #6B1984

RGB 107 25 132

HSL 285.98, 0.68%, 0.31%

LAB 28.08, 50.49, -41.95

 

CMYK 18 / 81 / 0 / 35

HEX #881FA6

RGB 136 31 166

HSL 286.67, 0.69%, 0.39%

LAB 35.92, 60.79, -49.9

 

CMYK 18 / 81 / 0 / 21

HEX #A426C9

RGB 164 38 201

HSL 286.38, 0.68%, 0.47%

LAB 43.5, 70.36, -58.09

 

CMYK 16 / 72 / 0 / 15

HEX #B73EDA

RGB 183 62 218

HSL 286.54, 0.68%, 0.55%

LAB 50.19, 69.33, -56.95

 

CMYK 13 / 57 / 0 / 12

HEX #C461E0

RGB 196 97 224

HSL 286.77, 0.67%, 0.63%

LAB 57.72, 58.47, -48.21

 

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

CMYK 0 / 81 / 79 / 21

HEX #C9262B

RGB 201 38 43

HSL 358.16, 0.68%, 0.47%

LAB 44.2, 61.79, 39.28

 

CMYK 81 / 0 / 51 / 21

HEX #26C962

RGB 38 201 98

HSL 142.09, 0.68%, 0.47%

LAB 71.6, -62.04, 40.05

 

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

CMYK 0 / 19 / 81 / 21

HEX #C9A326

RGB 201 163 38

HSL 46.01, 0.68%, 0.47%

LAB 68.57, 2.3, 64.43

 

CMYK 81 / 0 / 19 / 21

HEX #26C9A3

RGB 38 201 163

HSL 166.01, 0.68%, 0.47%

LAB 72.78, -48.81, 7.7

 

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

CMYK 0 / 81 / 79 / 21

HEX #C9262B

RGB 201 38 43

HSL 358.16, 0.68%, 0.47%

LAB 44.2, 61.79, 39.28

 

CMYK 62 / 0 / 81 / 21

HEX #4CC926

RGB 76 201 38

HSL 106.01, 0.68%, 0.47%

LAB 71.86, -61.72, 64.54

 

CMYK 81 / 0 / 3 / 21

HEX #26C9C3

RGB 38 201 195

HSL 177.79, 0.68%, 0.47%

LAB 73.63, -40.18, -8.4

 

CMYK 18 / 81 / 0 / 21

HEX #A526CA

RGB 165 38 202

HSL 286.46, 0.68%, 0.47%

LAB 43.73, 70.72, -58.3

 

CMYK 0 / 60 / 81 / 21

HEX #C95126

RGB 201 81 38

HSL 15.83, 0.68%, 0.47%

LAB 50.03, 45.61, 47.63

 

CMYK 62 / 0 / 81 / 21

HEX #4CC926

RGB 76 201 38

HSL 106.01, 0.68%, 0.47%

LAB 71.86, -61.72, 64.54

 

CMYK 81 / 22 / 0 / 21

HEX #269DC9

RGB 38 157 201

HSL 196.2, 0.68%, 0.47%

LAB 60.55, -16.61, -31.59

 

Description

Color code: HEX #A526CA | qconv.com Color code: HEX #A526CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 38 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 38 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 81 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 81% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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