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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A527A6 it is the complementary color #5AD859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A527A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A527A6 shade: #AA27A1, #BB39B4, #CC4BC7, #DD5DDA and #EE6FED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A527A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A527A6 shade: #A527A6, #941593, #830380, #72006D and #61005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A527A6 shade: #A426A5, #A52684, #A52662, #A5263F and #A52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A527A6 shade: #A426A5, #8226A5, #6026A5, #3D26A5 and #2626A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A527A6 shade matches the following richer shades: #A426A5, #B416B5 and #C405C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A527A6 shade: #A426A5, #943794, #834784, #735873 and #636863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A527A6 shade: #5F26A5, #8126A5, #A326A5, #A52685 and #A52663

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A527A6 shade: #611762, #831E83, #A426A5, #C52EC6 and #D349D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A527A6 shade: #A527A6, #A53D26 and #26A570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A527A6 shade: #A527A6, #A5A326 and #26A5A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A527A6 shade: #A527A6, #A53D26, #28A526 and #268EA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A527A6 shade: #A527A6, #A56326, #28A526 and #2668A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

Complementary color

CMYK 58 / 0 / 59 / 15

HEX #5AD859

RGB 90 216 89

HSL 119.53, 0.62%, 0.6%

LAB 77.28, -59.49, 51.32

 

CMYK 0 / 77 / 5 / 33

HEX #AA27A1

RGB 170 39 161

HSL 304.12, 0.63%, 0.41%

LAB 42.11, 64.4, -36.68

 

CMYK 0 / 70 / 4 / 27

HEX #BB39B4

RGB 187 57 180

HSL 303.23, 0.53%, 0.48%

LAB 47.99, 65.35, -38.46

 

CMYK 0 / 63 / 2 / 20

HEX #CC4BC7

RGB 204 75 199

HSL 302.33, 0.56%, 0.55%

LAB 54.02, 65.65, -39.79

 

CMYK 0 / 58 / 1 / 13

HEX #DD5DDA

RGB 221 93 218

HSL 301.41, 0.65%, 0.62%

LAB 60.13, 65.54, -40.82

 

CMYK 0 / 53 / 0 / 7

HEX #EE6FED

RGB 238 111 237

HSL 300.47, 0.79%, 0.68%

LAB 66.26, 65.17, -41.63

 

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

CMYK 0 / 86 / 1 / 42

HEX #941593

RGB 148 21 147

HSL 300.47, 0.75%, 0.33%

LAB 35.87, 62.22, -38.35

 

CMYK 0 / 98 / 2 / 49

HEX #830380

RGB 131 3 128

HSL 301.41, 0.96%, 0.26%

LAB 30.52, 59, -35.29

 

CMYK 0 / 100 / 4 / 55

HEX #72006D

RGB 114 0 109

HSL 302.63, 1%, 0.22%

LAB 25.81, 53.45, -30.89

 

CMYK 0 / 100 / 7 / 62

HEX #61005A

RGB 97 0 90

HSL 304.33, 1%, 0.19%

LAB 21.13, 47.27, -26.06

 

CMYK 1 / 77 / 0 / 35

HEX #A426A5

RGB 164 38 165

HSL 299.53, 0.63%, 0.4%

LAB 41.21, 64.06, -40.57

 

CMYK 0 / 77 / 20 / 35

HEX #A52684

RGB 165 38 132

HSL 315.59, 0.63%, 0.4%

LAB 39.67, 59.3, -22.94

 

CMYK 0 / 77 / 41 / 35

HEX #A52662

RGB 165 38 98

HSL 331.65, 0.63%, 0.4%

LAB 38.32, 55.19, -3.72

 

CMYK 0 / 77 / 62 / 35

HEX #A5263F

RGB 165 38 63

HSL 348.19, 0.63%, 0.4%

LAB 37.38, 52.22, 17.3

 

CMYK 0 / 77 / 77 / 35

HEX #A52626

RGB 165 38 38

HSL 0, 0.63%, 0.4%

LAB 36.98, 50.91, 32.31

 

CMYK 1 / 77 / 0 / 35

HEX #A426A5

RGB 164 38 165

HSL 299.53, 0.63%, 0.4%

LAB 41.21, 64.06, -40.57

 

CMYK 21 / 77 / 0 / 35

HEX #8226A5

RGB 130 38 165

HSL 283.46, 0.63%, 0.4%

LAB 35.69, 57.19, -49.72

 

CMYK 42 / 77 / 0 / 35

HEX #6026A5

RGB 96 38 165

HSL 267.4, 0.63%, 0.4%

LAB 30.85, 51.01, -57.8

 

CMYK 63 / 77 / 0 / 35

HEX #3D26A5

RGB 61 38 165

HSL 250.87, 0.63%, 0.4%

LAB 27, 45.94, -64.26

 

CMYK 77 / 77 / 0 / 35

HEX #2626A5

RGB 38 38 165

HSL 240, 0.63%, 0.4%

LAB 25.31, 43.64, -67.12

 

CMYK 1 / 77 / 0 / 35

HEX #A426A5

RGB 164 38 165

HSL 299.53, 0.63%, 0.4%

LAB 41.21, 64.06, -40.57

 

CMYK 1 / 88 / 0 / 29

HEX #B416B5

RGB 180 22 181

HSL 299.62, 0.78%, 0.4%

LAB 43.67, 73.29, -45.98

 

CMYK 1 / 97 / 0 / 22

HEX #C405C6

RGB 196 5 198

HSL 299.38, 0.95%, 0.4%

LAB 46.87, 80.47, -50.65

 

CMYK 1 / 77 / 0 / 35

HEX #A426A5

RGB 164 38 165

HSL 299.53, 0.63%, 0.4%

LAB 41.21, 64.06, -40.57

 

CMYK 0 / 63 / 0 / 42

HEX #943794

RGB 148 55 148

HSL 300, 0.46%, 0.4%

LAB 39.86, 51.19, -32.63

 

CMYK 1 / 46 / 0 / 48

HEX #834784

RGB 131 71 132

HSL 299.02, 0.3%, 0.4%

LAB 39.58, 35.24, -23.5

 

CMYK 0 / 23 / 0 / 55

HEX #735873

RGB 115 88 115

HSL 300, 0.13%, 0.4%

LAB 41, 16.2, -11.07

 

CMYK 5 / 0 / 5 / 59

HEX #636863

RGB 99 104 99

HSL 120, 0.02%, 0.4%

LAB 43.44, -2.97, 2.14

 

CMYK 42 / 77 / 0 / 35

HEX #5F26A5

RGB 95 38 165

HSL 266.93, 0.63%, 0.4%

LAB 30.73, 50.84, -58.01

 

CMYK 22 / 77 / 0 / 35

HEX #8126A5

RGB 129 38 165

HSL 282.99, 0.63%, 0.4%

LAB 35.54, 56.99, -49.97

 

CMYK 1 / 77 / 0 / 35

HEX #A326A5

RGB 163 38 165

HSL 299.06, 0.63%, 0.4%

LAB 41.04, 63.85, -40.84

 

CMYK 0 / 77 / 19 / 35

HEX #A52685

RGB 165 38 133

HSL 315.12, 0.63%, 0.4%

LAB 39.71, 59.44, -23.49

 

CMYK 0 / 77 / 40 / 35

HEX #A52663

RGB 165 38 99

HSL 331.18, 0.63%, 0.4%

LAB 38.35, 55.29, -4.31

 

CMYK 1 / 77 / 0 / 62

HEX #611762

RGB 97 23 98

HSL 299.2, 0.62%, 0.24%

LAB 23.79, 42.38, -27.13

 

CMYK 0 / 77 / 0 / 49

HEX #831E83

RGB 131 30 131

HSL 300, 0.63%, 0.32%

LAB 32.68, 53.72, -33.72

 

CMYK 1 / 77 / 0 / 35

HEX #A426A5

RGB 164 38 165

HSL 299.53, 0.63%, 0.4%

LAB 41.21, 64.06, -40.57

 

CMYK 1 / 77 / 0 / 22

HEX #C52EC6

RGB 197 46 198

HSL 299.61, 0.62%, 0.48%

LAB 49.38, 73.82, -46.64

 

CMYK 0 / 66 / 0 / 17

HEX #D349D4

RGB 211 73 212

HSL 299.57, 0.62%, 0.56%

LAB 55.45, 70.22, -44.89

 

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

CMYK 0 / 63 / 77 / 35

HEX #A53D26

RGB 165 61 38

HSL 10.87, 0.63%, 0.4%

LAB 40.37, 41.66, 35.96

 

CMYK 77 / 0 / 32 / 35

HEX #26A570

RGB 38 165 112

HSL 154.96, 0.63%, 0.4%

LAB 60.33, -46.31, 18.06

 

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

CMYK 0 / 1 / 77 / 35

HEX #A5A326

RGB 165 163 38

HSL 59.06, 0.63%, 0.4%

LAB 65.23, -13.65, 60.18

 

CMYK 77 / 0 / 1 / 35

HEX #26A5A3

RGB 38 165 163

HSL 179.06, 0.63%, 0.4%

LAB 61.63, -32.97, -8.6

 

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

CMYK 0 / 63 / 77 / 35

HEX #A53D26

RGB 165 61 38

HSL 10.87, 0.63%, 0.4%

LAB 40.37, 41.66, 35.96

 

CMYK 76 / 0 / 77 / 35

HEX #28A526

RGB 40 165 38

HSL 119.06, 0.63%, 0.4%

LAB 59.44, -56.89, 52.43

 

CMYK 77 / 14 / 0 / 35

HEX #268EA5

RGB 38 142 165

HSL 190.87, 0.63%, 0.4%

LAB 54.53, -20.83, -20.47

 

CMYK 1 / 77 / 0 / 35

HEX #A527A6

RGB 165 39 166

HSL 299.53, 0.62%, 0.4%

LAB 41.54, 64.14, -40.63

 

CMYK 0 / 40 / 77 / 35

HEX #A56326

RGB 165 99 38

HSL 28.82, 0.63%, 0.4%

LAB 48.34, 21.69, 44.14

 

CMYK 76 / 0 / 77 / 35

HEX #28A526

RGB 40 165 38

HSL 119.06, 0.63%, 0.4%

LAB 59.44, -56.89, 52.43

 

CMYK 77 / 37 / 0 / 35

HEX #2668A5

RGB 38 104 165

HSL 208.82, 0.63%, 0.4%

LAB 42.81, 1.07, -38.74

 

Description

Color code: HEX #A527A6 | qconv.com Color code: HEX #A527A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 39 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 39 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 77 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 77% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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