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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A540AF it is the complementary color #5ABF50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A540AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A540AF shade: #AA40AA, #BB52BD, #CC64D0, #DD76E3 and #EE88F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A540AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A540AF shade: #A540AF, #942E9C, #831C89, #720A76 and #610063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A540AF shade: #A540AE, #AE409B, #AE407D, #AE405F and #AE4041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A540AF shade: #A540AE, #8740AE, #6940AE, #4B40AE and #4040AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A540AF shade matches the following richer shades: #A540AE, #B42DC2, #C419D5 and #D406E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A540AF shade: #A540AE, #95549B, #856788, #757A74 and #658E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A540AF shade: #6940AE, #8640AE, #A340AE, #AE409C and #AE407F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A540AF shade: #6C2A72, #883590, #A540AE, #B757C1 and #C475CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A540AF shade: #A540AF, #AE4B40 and #40AE77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A540AF shade: #A540AF, #AEA340 and #40AEA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A540AF shade: #A540AF, #AE4B40, #4BAE40 and #40A3AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A540AF shade: #A540AF, #AE6C40, #4BAE40 and #4082AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

Complementary color

CMYK 53 / 0 / 58 / 25

HEX #5ABF50

RGB 90 191 80

HSL 114.59, 0.46%, 0.53%

LAB 69.48, -51.13, 46.36

 

CMYK 0 / 62 / 0 / 33

HEX #AA40AA

RGB 170 64 170

HSL 300, 0.45%, 0.46%

LAB 45.79, 56.84, -36.22

 

CMYK 1 / 57 / 0 / 26

HEX #BB52BD

RGB 187 82 189

HSL 298.88, 0.45%, 0.53%

LAB 52.15, 56.61, -37.15

 

CMYK 2 / 52 / 0 / 18

HEX #CC64D0

RGB 204 100 208

HSL 297.78, 0.53%, 0.6%

LAB 58.51, 56.13, -37.86

 

CMYK 3 / 48 / 0 / 11

HEX #DD76E3

RGB 221 118 227

HSL 296.7, 0.66%, 0.68%

LAB 64.86, 55.52, -38.43

 

CMYK 3 / 45 / 0 / 4

HEX #EE88F6

RGB 238 136 246

HSL 295.64, 0.86%, 0.75%

LAB 71.17, 54.83, -38.9

 

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

CMYK 5 / 71 / 0 / 39

HEX #942E9C

RGB 148 46 156

HSL 295.64, 0.54%, 0.4%

LAB 38.98, 56.32, -38.85

 

CMYK 4 / 80 / 0 / 46

HEX #831C89

RGB 131 28 137

HSL 296.7, 0.66%, 0.32%

LAB 32.84, 55.37, -37.2

 

CMYK 3 / 92 / 0 / 54

HEX #720A76

RGB 114 10 118

HSL 297.78, 0.84%, 0.25%

LAB 27.02, 53.07, -34.73

 

CMYK 2 / 100 / 0 / 61

HEX #610063

RGB 97 0 99

HSL 298.79, 1%, 0.19%

LAB 21.73, 48.73, -31.07

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 0 / 63 / 11 / 32

HEX #AE409B

RGB 174 64 155

HSL 310.36, 0.46%, 0.47%

LAB 45.68, 55.38, -27.43

 

CMYK 0 / 63 / 28 / 32

HEX #AE407D

RGB 174 64 125

HSL 326.73, 0.46%, 0.47%

LAB 44.44, 51.01, -11.2

 

CMYK 0 / 63 / 45 / 32

HEX #AE405F

RGB 174 64 95

HSL 343.09, 0.46%, 0.47%

LAB 43.49, 47.52, 5.88

 

CMYK 0 / 63 / 63 / 32

HEX #AE4041

RGB 174 64 65

HSL 359.45, 0.46%, 0.47%

LAB 42.83, 45, 23.46

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 22 / 63 / 0 / 32

HEX #8740AE

RGB 135 64 174

HSL 278.73, 0.46%, 0.47%

LAB 41.01, 48.97, -46.49

 

CMYK 40 / 63 / 0 / 32

HEX #6940AE

RGB 105 64 174

HSL 262.36, 0.46%, 0.47%

LAB 37.35, 42.04, -52.58

 

CMYK 57 / 63 / 0 / 32

HEX #4B40AE

RGB 75 64 174

HSL 246, 0.46%, 0.47%

LAB 34.43, 36.03, -57.44

 

CMYK 63 / 63 / 0 / 32

HEX #4040AE

RGB 64 64 174

HSL 240, 0.46%, 0.47%

LAB 33.59, 34.18, -58.86

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 7 / 77 / 0 / 24

HEX #B42DC2

RGB 180 45 194

HSL 294.36, 0.62%, 0.47%

LAB 46.28, 70.08, -49.43

 

CMYK 8 / 88 / 0 / 16

HEX #C419D5

RGB 196 25 213

HSL 294.57, 0.79%, 0.47%

LAB 48.55, 80.55, -56.6

 

CMYK 9 / 97 / 0 / 9

HEX #D406E9

RGB 212 6 233

HSL 294.45, 0.95%, 0.47%

LAB 51.85, 88.16, -62.54

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 4 / 46 / 0 / 39

HEX #95549B

RGB 149 84 155

HSL 294.93, 0.3%, 0.47%

LAB 45.77, 38.33, -27.57

 

CMYK 2 / 24 / 0 / 47

HEX #856788

RGB 133 103 136

HSL 294.55, 0.14%, 0.47%

LAB 47.58, 18.14, -13.61

 

CMYK 4 / 0 / 5 / 52

HEX #757A74

RGB 117 122 116

HSL 110, 0.03%, 0.47%

LAB 50.64, -3.09, 2.62

 

CMYK 29 / 0 / 32 / 44

HEX #658E61

RGB 101 142 97

HSL 114.67, 0.19%, 0.47%

LAB 55.05, -23.44, 19.58

 

CMYK 40 / 63 / 0 / 32

HEX #6940AE

RGB 105 64 174

HSL 262.36, 0.46%, 0.47%

LAB 37.35, 42.04, -52.58

 

CMYK 23 / 63 / 0 / 32

HEX #8640AE

RGB 134 64 174

HSL 278.18, 0.46%, 0.47%

LAB 40.88, 48.73, -46.71

 

CMYK 6 / 63 / 0 / 32

HEX #A340AE

RGB 163 64 174

HSL 294, 0.46%, 0.47%

LAB 44.95, 55.81, -39.97

 

CMYK 0 / 63 / 10 / 32

HEX #AE409C

RGB 174 64 156

HSL 309.82, 0.46%, 0.47%

LAB 45.72, 55.54, -27.96

 

CMYK 0 / 63 / 27 / 32

HEX #AE407F

RGB 174 64 127

HSL 325.64, 0.46%, 0.47%

LAB 44.52, 51.28, -12.31

 

CMYK 5 / 63 / 0 / 55

HEX #6C2A72

RGB 108 42 114

HSL 295, 0.46%, 0.31%

LAB 29.56, 40.05, -28.2

 

CMYK 6 / 63 / 0 / 44

HEX #883590

RGB 136 53 144

HSL 294.73, 0.46%, 0.39%

LAB 37.47, 48.23, -34.09

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 5 / 55 / 0 / 24

HEX #B757C1

RGB 183 87 193

HSL 294.34, 0.46%, 0.55%

LAB 52.66, 53.93, -38.69

 

CMYK 4 / 43 / 0 / 20

HEX #C475CC

RGB 196 117 204

HSL 294.48, 0.46%, 0.63%

LAB 60.62, 44.51, -32.39

 

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

CMYK 0 / 57 / 63 / 32

HEX #AE4B40

RGB 174 75 64

HSL 6, 0.46%, 0.47%

LAB 44.8, 39.7, 26.55

 

CMYK 63 / 0 / 32 / 32

HEX #40AE77

RGB 64 174 119

HSL 150, 0.46%, 0.47%

LAB 63.91, -44.21, 19.23

 

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

CMYK 0 / 6 / 63 / 32

HEX #AEA340

RGB 174 163 64

HSL 54, 0.46%, 0.47%

LAB 66.18, -8.31, 51.3

 

CMYK 63 / 0 / 6 / 32

HEX #40AEA3

RGB 64 174 163

HSL 174, 0.46%, 0.47%

LAB 64.97, -33.58, -3.59

 

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

CMYK 0 / 57 / 63 / 32

HEX #AE4B40

RGB 174 75 64

HSL 6, 0.46%, 0.47%

LAB 44.8, 39.7, 26.55

 

CMYK 57 / 0 / 63 / 32

HEX #4BAE40

RGB 75 174 64

HSL 114, 0.46%, 0.47%

LAB 63.46, -50.32, 46.6

 

CMYK 63 / 6 / 0 / 32

HEX #40A3AE

RGB 64 163 174

HSL 186, 0.46%, 0.47%

LAB 61.95, -25.07, -14.25

 

CMYK 6 / 63 / 0 / 31

HEX #A540AF

RGB 165 64 175

HSL 294.59, 0.46%, 0.47%

LAB 45.31, 56.49, -39.99

 

CMYK 0 / 38 / 63 / 32

HEX #AE6C40

RGB 174 108 64

HSL 24, 0.46%, 0.47%

LAB 51.94, 22.04, 35.24

 

CMYK 57 / 0 / 63 / 32

HEX #4BAE40

RGB 75 174 64

HSL 114, 0.46%, 0.47%

LAB 63.46, -50.32, 46.6

 

CMYK 63 / 25 / 0 / 32

HEX #4082AE

RGB 64 130 174

HSL 204, 0.46%, 0.47%

LAB 51.96, -7.22, -29.55

 

Description

Color code: HEX #A540AF | qconv.com Color code: HEX #A540AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 64 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 64 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 63 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 63% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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