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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A530AB it is the complementary color #5ACF54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A530AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A530AB shade: #AA30A6, #BB42B9, #CC54CC, #DD66DF and #EE78F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A530AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A530AB shade: #A530AB, #941E98, #830C85, #720072 and #61005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A530AB shade: #A530AB, #AB308F, #AB306E, #AB304D and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A530AB shade: #A530AB, #8330AB, #6230AB, #4130AB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A530AB shade matches the following richer shades: #A530AB, #B51EBC and #C50CCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A530AB shade: #A530AB, #954199, #855387, #756575 and #657764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A530AB shade: #6330AB, #8430AB, #A430AB, #AB3090 and #AB306F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A530AB shade: #661E6A, #86278A, #A530AB, #C13CC8 and #CB5CD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A530AB shade: #A530AB, #AB4230 and #30AB73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A530AB shade: #A530AB, #ABA430 and #30ABA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A530AB shade: #A530AB, #AB4230, #36AB30 and #3098AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A530AB shade: #A530AB, #AB6730, #36AB30 and #3073AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

Complementary color

CMYK 57 / 0 / 59 / 19

HEX #5ACF54

RGB 90 207 84

HSL 117.07, 0.56%, 0.57%

LAB 74.47, -56.75, 50.31

 

CMYK 0 / 72 / 2 / 33

HEX #AA30A6

RGB 170 48 166

HSL 301.97, 0.56%, 0.43%

LAB 43.38, 62.34, -37.65

 

CMYK 0 / 65 / 1 / 27

HEX #BB42B9

RGB 187 66 185

HSL 300.99, 0.48%, 0.5%

LAB 49.45, 62.78, -39.07

 

CMYK 0 / 59 / 0 / 20

HEX #CC54CC

RGB 204 84 204

HSL 300, 0.54%, 0.56%

LAB 55.62, 62.74, -40.13

 

CMYK 1 / 54 / 0 / 13

HEX #DD66DF

RGB 221 102 223

HSL 299.01, 0.65%, 0.64%

LAB 61.83, 62.4, -40.95

 

CMYK 2 / 50 / 0 / 5

HEX #EE78F2

RGB 238 120 242

HSL 298.03, 0.82%, 0.71%

LAB 68.04, 61.88, -41.61

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 3 / 80 / 0 / 40

HEX #941E98

RGB 148 30 152

HSL 298.03, 0.67%, 0.36%

LAB 36.91, 60.88, -39.73

 

CMYK 2 / 91 / 0 / 48

HEX #830C85

RGB 131 12 133

HSL 299.01, 0.83%, 0.28%

LAB 31.3, 58.42, -37.16

 

CMYK 0 / 100 / 0 / 55

HEX #720072

RGB 114 0 114

HSL 300, 1%, 0.22%

LAB 26.13, 54.24, -33.59

 

CMYK 0 / 100 / 2 / 62

HEX #61005F

RGB 97 0 95

HSL 301.24, 1%, 0.19%

LAB 21.46, 48.07, -28.87

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 0 / 72 / 16 / 33

HEX #AB308F

RGB 171 48 143

HSL 313.66, 0.56%, 0.43%

LAB 42.39, 59.03, -25.36

 

CMYK 0 / 72 / 36 / 33

HEX #AB306E

RGB 171 48 110

HSL 329.76, 0.56%, 0.43%

LAB 41.05, 54.74, -7.08

 

CMYK 0 / 72 / 55 / 33

HEX #AB304D

RGB 171 48 77

HSL 345.85, 0.56%, 0.43%

LAB 40.09, 51.55, 12.28

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 23 / 72 / 0 / 33

HEX #8330AB

RGB 131 48 171

HSL 280.49, 0.56%, 0.43%

LAB 37.63, 54.75, -50.18

 

CMYK 43 / 72 / 0 / 33

HEX #6230AB

RGB 98 48 171

HSL 264.39, 0.56%, 0.43%

LAB 33.24, 48.26, -57.49

 

CMYK 62 / 72 / 0 / 33

HEX #4130AB

RGB 65 48 171

HSL 248.29, 0.56%, 0.43%

LAB 29.86, 42.92, -63.17

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 4 / 84 / 0 / 26

HEX #B51EBC

RGB 181 30 188

HSL 297.34, 0.72%, 0.43%

LAB 44.78, 73.07, -48.32

 

CMYK 4 / 94 / 0 / 19

HEX #C50CCE

RGB 197 12 206

HSL 297.22, 0.89%, 0.43%

LAB 47.74, 81.23, -53.88

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 3 / 58 / 0 / 40

HEX #954199

RGB 149 65 153

HSL 297.27, 0.4%, 0.43%

LAB 41.95, 47.77, -32.34

 

CMYK 1 / 39 / 0 / 47

HEX #855387

RGB 133 83 135

HSL 297.69, 0.24%, 0.43%

LAB 42.65, 29.7, -20.55

 

CMYK 0 / 14 / 0 / 54

HEX #756575

RGB 117 101 117

HSL 300, 0.07%, 0.43%

LAB 44.76, 9.49, -6.61

 

CMYK 15 / 0 / 16 / 53

HEX #657764

RGB 101 119 100

HSL 116.84, 0.09%, 0.43%

LAB 48.11, -10.62, 8.25

 

CMYK 42 / 72 / 0 / 33

HEX #6330AB

RGB 99 48 171

HSL 264.88, 0.56%, 0.43%

LAB 33.36, 48.44, -57.29

 

CMYK 23 / 72 / 0 / 33

HEX #8430AB

RGB 132 48 171

HSL 280.98, 0.56%, 0.43%

LAB 37.77, 54.96, -49.94

 

CMYK 4 / 72 / 0 / 33

HEX #A430AB

RGB 164 48 171

HSL 296.59, 0.56%, 0.43%

LAB 42.68, 61.84, -41.8

 

CMYK 0 / 72 / 16 / 33

HEX #AB3090

RGB 171 48 144

HSL 313.17, 0.56%, 0.43%

LAB 42.44, 59.17, -25.89

 

CMYK 0 / 72 / 35 / 33

HEX #AB306F

RGB 171 48 111

HSL 329.27, 0.56%, 0.43%

LAB 41.09, 54.86, -7.65

 

CMYK 4 / 72 / 0 / 58

HEX #661E6A

RGB 102 30 106

HSL 296.84, 0.56%, 0.27%

LAB 26.14, 42.36, -28.56

 

CMYK 3 / 72 / 0 / 46

HEX #86278A

RGB 134 39 138

HSL 297.58, 0.56%, 0.35%

LAB 34.71, 52.49, -34.81

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 4 / 70 / 0 / 22

HEX #C13CC8

RGB 193 60 200

HSL 297, 0.56%, 0.51%

LAB 50.38, 68.93, -46.24

 

CMYK 3 / 56 / 0 / 18

HEX #CB5CD1

RGB 203 92 209

HSL 296.92, 0.56%, 0.59%

LAB 57.03, 59.8, -40.77

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 0 / 61 / 72 / 33

HEX #AB4230

RGB 171 66 48

HSL 8.78, 0.56%, 0.43%

LAB 42.41, 41.99, 32.89

 

CMYK 72 / 0 / 33 / 33

HEX #30AB73

RGB 48 171 115

HSL 152.68, 0.56%, 0.43%

LAB 62.5, -46.65, 19.41

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 0 / 4 / 72 / 33

HEX #ABA430

RGB 171 164 48

HSL 56.59, 0.56%, 0.43%

LAB 66.08, -11.08, 57.67

 

CMYK 72 / 0 / 4 / 33

HEX #30ABA4

RGB 48 171 164

HSL 176.59, 0.56%, 0.43%

LAB 63.7, -34.31, -6.06

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 0 / 61 / 72 / 33

HEX #AB4230

RGB 171 66 48

HSL 8.78, 0.56%, 0.43%

LAB 42.41, 41.99, 32.89

 

CMYK 68 / 0 / 72 / 33

HEX #36AB30

RGB 54 171 48

HSL 117.07, 0.56%, 0.43%

LAB 61.76, -55.59, 51.24

 

CMYK 72 / 11 / 0 / 33

HEX #3098AB

RGB 48 152 171

HSL 189.27, 0.56%, 0.43%

LAB 58.06, -22.84, -18.48

 

CMYK 4 / 72 / 0 / 33

HEX #A530AB

RGB 165 48 171

HSL 297.07, 0.56%, 0.43%

LAB 42.84, 62.06, -41.53

 

CMYK 0 / 40 / 72 / 33

HEX #AB6730

RGB 171 103 48

HSL 26.83, 0.56%, 0.43%

LAB 50.18, 22.55, 41.49

 

CMYK 68 / 0 / 72 / 33

HEX #36AB30

RGB 54 171 48

HSL 117.07, 0.56%, 0.43%

LAB 61.76, -55.59, 51.24

 

CMYK 72 / 33 / 0 / 33

HEX #3073AB

RGB 48 115 171

HSL 207.32, 0.56%, 0.43%

LAB 46.75, -2.09, -36.01

 

Description

Color code: HEX #A530AB | qconv.com Color code: HEX #A530AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 48 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 48 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 72 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 72% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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