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Color name
HEX #A54D1C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A54D1C it is the complementary color #5AB2E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A54D1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A54D1C shade: #AA4D17, #BB5F2A, #CC713D, #DD8350 and #EE9563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A54D1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A54D1C shade: #A54D1C, #943B09, #832900, #721700 and #610500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A54D1C shade: #A54D1C, #A5281C and #A51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A54D1C shade: #A54D1C, #A5721C, #A5971C, #8EA51C and #69A51C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A54D1C shade matches the following richer shades: #A54D1C and #B5480C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A54D1C shade: #A54D1C, #96512B, #86563B, #765A4B and #665F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A54D1C shade: #A51C35, #A5271C, #A54C1C, #A5701C and #A5951C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A54D1C shade: #5F2C10, #823C16, #A54D1C, #C85D22 and #DD7237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A54D1C shade: #A54D1C, #5AA51C and #1C22A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A54D1C shade: #A54D1C, #1CA54C and #4C1CA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A54D1C shade: #A54D1C, #5AA51C, #1C75A5 and #671CA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A54D1C shade: #A54D1C, #30A51C, #1C75A5 and #911CA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

Complementary color

CMYK 60 / 22 / 0 / 11

HEX #5AB2E3

RGB 90 178 227

HSL 201.46, 0.71%, 0.62%

LAB 69.16, -12.11, -32.53

 

CMYK 0 / 55 / 86 / 33

HEX #AA4D17

RGB 170 77 23

HSL 22.04, 0.76%, 0.38%

LAB 44.11, 35.22, 46.99

 

CMYK 0 / 49 / 78 / 27

HEX #BB5F2A

RGB 187 95 42

HSL 21.93, 0.63%, 0.45%

LAB 50.59, 33.35, 45.54

 

CMYK 0 / 45 / 70 / 20

HEX #CC713D

RGB 204 113 61

HSL 21.82, 0.58%, 0.52%

LAB 57.06, 31.64, 43.73

 

CMYK 0 / 41 / 64 / 13

HEX #DD8350

RGB 221 131 80

HSL 21.7, 0.67%, 0.59%

LAB 63.49, 30.11, 41.91

 

CMYK 0 / 37 / 58 / 7

HEX #EE9563

RGB 238 149 99

HSL 21.58, 0.8%, 0.66%

LAB 69.88, 28.73, 40.17

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 60 / 94 / 42

HEX #943B09

RGB 148 59 9

HSL 21.58, 0.89%, 0.31%

LAB 36.82, 35.27, 44.76

 

CMYK 0 / 69 / 100 / 49

HEX #832900

RGB 131 41 0

HSL 18.78, 1%, 0.26%

LAB 30.43, 37.12, 42.41

 

CMYK 0 / 80 / 100 / 55

HEX #721700

RGB 114 23 0

HSL 12.11, 1%, 0.22%

LAB 24.29, 38.34, 35.77

 

CMYK 0 / 95 / 100 / 62

HEX #610500

RGB 97 5 0

HSL 3.09, 1%, 0.19%

LAB 18.58, 38.08, 28.48

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 76 / 83 / 35

HEX #A5281C

RGB 165 40 28

HSL 5.26, 0.71%, 0.38%

LAB 37.12, 49.89, 38.09

 

CMYK 0 / 83 / 83 / 35

HEX #A51C1C

RGB 165 28 28

HSL 0, 0.71%, 0.38%

LAB 35.82, 53.54, 36.85

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 31 / 83 / 35

HEX #A5721C

RGB 165 114 28

HSL 37.66, 0.71%, 0.38%

LAB 51.97, 12.82, 51.63

 

CMYK 0 / 8 / 83 / 35

HEX #A5971C

RGB 165 151 28

HSL 53.87, 0.71%, 0.38%

LAB 61.84, -7.68, 60.19

 

CMYK 14 / 0 / 83 / 35

HEX #8EA51C

RGB 142 165 28

HSL 70.07, 0.71%, 0.38%

LAB 63.95, -25.04, 61.28

 

CMYK 36 / 0 / 83 / 35

HEX #69A51C

RGB 105 165 28

HSL 86.28, 0.71%, 0.38%

LAB 61.65, -39.86, 58.37

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 60 / 93 / 29

HEX #B5480C

RGB 181 72 12

HSL 21.3, 0.88%, 0.38%

LAB 44.92, 41.78, 52.15

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 46 / 71 / 41

HEX #96512B

RGB 150 81 43

HSL 21.31, 0.55%, 0.38%

LAB 42.07, 25.54, 34.38

 

CMYK 0 / 36 / 56 / 47

HEX #86563B

RGB 134 86 59

HSL 21.6, 0.39%, 0.38%

LAB 41.28, 16.84, 23.82

 

CMYK 0 / 24 / 36 / 54

HEX #765A4B

RGB 118 90 75

HSL 20.93, 0.22%, 0.38%

LAB 40.69, 9.22, 13.09

 

CMYK 0 / 7 / 12 / 60

HEX #665F5A

RGB 102 95 90

HSL 25, 0.06%, 0.38%

LAB 40.81, 1.83, 3.86

 

CMYK 0 / 83 / 68 / 35

HEX #A51C35

RGB 165 28 53

HSL 349.05, 0.71%, 0.38%

LAB 36.15, 54.56, 22.08

 

CMYK 0 / 76 / 83 / 35

HEX #A5271C

RGB 165 39 28

HSL 4.82, 0.71%, 0.38%

LAB 36.99, 50.24, 37.97

 

CMYK 0 / 54 / 83 / 35

HEX #A54C1C

RGB 165 76 28

HSL 21.02, 0.71%, 0.38%

LAB 43.14, 33.86, 43.71

 

CMYK 0 / 32 / 83 / 35

HEX #A5701C

RGB 165 112 28

HSL 36.79, 0.71%, 0.38%

LAB 51.46, 13.96, 51.18

 

CMYK 0 / 10 / 83 / 35

HEX #A5951C

RGB 165 149 28

HSL 52.99, 0.71%, 0.38%

LAB 61.29, -6.6, 59.72

 

CMYK 0 / 54 / 83 / 63

HEX #5F2C10

RGB 95 44 16

HSL 21.27, 0.71%, 0.22%

LAB 24.55, 21.08, 27.84

 

CMYK 0 / 54 / 83 / 49

HEX #823C16

RGB 130 60 22

HSL 21.11, 0.71%, 0.3%

LAB 34.06, 27.65, 36.01

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 0 / 54 / 83 / 22

HEX #C85D22

RGB 200 93 34

HSL 21.33, 0.71%, 0.46%

LAB 52.09, 39.29, 51.24

 

CMYK 0 / 48 / 75 / 13

HEX #DD7237

RGB 221 114 55

HSL 21.33, 0.71%, 0.54%

LAB 59.6, 37.65, 50.1

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 45 / 0 / 83 / 35

HEX #5AA51C

RGB 90 165 28

HSL 92.85, 0.71%, 0.38%

LAB 60.93, -45.09, 57.44

 

CMYK 83 / 79 / 0 / 35

HEX #1C22A5

RGB 28 34 165

HSL 237.37, 0.71%, 0.38%

LAB 24.02, 45.16, -69.26

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 83 / 0 / 54 / 35

HEX #1CA54C

RGB 28 165 76

HSL 141.02, 0.71%, 0.38%

LAB 59.6, -54.23, 36.14

 

CMYK 54 / 83 / 0 / 35

HEX #4C1CA5

RGB 76 28 165

HSL 261.02, 0.71%, 0.38%

LAB 26.97, 52.28, -64.26

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 45 / 0 / 83 / 35

HEX #5AA51C

RGB 90 165 28

HSL 92.85, 0.71%, 0.38%

LAB 60.93, -45.09, 57.44

 

CMYK 83 / 29 / 0 / 35

HEX #1C75A5

RGB 28 117 165

HSL 201.02, 0.71%, 0.38%

LAB 46.56, -7.93, -32.83

 

CMYK 38 / 83 / 0 / 35

HEX #671CA5

RGB 103 28 165

HSL 272.85, 0.71%, 0.38%

LAB 30.47, 55.97, -58.38

 

CMYK 0 / 53 / 83 / 35

HEX #A54D1C

RGB 165 77 28

HSL 21.46, 0.71%, 0.38%

LAB 43.35, 33.34, 43.9

 

CMYK 71 / 0 / 83 / 35

HEX #30A51C

RGB 48 165 28

HSL 111.24, 0.71%, 0.38%

LAB 59.55, -56.13, 55.67

 

CMYK 83 / 29 / 0 / 35

HEX #1C75A5

RGB 28 117 165

HSL 201.02, 0.71%, 0.38%

LAB 46.56, -7.93, -32.83

 

CMYK 12 / 83 / 0 / 35

HEX #911CA5

RGB 145 28 165

HSL 291.24, 0.71%, 0.38%

LAB 37.05, 63.08, -47.4

 

Description

Color code: HEX #A54D1C | qconv.com Color code: HEX #A54D1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 77 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 77 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 83% 35% C M Y K

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