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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A559A3 it is the complementary color #5AA65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A559A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A559A3 shade: #AA599E, #BB6BB1, #CC7DC4, #DD8FD7 and #EEA1EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A559A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A559A3 shade: #A559A3, #944790, #83357D, #72236A and #611157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A559A3 shade: #A559A3, #A5598F, #A5597A, #A55965 and #A55959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A559A3 shade: #A559A3, #9359A5, #7E59A5, #6959A5 and #5959A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A559A3 shade matches the following richer shades: #A559A3, #BA44B7, #CF2FCA, #E31BDE and #F806F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A559A3 shade: #A559A3, #916D90, #7C827C, #679769 and #53AB55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A559A3 shade: #7E59A5, #9259A5, #A559A4, #A55990 and #A5597B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A559A3 shade: #703C6E, #8A4A89, #A559A3, #B474B2 and #C28EC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A559A3 shade: #A559A3, #A56959 and #59A588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A559A3 shade: #A559A3, #A4A559 and #59A4A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A559A3 shade: #A559A3, #A56959, #59A55A and #5995A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A559A3 shade: #A559A3, #A58059, #59A55A and #597EA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

Complementary color

CMYK 46 / 0 / 45 / 35

HEX #5AA65C

RGB 90 166 92

HSL 121.58, 0.3%, 0.5%

LAB 61.84, -39.21, 31.11

 

CMYK 0 / 48 / 7 / 33

HEX #AA599E

RGB 170 89 158

HSL 308.89, 0.32%, 0.51%

LAB 49.69, 42.77, -23.05

 

CMYK 0 / 43 / 5 / 27

HEX #BB6BB1

RGB 187 107 177

HSL 307.5, 0.37%, 0.58%

LAB 56.34, 42.03, -23.7

 

CMYK 0 / 39 / 4 / 20

HEX #CC7DC4

RGB 204 125 196

HSL 306.08, 0.44%, 0.65%

LAB 62.92, 41.27, -24.25

 

CMYK 0 / 35 / 3 / 13

HEX #DD8FD7

RGB 221 143 215

HSL 304.62, 0.53%, 0.71%

LAB 69.41, 40.53, -24.74

 

CMYK 0 / 32 / 2 / 7

HEX #EEA1EA

RGB 238 161 234

HSL 303.12, 0.69%, 0.78%

LAB 75.83, 39.81, -25.18

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 52 / 3 / 42

HEX #944790

RGB 148 71 144

HSL 303.12, 0.35%, 0.43%

LAB 42.48, 42.81, -26.09

 

CMYK 0 / 60 / 5 / 49

HEX #83357D

RGB 131 53 125

HSL 304.62, 0.42%, 0.36%

LAB 35.7, 43.31, -25.22

 

CMYK 0 / 69 / 7 / 55

HEX #72236A

RGB 114 35 106

HSL 306.08, 0.53%, 0.29%

LAB 28.95, 43.39, -23.98

 

CMYK 0 / 82 / 10 / 62

HEX #611157

RGB 97 17 87

HSL 307.5, 0.7%, 0.22%

LAB 22.41, 42.52, -22.03

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 46 / 13 / 35

HEX #A5598F

RGB 165 89 143

HSL 317.37, 0.3%, 0.5%

LAB 48.42, 38.56, -16.15

 

CMYK 0 / 46 / 26 / 35

HEX #A5597A

RGB 165 89 122

HSL 333.95, 0.3%, 0.5%

LAB 47.69, 35.26, -4.67

 

CMYK 0 / 46 / 39 / 35

HEX #A55965

RGB 165 89 101

HSL 350.53, 0.3%, 0.5%

LAB 47.08, 32.45, 7.14

 

CMYK 0 / 46 / 46 / 35

HEX #A55959

RGB 165 89 89

HSL 0, 0.3%, 0.5%

LAB 46.8, 31.08, 13.97

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 11 / 46 / 0 / 35

HEX #9359A5

RGB 147 89 165

HSL 285.79, 0.3%, 0.5%

LAB 47.06, 37.02, -31.49

 

CMYK 24 / 46 / 0 / 35

HEX #7E59A5

RGB 126 89 165

HSL 269.21, 0.3%, 0.5%

LAB 44.66, 30.74, -35.43

 

CMYK 36 / 46 / 0 / 35

HEX #6959A5

RGB 105 89 165

HSL 252.63, 0.3%, 0.5%

LAB 42.56, 24.76, -38.89

 

CMYK 46 / 46 / 0 / 35

HEX #5959A5

RGB 89 89 165

HSL 240, 0.3%, 0.5%

LAB 41.19, 20.55, -41.14

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 63 / 2 / 27

HEX #BA44B7

RGB 186 68 183

HSL 301.53, 0.46%, 0.5%

LAB 49.49, 61.4, -37.86

 

CMYK 0 / 77 / 2 / 19

HEX #CF2FCA

RGB 207 47 202

HSL 301.88, 0.63%, 0.5%

LAB 51.34, 76.17, -45.73

 

CMYK 0 / 88 / 2 / 11

HEX #E31BDE

RGB 227 27 222

HSL 301.5, 0.79%, 0.5%

LAB 54.44, 86.83, -52.02

 

CMYK 0 / 98 / 3 / 3

HEX #F806F1

RGB 248 6 241

HSL 301.74, 0.95%, 0.5%

LAB 58.45, 94.87, -56.11

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 25 / 1 / 43

HEX #916D90

RGB 145 109 144

HSL 301.67, 0.14%, 0.5%

LAB 50.65, 20.53, -13.58

 

CMYK 5 / 0 / 5 / 49

HEX #7C827C

RGB 124 130 124

HSL 120, 0.02%, 0.5%

LAB 53.71, -3.43, 2.47

 

CMYK 32 / 0 / 30 / 41

HEX #679769

RGB 103 151 105

HSL 122.5, 0.19%, 0.5%

LAB 58.07, -25.85, 19.22

 

CMYK 51 / 0 / 50 / 33

HEX #53AB55

RGB 83 171 85

HSL 121.36, 0.35%, 0.5%

LAB 63.03, -44.39, 36.14

 

CMYK 24 / 46 / 0 / 35

HEX #7E59A5

RGB 126 89 165

HSL 269.21, 0.3%, 0.5%

LAB 44.66, 30.74, -35.43

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 0 / 46 / 1 / 35

HEX #A559A4

RGB 165 89 164

HSL 300.79, 0.3%, 0.5%

LAB 49.28, 42.31, -27.26

 

CMYK 0 / 46 / 13 / 35

HEX #A55990

RGB 165 89 144

HSL 316.58, 0.3%, 0.5%

LAB 48.46, 38.73, -16.69

 

CMYK 0 / 46 / 25 / 35

HEX #A5597B

RGB 165 89 123

HSL 333.16, 0.3%, 0.5%

LAB 47.72, 35.41, -5.22

 

CMYK 0 / 46 / 2 / 56

HEX #703C6E

RGB 112 60 110

HSL 302.31, 0.3%, 0.34%

LAB 33.57, 30.84, -19.35

 

CMYK 0 / 46 / 1 / 46

HEX #8A4A89

RGB 138 74 137

HSL 300.94, 0.3%, 0.42%

LAB 41.39, 36.8, -23.66

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 36 / 1 / 29

HEX #B474B2

RGB 180 116 178

HSL 301.88, 0.3%, 0.58%

LAB 57.47, 35.1, -22.61

 

CMYK 0 / 27 / 1 / 24

HEX #C28EC1

RGB 194 142 193

HSL 301.15, 0.3%, 0.66%

LAB 65.49, 28.22, -18.74

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 36 / 46 / 35

HEX #A56959

RGB 165 105 89

HSL 12.63, 0.3%, 0.5%

LAB 50.48, 22.16, 18.98

 

CMYK 46 / 0 / 18 / 35

HEX #59A588

RGB 89 165 136

HSL 157.11, 0.3%, 0.5%

LAB 62.35, -30.63, 7.78

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 1 / 0 / 46 / 35

HEX #A4A559

RGB 164 165 89

HSL 60.79, 0.3%, 0.5%

LAB 66.15, -11.55, 39.05

 

CMYK 46 / 1 / 0 / 35

HEX #59A4A5

RGB 89 164 165

HSL 180.79, 0.3%, 0.5%

LAB 62.84, -22.97, -7.77

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 36 / 46 / 35

HEX #A56959

RGB 165 105 89

HSL 12.63, 0.3%, 0.5%

LAB 50.48, 22.16, 18.98

 

CMYK 46 / 0 / 45 / 35

HEX #59A55A

RGB 89 165 90

HSL 120.79, 0.3%, 0.5%

LAB 61.46, -39.37, 31.66

 

CMYK 46 / 10 / 0 / 35

HEX #5995A5

RGB 89 149 165

HSL 192.63, 0.3%, 0.5%

LAB 58.35, -15.09, -14.49

 

CMYK 0 / 46 / 1 / 35

HEX #A559A3

RGB 165 89 163

HSL 301.58, 0.3%, 0.5%

LAB 49.24, 42.12, -26.74

 

CMYK 0 / 22 / 46 / 35

HEX #A58059

RGB 165 128 89

HSL 30.79, 0.3%, 0.5%

LAB 56.25, 9.12, 26.6

 

CMYK 46 / 0 / 45 / 35

HEX #59A55A

RGB 89 165 90

HSL 120.79, 0.3%, 0.5%

LAB 61.46, -39.37, 31.66

 

CMYK 46 / 24 / 0 / 35

HEX #597EA5

RGB 89 126 165

HSL 210.79, 0.3%, 0.5%

LAB 51.57, -2.14, -24.86

 

Description

Color code: HEX #A559A3 | qconv.com Color code: HEX #A559A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 89 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 89 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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