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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5367F it is the complementary color #5AC980. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5367F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5367F shade: #AA367A, #BB488D, #CC5AA0, #DD6CB3 and #EE7EC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5367F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5367F shade: #A5367F, #94246C, #831259, #720046 and #610033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5367F shade: #A5357F, #A53561, #A53542 and #A53535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5367F shade: #A5357F, #A5359D, #8F35A5, #7135A5 and #5335A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5367F shade matches the following richer shades: #A5357F, #B72384, #C9128A and #DA0090

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5367F shade: #A5357F, #934779, #825974, #706A6E and #5E7C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5367F shade: #8F35A5, #A5359E, #A53580, #A53562 and #A53544

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5367F shade: #67214F, #862B67, #A5357F, #C14296 and #CB61A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5367F shade: #A5367F, #A57135 and #35A59E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5367F shade: #A5367F, #80A535 and #3580A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5367F shade: #A5367F, #A57135, #35A55B and #3569A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5367F shade: #A5367F, #A59235, #35A55B and #3548A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

Complementary color

CMYK 55 / 0 / 36 / 21

HEX #5AC980

RGB 90 201 128

HSL 140.54, 0.51%, 0.57%

LAB 73.22, -47.98, 27.14

 

CMYK 0 / 68 / 28 / 33

HEX #AA367A

RGB 170 54 122

HSL 324.83, 0.52%, 0.44%

LAB 42.14, 53.63, -12.91

 

CMYK 0 / 61 / 25 / 27

HEX #BB488D

RGB 187 72 141

HSL 324, 0.46%, 0.51%

LAB 48.41, 53.53, -14.67

 

CMYK 0 / 56 / 22 / 20

HEX #CC5AA0

RGB 204 90 160

HSL 323.16, 0.53%, 0.58%

LAB 54.75, 53.1, -16.05

 

CMYK 0 / 51 / 19 / 13

HEX #DD6CB3

RGB 221 108 179

HSL 322.3, 0.62%, 0.65%

LAB 61.09, 52.49, -17.19

 

CMYK 0 / 47 / 17 / 7

HEX #EE7EC6

RGB 238 126 198

HSL 321.43, 0.77%, 0.71%

LAB 67.41, 51.8, -18.14

 

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

CMYK 0 / 76 / 27 / 42

HEX #94246C

RGB 148 36 108

HSL 321.43, 0.61%, 0.36%

LAB 35.28, 52.42, -14.96

 

CMYK 0 / 86 / 32 / 49

HEX #831259

RGB 131 18 89

HSL 322.3, 0.76%, 0.29%

LAB 29.36, 50.92, -12.05

 

CMYK 0 / 100 / 39 / 55

HEX #720046

RGB 114 0 70

HSL 323.16, 1%, 0.22%

LAB 23.74, 48.26, -8.21

 

CMYK 0 / 100 / 47 / 62

HEX #610033

RGB 97 0 51

HSL 328.45, 1%, 0.19%

LAB 19.14, 42.24, -2.25

 

CMYK 0 / 68 / 23 / 35

HEX #A5357F

RGB 165 53 127

HSL 320.36, 0.51%, 0.43%

LAB 41.34, 53.29, -17.28

 

CMYK 0 / 68 / 41 / 35

HEX #A53561

RGB 165 53 97

HSL 336.43, 0.51%, 0.43%

LAB 40.26, 49.58, -0.24

 

CMYK 0 / 68 / 60 / 35

HEX #A53542

RGB 165 53 66

HSL 353.04, 0.51%, 0.43%

LAB 39.48, 46.8, 18.18

 

CMYK 0 / 68 / 68 / 35

HEX #A53535

RGB 165 53 53

HSL 0, 0.51%, 0.43%

LAB 39.25, 45.95, 25.93

 

CMYK 0 / 68 / 23 / 35

HEX #A5357F

RGB 165 53 127

HSL 320.36, 0.51%, 0.43%

LAB 41.34, 53.29, -17.28

 

CMYK 0 / 68 / 5 / 35

HEX #A5359D

RGB 165 53 157

HSL 304.29, 0.51%, 0.43%

LAB 42.73, 57.86, -33.35

 

CMYK 13 / 68 / 0 / 35

HEX #8F35A5

RGB 143 53 165

HSL 288.21, 0.51%, 0.43%

LAB 39.75, 54.04, -43.09

 

CMYK 32 / 68 / 0 / 35

HEX #7135A5

RGB 113 53 165

HSL 272.14, 0.51%, 0.43%

LAB 35.54, 47.27, -50.07

 

CMYK 50 / 68 / 0 / 35

HEX #5335A5

RGB 83 53 165

HSL 256.07, 0.51%, 0.43%

LAB 32.04, 41.18, -55.93

 

CMYK 0 / 68 / 23 / 35

HEX #A5357F

RGB 165 53 127

HSL 320.36, 0.51%, 0.43%

LAB 41.34, 53.29, -17.28

 

CMYK 0 / 81 / 28 / 28

HEX #B72384

RGB 183 35 132

HSL 320.68, 0.68%, 0.43%

LAB 42.67, 64.45, -18.04

 

CMYK 0 / 91 / 31 / 21

HEX #C9128A

RGB 201 18 138

HSL 320.66, 0.84%, 0.43%

LAB 45.2, 72.39, -17.53

 

CMYK 0 / 100 / 34 / 15

HEX #DA0090

RGB 218 0 144

HSL 320.37, 1%, 0.43%

LAB 48.16, 78.21, -16.36

 

CMYK 0 / 68 / 23 / 35

HEX #A5357F

RGB 165 53 127

HSL 320.36, 0.51%, 0.43%

LAB 41.34, 53.29, -17.28

 

CMYK 0 / 52 / 18 / 42

HEX #934779

RGB 147 71 121

HSL 320.53, 0.35%, 0.43%

LAB 41.36, 38.49, -13.82

 

CMYK 0 / 32 / 11 / 49

HEX #825974

RGB 130 89 116

HSL 320.49, 0.19%, 0.43%

LAB 42.99, 21.41, -8.51

 

CMYK 0 / 5 / 2 / 56

HEX #706A6E

RGB 112 106 110

HSL 320, 0.03%, 0.43%

LAB 45.47, 3.14, -1.4

 

CMYK 24 / 0 / 16 / 51

HEX #5E7C68

RGB 94 124 104

HSL 140, 0.14%, 0.43%

LAB 49.25, -15.16, 7.45

 

CMYK 13 / 68 / 0 / 35

HEX #8F35A5

RGB 143 53 165

HSL 288.21, 0.51%, 0.43%

LAB 39.75, 54.04, -43.09

 

CMYK 0 / 68 / 4 / 35

HEX #A5359E

RGB 165 53 158

HSL 303.75, 0.51%, 0.43%

LAB 42.78, 58.02, -33.87

 

CMYK 0 / 68 / 22 / 35

HEX #A53580

RGB 165 53 128

HSL 319.82, 0.51%, 0.43%

LAB 41.38, 53.43, -17.83

 

CMYK 0 / 68 / 41 / 35

HEX #A53562

RGB 165 53 98

HSL 335.89, 0.51%, 0.43%

LAB 40.29, 49.69, -0.82

 

CMYK 0 / 68 / 59 / 35

HEX #A53544

RGB 165 53 68

HSL 351.96, 0.51%, 0.43%

LAB 39.52, 46.94, 16.98

 

CMYK 0 / 68 / 23 / 60

HEX #67214F

RGB 103 33 79

HSL 320.57, 0.51%, 0.27%

LAB 25.37, 36.61, -12

 

CMYK 0 / 68 / 23 / 47

HEX #862B67

RGB 134 43 103

HSL 320.44, 0.51%, 0.35%

LAB 33.51, 45.15, -14.71

 

CMYK 0 / 68 / 23 / 35

HEX #A5357F

RGB 165 53 127

HSL 320.36, 0.51%, 0.43%

LAB 41.34, 53.29, -17.28

 

CMYK 0 / 66 / 22 / 24

HEX #C14296

RGB 193 66 150

HSL 320.31, 0.51%, 0.51%

LAB 48.8, 58.99, -19.37

 

CMYK 0 / 52 / 18 / 20

HEX #CB61A7

RGB 203 97 167

HSL 320.38, 0.5%, 0.59%

LAB 56.12, 50.48, -18.06

 

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

CMYK 0 / 32 / 68 / 35

HEX #A57135

RGB 165 113 53

HSL 32.14, 0.51%, 0.43%

LAB 51.91, 14.57, 40.65

 

CMYK 68 / 0 / 4 / 35

HEX #35A59E

RGB 53 165 158

HSL 176.25, 0.51%, 0.43%

LAB 61.77, -32.49, -5.54

 

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

CMYK 22 / 0 / 68 / 35

HEX #80A535

RGB 128 165 53

HSL 79.82, 0.51%, 0.43%

LAB 63.14, -29.55, 51.7

 

CMYK 68 / 22 / 0 / 35

HEX #3580A5

RGB 53 128 165

HSL 199.82, 0.51%, 0.43%

LAB 50.58, -11.04, -26.51

 

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

CMYK 0 / 32 / 68 / 35

HEX #A57135

RGB 165 113 53

HSL 32.14, 0.51%, 0.43%

LAB 51.91, 14.57, 40.65

 

CMYK 68 / 0 / 45 / 35

HEX #35A55B

RGB 53 165 91

HSL 140.36, 0.51%, 0.43%

LAB 60.27, -48.07, 29.37

 

CMYK 68 / 36 / 0 / 35

HEX #3569A5

RGB 53 105 165

HSL 212.14, 0.51%, 0.43%

LAB 43.62, 2.67, -37.42

 

CMYK 0 / 67 / 23 / 35

HEX #A5367F

RGB 165 54 127

HSL 320.54, 0.51%, 0.43%

LAB 41.48, 52.88, -17.06

 

CMYK 0 / 12 / 68 / 35

HEX #A59235

RGB 165 146 53

HSL 49.82, 0.51%, 0.43%

LAB 60.62, -3.86, 49.98

 

CMYK 68 / 0 / 45 / 35

HEX #35A55B

RGB 53 165 91

HSL 140.36, 0.51%, 0.43%

LAB 60.27, -48.07, 29.37

 

CMYK 68 / 56 / 0 / 35

HEX #3548A5

RGB 53 72 165

HSL 229.82, 0.51%, 0.43%

LAB 34.21, 24.09, -52.5

 

Description

Color code: HEX #A5367F | qconv.com Color code: HEX #A5367F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 54 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 54 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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