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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A541F0 it is the complementary color #5ABE0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A541F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A541F0 shade: #AA41EB, #BB53FE, #CC65FF, #DD77FF and #EE89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A541F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A541F0 shade: #A541F0, #942FDD, #831DCA, #720BB7 and #6100A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A541F0 shade: #A542EF, #D442EF, #EF42DC, #EF42AD and #EF427E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A541F0 shade: #A542EF, #7642EF, #4742EF and #4242EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A541F0 shade matches the following richer shades: #A542EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A541F0 shade: #A542EF, #A352DF, #A063CE, #9E73BE and #9B84AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A541F0 shade: #4842EF, #7642EF, #A442EF, #D242EF and #EF42DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A541F0 shade: #7D10CE, #931CEC, #A542EF, #B768F2 and #C98EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A541F0 shade: #A541F0, #EF426A and #42EF5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A541F0 shade: #A541F0, #EFA442 and #42EFA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A541F0 shade: #A541F0, #EF426A, #8DEF42 and #42EFC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A541F0 shade: #A541F0, #EF4D42, #8DEF42 and #42E4EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

Complementary color

CMYK 53 / 0 / 92 / 25

HEX #5ABE0F

RGB 90 190 15

HSL 94.29, 0.85%, 0.4%

LAB 68.78, -55.13, 66.86

 

CMYK 28 / 72 / 0 / 8

HEX #AA41EB

RGB 170 65 235

HSL 277.06, 0.81%, 0.59%

LAB 49.89, 69.06, -67.15

 

CMYK 26 / 67 / 0 / 0

HEX #BB53FE

RGB 187 83 254

HSL 276.49, 0.99%, 0.66%

LAB 55.99, 68.93, -67.78

 

CMYK 20 / 60 / 0 / 0

HEX #CC65FF

RGB 204 101 255

HSL 280.13, 1%, 0.7%

LAB 61.1, 64.74, -60.01

 

CMYK 13 / 53 / 0 / 0

HEX #DD77FF

RGB 221 119 255

HSL 285, 1%, 0.73%

LAB 66.36, 60.32, -51.53

 

CMYK 7 / 46 / 0 / 0

HEX #EE89FF

RGB 238 137 255

HSL 291.36, 1%, 0.77%

LAB 71.75, 55.99, -42.91

 

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

CMYK 33 / 79 / 0 / 13

HEX #942FDD

RGB 148 47 221

HSL 274.83, 0.72%, 0.53%

LAB 43.58, 68.93, -69.59

 

CMYK 35 / 86 / 0 / 21

HEX #831DCA

RGB 131 29 202

HSL 275.38, 0.75%, 0.45%

LAB 37.79, 67.82, -68.19

 

CMYK 38 / 94 / 0 / 28

HEX #720BB7

RGB 114 11 183

HSL 275.93, 0.89%, 0.38%

LAB 32.34, 65.44, -66.05

 

CMYK 41 / 100 / 0 / 36

HEX #6100A4

RGB 97 0 164

HSL 275.49, 1%, 0.32%

LAB 27.36, 61.35, -62.92

 

CMYK 31 / 72 / 0 / 6

HEX #A542EF

RGB 165 66 239

HSL 274.34, 0.84%, 0.6%

LAB 49.65, 68.61, -69.81

 

CMYK 11 / 72 / 0 / 6

HEX #D442EF

RGB 212 66 239

HSL 290.64, 0.84%, 0.6%

LAB 56.21, 77.51, -58.9

 

CMYK 0 / 72 / 8 / 6

HEX #EF42DC

RGB 239 66 220

HSL 306.59, 0.84%, 0.6%

LAB 59.36, 80.06, -42.97

 

CMYK 0 / 72 / 28 / 6

HEX #EF42AD

RGB 239 66 173

HSL 322.89, 0.84%, 0.6%

LAB 57.33, 73.86, -19.19

 

CMYK 0 / 72 / 47 / 6

HEX #EF427E

RGB 239 66 126

HSL 339.19, 0.84%, 0.6%

LAB 55.84, 69.09, 6.24

 

CMYK 31 / 72 / 0 / 6

HEX #A542EF

RGB 165 66 239

HSL 274.34, 0.84%, 0.6%

LAB 49.65, 68.61, -69.81

 

CMYK 51 / 72 / 0 / 6

HEX #7642EF

RGB 118 66 239

HSL 258.03, 0.84%, 0.6%

LAB 44.2, 60.86, -78.93

 

CMYK 70 / 72 / 0 / 6

HEX #4742EF

RGB 71 66 239

HSL 241.73, 0.84%, 0.6%

LAB 40.36, 55.1, -85.39

 

CMYK 72 / 72 / 0 / 6

HEX #4242EF

RGB 66 66 239

HSL 240, 0.84%, 0.6%

LAB 40.06, 54.64, -85.9

 

CMYK 31 / 72 / 0 / 6

HEX #A542EF

RGB 165 66 239

HSL 274.34, 0.84%, 0.6%

LAB 49.65, 68.61, -69.81

 

CMYK 31 / 72 / 0 / 6

HEX #A542EF

RGB 165 66 239

HSL 274.34, 0.84%, 0.6%

LAB 49.65, 68.61, -69.81

 

CMYK 27 / 63 / 0 / 13

HEX #A352DF

RGB 163 82 223

HSL 274.47, 0.69%, 0.6%

LAB 50.86, 57.6, -58.84

 

CMYK 22 / 52 / 0 / 19

HEX #A063CE

RGB 160 99 206

HSL 274.21, 0.52%, 0.6%

LAB 52.79, 44.31, -46.12

 

CMYK 17 / 39 / 0 / 25

HEX #9E73BE

RGB 158 115 190

HSL 274.4, 0.37%, 0.6%

LAB 55.33, 31.18, -33

 

CMYK 10 / 24 / 0 / 32

HEX #9B84AD

RGB 155 132 173

HSL 273.66, 0.2%, 0.6%

LAB 58.5, 16.7, -18.41

 

CMYK 70 / 72 / 0 / 6

HEX #4842EF

RGB 72 66 239

HSL 242.08, 0.84%, 0.6%

LAB 40.42, 55.2, -85.29

 

CMYK 51 / 72 / 0 / 6

HEX #7642EF

RGB 118 66 239

HSL 258.03, 0.84%, 0.6%

LAB 44.2, 60.86, -78.93

 

CMYK 31 / 72 / 0 / 6

HEX #A442EF

RGB 164 66 239

HSL 273.99, 0.84%, 0.6%

LAB 49.52, 68.43, -70.03

 

CMYK 12 / 72 / 0 / 6

HEX #D242EF

RGB 210 66 239

HSL 289.94, 0.84%, 0.6%

LAB 55.92, 77.11, -59.39

 

CMYK 0 / 72 / 7 / 6

HEX #EF42DE

RGB 239 66 222

HSL 305.9, 0.84%, 0.6%

LAB 59.45, 80.35, -43.94

 

CMYK 39 / 92 / 0 / 19

HEX #7D10CE

RGB 125 16 206

HSL 274.42, 0.86%, 0.44%

LAB 36.34, 70.71, -72.92

 

CMYK 38 / 88 / 0 / 7

HEX #931CEC

RGB 147 28 236

HSL 274.33, 0.85%, 0.52%

LAB 42.9, 77.18, -79.24

 

CMYK 31 / 72 / 0 / 6

HEX #A542EF

RGB 165 66 239

HSL 274.34, 0.84%, 0.6%

LAB 49.65, 68.61, -69.81

 

CMYK 24 / 57 / 0 / 5

HEX #B768F2

RGB 183 104 242

HSL 274.35, 0.84%, 0.68%

LAB 58.39, 55.6, -57.29

 

CMYK 18 / 42 / 0 / 4

HEX #C98EF5

RGB 201 142 245

HSL 274.37, 0.84%, 0.76%

LAB 68.28, 40.99, -43.17

 

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

CMYK 0 / 72 / 56 / 6

HEX #EF426A

RGB 239 66 106

HSL 346.13, 0.84%, 0.6%

LAB 55.37, 67.53, 17.48

 

CMYK 72 / 0 / 60 / 6

HEX #42EF5F

RGB 66 239 95

HSL 130.06, 0.84%, 0.6%

LAB 83.82, -71.26, 56.05

 

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

CMYK 0 / 31 / 72 / 6

HEX #EFA442

RGB 239 164 66

HSL 33.99, 0.84%, 0.6%

LAB 73.09, 19.25, 59.69

 

CMYK 72 / 0 / 31 / 6

HEX #42EFA4

RGB 66 239 164

HSL 153.99, 0.84%, 0.6%

LAB 84.78, -60.27, 24.03

 

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

CMYK 0 / 72 / 56 / 6

HEX #EF426A

RGB 239 66 106

HSL 346.13, 0.84%, 0.6%

LAB 55.37, 67.53, 17.48

 

CMYK 41 / 0 / 72 / 6

HEX #8DEF42

RGB 141 239 66

HSL 93.99, 0.84%, 0.6%

LAB 85.9, -55.88, 70.19

 

CMYK 72 / 0 / 17 / 6

HEX #42EFC7

RGB 66 239 199

HSL 166.13, 0.84%, 0.6%

LAB 85.51, -52.46, 6.89

 

CMYK 31 / 73 / 0 / 6

HEX #A541F0

RGB 165 65 240

HSL 274.29, 0.85%, 0.6%

LAB 49.58, 69.22, -70.49

 

CMYK 0 / 68 / 72 / 6

HEX #EF4D42

RGB 239 77 66

HSL 3.82, 0.84%, 0.6%

LAB 56.14, 61.34, 41.57

 

CMYK 41 / 0 / 72 / 6

HEX #8DEF42

RGB 141 239 66

HSL 93.99, 0.84%, 0.6%

LAB 85.9, -55.88, 70.19

 

CMYK 72 / 5 / 0 / 6

HEX #42E4EF

RGB 66 228 239

HSL 183.82, 0.84%, 0.6%

LAB 83.38, -37.02, -17.32

 

Description

Color code: HEX #A541F0 | qconv.com Color code: HEX #A541F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 65 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 65 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 73 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 73% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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