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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5564A it is the complementary color #5AA9B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5564A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5564A shade: #AA5645, #BB6858, #CC7A6B, #DD8C7E and #EE9E91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5564A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5564A shade: #A5564A, #944437, #833224, #722011 and #610E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5564A shade: #A5564A and #A54A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5564A shade: #A5564A, #A56E4A, #A5874A, #A5A04A and #92A54A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5564A shade matches the following richer shades: #A5564A, #B84836, #CC3923 and #DF2B10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5564A shade: #A5564A, #92645D, #7E7271, #6B8184 and #578F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5564A shade: #A54A70, #A54A57, #A5544A, #A56D4A and #A5854A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5564A shade: #6C3830, #88473D, #A5564A, #B76C60 and #C4867D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5564A shade: #A5564A, #88A54A and #4A64A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5564A shade: #A5564A, #4AA554 and #544AA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5564A shade: #A5564A, #88A54A, #4A9AA5 and #674AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5564A shade: #A5564A, #6DA54A, #4A9AA5 and #824AA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

Complementary color

CMYK 50 / 7 / 0 / 29

HEX #5AA9B5

RGB 90 169 181

HSL 187.91, 0.38%, 0.53%

LAB 64.87, -20.94, -13.67

 

CMYK 0 / 49 / 59 / 33

HEX #AA5645

RGB 170 86 69

HSL 10.1, 0.42%, 0.47%

LAB 46.49, 32.83, 25.6

 

CMYK 0 / 44 / 53 / 27

HEX #BB6858

RGB 187 104 88

HSL 9.7, 0.42%, 0.54%

LAB 53.14, 31.52, 23.62

 

CMYK 0 / 40 / 48 / 20

HEX #CC7A6B

RGB 204 122 107

HSL 9.28, 0.49%, 0.61%

LAB 59.72, 30.32, 21.9

 

CMYK 0 / 37 / 43 / 13

HEX #DD8C7E

RGB 221 140 126

HSL 8.84, 0.58%, 0.68%

LAB 66.24, 29.24, 20.39

 

CMYK 0 / 34 / 39 / 7

HEX #EE9E91

RGB 238 158 145

HSL 8.39, 0.73%, 0.75%

LAB 72.68, 28.27, 19.04

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 54 / 63 / 42

HEX #944437

RGB 148 68 55

HSL 8.39, 0.46%, 0.4%

LAB 39.08, 32.6, 23.87

 

CMYK 0 / 62 / 73 / 49

HEX #833224

RGB 131 50 36

HSL 8.84, 0.57%, 0.33%

LAB 32.33, 33.99, 26.53

 

CMYK 0 / 72 / 85 / 55

HEX #722011

RGB 114 32 17

HSL 9.28, 0.74%, 0.26%

LAB 25.72, 35.19, 29.63

 

CMYK 0 / 86 / 100 / 62

HEX #610E00

RGB 97 14 0

HSL 8.66, 1%, 0.19%

LAB 19.46, 35.6, 29.5

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 33 / 55 / 35

HEX #A56E4A

RGB 165 110 74

HSL 23.74, 0.38%, 0.47%

LAB 51.43, 17.85, 28.84

 

CMYK 0 / 18 / 55 / 35

HEX #A5874A

RGB 165 135 74

HSL 40.22, 0.38%, 0.47%

LAB 57.87, 3.74, 36.75

 

CMYK 0 / 3 / 55 / 35

HEX #A5A04A

RGB 165 160 74

HSL 56.7, 0.38%, 0.47%

LAB 64.67, -9.87, 44.76

 

CMYK 12 / 0 / 55 / 35

HEX #92A54A

RGB 146 165 74

HSL 72.53, 0.38%, 0.47%

LAB 64.58, -20.48, 44.25

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 61 / 71 / 28

HEX #B84836

RGB 184 72 54

HSL 8.31, 0.55%, 0.47%

LAB 45.76, 44.24, 33.9

 

CMYK 0 / 72 / 83 / 20

HEX #CC3923

RGB 204 57 35

HSL 7.81, 0.71%, 0.47%

LAB 46.82, 56.54, 46.27

 

CMYK 0 / 81 / 93 / 13

HEX #DF2B10

RGB 223 43 16

HSL 7.83, 0.87%, 0.47%

LAB 48.83, 66.18, 57.26

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 32 / 36 / 43

HEX #92645D

RGB 146 100 93

HSL 7.92, 0.22%, 0.47%

LAB 47, 17.64, 11.47

 

CMYK 0 / 10 / 10 / 51

HEX #7E7271

RGB 126 114 113

HSL 4.62, 0.05%, 0.47%

LAB 49.08, 4.47, 2.24

 

CMYK 19 / 2 / 0 / 48

HEX #6B8184

RGB 107 129 132

HSL 187.2, 0.1%, 0.47%

LAB 52.39, -7.23, -4.28

 

CMYK 42 / 5 / 0 / 41

HEX #578F97

RGB 87 143 151

HSL 187.5, 0.27%, 0.47%

LAB 55.99, -16.23, -10.04

 

CMYK 0 / 55 / 32 / 35

HEX #A54A70

RGB 165 74 112

HSL 334.95, 0.38%, 0.47%

LAB 44.33, 41.71, -3.56

 

CMYK 0 / 55 / 47 / 35

HEX #A54A57

RGB 165 74 87

HSL 351.43, 0.38%, 0.47%

LAB 43.63, 38.8, 10.8

 

CMYK 0 / 49 / 55 / 35

HEX #A5544A

RGB 165 84 74

HSL 6.59, 0.38%, 0.47%

LAB 45.41, 32.33, 21.1

 

CMYK 0 / 34 / 55 / 35

HEX #A56D4A

RGB 165 109 74

HSL 23.08, 0.38%, 0.47%

LAB 51.19, 18.42, 28.53

 

CMYK 0 / 19 / 55 / 35

HEX #A5854A

RGB 165 133 74

HSL 38.9, 0.38%, 0.47%

LAB 57.34, 4.85, 36.11

 

CMYK 0 / 48 / 56 / 58

HEX #6C3830

RGB 108 56 48

HSL 8, 0.38%, 0.31%

LAB 29.99, 22.11, 15.27

 

CMYK 0 / 48 / 55 / 47

HEX #88473D

RGB 136 71 61

HSL 8, 0.38%, 0.39%

LAB 37.98, 26.57, 18.42

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 0 / 41 / 48 / 28

HEX #B76C60

RGB 183 108 96

HSL 8.28, 0.38%, 0.55%

LAB 53.64, 28.52, 19.56

 

CMYK 0 / 32 / 36 / 23

HEX #C4867D

RGB 196 134 125

HSL 7.61, 0.38%, 0.63%

LAB 61.88, 22.65, 14.48

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 18 / 0 / 55 / 35

HEX #88A54A

RGB 136 165 74

HSL 79.12, 0.38%, 0.47%

LAB 63.87, -24.56, 43.25

 

CMYK 55 / 39 / 0 / 35

HEX #4A64A5

RGB 74 100 165

HSL 222.86, 0.38%, 0.47%

LAB 43.19, 10, -38.03

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 55 / 0 / 49 / 35

HEX #4AA554

RGB 74 165 84

HSL 126.59, 0.38%, 0.47%

LAB 60.79, -44.49, 33.8

 

CMYK 49 / 55 / 0 / 35

HEX #544AA5

RGB 84 74 165

HSL 246.59, 0.38%, 0.47%

LAB 36.93, 28.79, -48

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 18 / 0 / 55 / 35

HEX #88A54A

RGB 136 165 74

HSL 79.12, 0.38%, 0.47%

LAB 63.87, -24.56, 43.25

 

CMYK 55 / 7 / 0 / 35

HEX #4A9AA5

RGB 74 154 165

HSL 187.25, 0.38%, 0.47%

LAB 59.24, -21.2, -13.22

 

CMYK 38 / 55 / 0 / 35

HEX #674AA5

RGB 103 74 165

HSL 259.12, 0.38%, 0.47%

LAB 38.72, 33.33, -45.02

 

CMYK 0 / 48 / 55 / 35

HEX #A5564A

RGB 165 86 74

HSL 7.91, 0.38%, 0.47%

LAB 45.84, 31.25, 21.67

 

CMYK 34 / 0 / 55 / 35

HEX #6DA54A

RGB 109 165 74

HSL 96.92, 0.38%, 0.47%

LAB 62.22, -34.88, 40.9

 

CMYK 55 / 7 / 0 / 35

HEX #4A9AA5

RGB 74 154 165

HSL 187.25, 0.38%, 0.47%

LAB 59.24, -21.2, -13.22

 

CMYK 21 / 55 / 0 / 35

HEX #824AA5

RGB 130 74 165

HSL 276.92, 0.38%, 0.47%

LAB 41.78, 40.42, -39.95

 

Description

Color code: HEX #A5564A | qconv.com Color code: HEX #A5564A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 86 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 86 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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