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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A550FA it is the complementary color #5AAF05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A550FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A550FA shade: #AA50F5, #BB62FF, #CC74FF, #DD86FF and #EE98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A550FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A550FA shade: #A550FA, #943EE7, #832CD4, #721AC1 and #6108AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A550FA shade: #A551F9, #D251F9, #F951F3, #F951C5 and #F95198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A550FA shade: #A551F9, #7851F9 and #5151F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A550FA shade matches the following richer shades: #A551F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A550FA shade: #A551F9, #A560EB, #A56EDC, #A57DCE and #A58BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A550FA shade: #5157F9, #7951F9, #A551F9, #D251F9 and #F951F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A550FA shade: #7C07F1, #9129F8, #A551F9, #BA79FA and #CFA1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A550FA shade: #A550FA, #F95184 and #51F962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A550FA shade: #A550FA, #F9A551 and #51F9A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A550FA shade: #A550FA, #F95184, #A5F951 and #51F9C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A550FA shade: #A550FA, #F95151, #A5F951 and #51F9F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

Complementary color

CMYK 49 / 0 / 97 / 31

HEX #5AAF05

RGB 90 175 5

HSL 90, 0.94%, 0.35%

LAB 64.03, -49.71, 64.28

 

CMYK 31 / 67 / 0 / 4

HEX #AA50F5

RGB 170 80 245

HSL 272.73, 0.89%, 0.64%

LAB 52.81, 64.91, -68.02

 

CMYK 27 / 62 / 0 / 0

HEX #BB62FF

RGB 187 98 255

HSL 274.01, 1%, 0.69%

LAB 58.53, 62.33, -64.25

 

CMYK 20 / 55 / 0 / 0

HEX #CC74FF

RGB 204 116 255

HSL 277.99, 1%, 0.73%

LAB 63.79, 57.52, -55.72

 

CMYK 13 / 47 / 0 / 0

HEX #DD86FF

RGB 221 134 255

HSL 283.14, 1%, 0.76%

LAB 69.21, 52.85, -47.02

 

CMYK 7 / 40 / 0 / 0

HEX #EE98FF

RGB 238 152 255

HSL 290.1, 1%, 0.8%

LAB 74.73, 48.38, -38.26

 

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

CMYK 36 / 73 / 0 / 9

HEX #943EE7

RGB 148 62 231

HSL 270.53, 0.78%, 0.57%

LAB 46.33, 65.46, -70.81

 

CMYK 38 / 79 / 0 / 17

HEX #832CD4

RGB 131 44 212

HSL 271.07, 0.66%, 0.5%

LAB 40.21, 65.37, -70.02

 

CMYK 41 / 87 / 0 / 24

HEX #721AC1

RGB 114 26 193

HSL 271.62, 0.76%, 0.43%

LAB 34.33, 64.42, -68.69

 

CMYK 44 / 95 / 0 / 32

HEX #6108AE

RGB 97 8 174

HSL 272.17, 0.91%, 0.36%

LAB 28.83, 62.11, -66.54

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 16 / 67 / 0 / 2

HEX #D251F9

RGB 210 81 249

HSL 286.07, 0.93%, 0.65%

LAB 58.44, 73.46, -60.92

 

CMYK 0 / 67 / 2 / 2

HEX #F951F3

RGB 249 81 243

HSL 302.14, 0.93%, 0.65%

LAB 63.75, 80.8, -48.8

 

CMYK 0 / 67 / 21 / 2

HEX #F951C5

RGB 249 81 197

HSL 318.57, 0.93%, 0.65%

LAB 61.7, 74.24, -26.16

 

CMYK 0 / 67 / 39 / 2

HEX #F95198

RGB 249 81 152

HSL 334.64, 0.93%, 0.65%

LAB 60.15, 69.04, -2.58

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 52 / 67 / 0 / 2

HEX #7851F9

RGB 120 81 249

HSL 253.93, 0.93%, 0.65%

LAB 47.9, 56.41, -78.48

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 30 / 59 / 0 / 8

HEX #A560EB

RGB 165 96 235

HSL 269.78, 0.78%, 0.65%

LAB 54.41, 53.85, -59.89

 

CMYK 25 / 50 / 0 / 14

HEX #A56EDC

RGB 165 110 220

HSL 270, 0.61%, 0.65%

LAB 56.41, 42.88, -48.28

 

CMYK 20 / 39 / 0 / 19

HEX #A57DCE

RGB 165 125 206

HSL 269.63, 0.45%, 0.65%

LAB 59.09, 31.25, -36.16

 

CMYK 14 / 27 / 0 / 25

HEX #A58BBF

RGB 165 139 191

HSL 270, 0.29%, 0.65%

LAB 61.85, 19.91, -23.42

 

CMYK 67 / 65 / 0 / 2

HEX #5157F9

RGB 81 87 249

HSL 237.86, 0.93%, 0.65%

LAB 46.18, 47.56, -81.41

 

CMYK 51 / 67 / 0 / 2

HEX #7951F9

RGB 121 81 249

HSL 254.29, 0.93%, 0.65%

LAB 47.99, 56.57, -78.33

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 16 / 67 / 0 / 2

HEX #D251F9

RGB 210 81 249

HSL 286.07, 0.93%, 0.65%

LAB 58.44, 73.46, -60.92

 

CMYK 0 / 67 / 2 / 2

HEX #F951F4

RGB 249 81 244

HSL 301.79, 0.93%, 0.65%

LAB 63.8, 80.96, -49.27

 

CMYK 49 / 97 / 0 / 5

HEX #7C07F1

RGB 124 7 241

HSL 270, 0.94%, 0.49%

LAB 39.22, 79.17, -88.24

 

CMYK 42 / 83 / 0 / 3

HEX #9129F8

RGB 145 41 248

HSL 270.14, 0.94%, 0.57%

LAB 44.78, 76.23, -82.93

 

CMYK 34 / 67 / 0 / 2

HEX #A551F9

RGB 165 81 249

HSL 270, 0.93%, 0.65%

LAB 52.65, 64.39, -70.55

 

CMYK 26 / 52 / 0 / 2

HEX #BA79FA

RGB 186 121 250

HSL 270.23, 0.93%, 0.73%

LAB 62.52, 49.34, -55.12

 

CMYK 18 / 36 / 0 / 1

HEX #CFA1FC

RGB 207 161 252

HSL 270.33, 0.94%, 0.81%

LAB 73.4, 33.92, -38.94

 

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

CMYK 0 / 67 / 47 / 2

HEX #F95184

RGB 249 81 132

HSL 341.79, 0.93%, 0.65%

LAB 59.61, 67.16, 8.32

 

CMYK 67 / 0 / 61 / 2

HEX #51F962

RGB 81 249 98

HSL 126.07, 0.93%, 0.65%

LAB 87.18, -71.72, 58.69

 

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

CMYK 0 / 34 / 67 / 2

HEX #F9A551

RGB 249 165 81

HSL 30, 0.93%, 0.65%

LAB 74.6, 23.62, 54.94

 

CMYK 67 / 0 / 34 / 2

HEX #51F9A5

RGB 81 249 165

HSL 150, 0.93%, 0.65%

LAB 88.07, -61.62, 28.06

 

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

CMYK 0 / 67 / 47 / 2

HEX #F95184

RGB 249 81 132

HSL 341.79, 0.93%, 0.65%

LAB 59.61, 67.16, 8.32

 

CMYK 34 / 0 / 67 / 2

HEX #A5F951

RGB 165 249 81

HSL 90, 0.93%, 0.65%

LAB 90.02, -51, 69.41

 

CMYK 67 / 0 / 20 / 2

HEX #51F9C7

RGB 81 249 199

HSL 162.14, 0.93%, 0.65%

LAB 88.74, -54.48, 11.56

 

CMYK 34 / 68 / 0 / 2

HEX #A550FA

RGB 165 80 250

HSL 270, 0.94%, 0.65%

LAB 52.55, 65.07, -71.26

 

CMYK 0 / 67 / 67 / 2

HEX #F95151

RGB 249 81 81

HSL 0, 0.93%, 0.65%

LAB 58.62, 63.67, 36.56

 

CMYK 34 / 0 / 67 / 2

HEX #A5F951

RGB 165 249 81

HSL 90, 0.93%, 0.65%

LAB 90.02, -51, 69.41

 

CMYK 67 / 0 / 0 / 2

HEX #51F9F9

RGB 81 249 249

HSL 180, 0.93%, 0.65%

LAB 90.02, -41.92, -12.58

 

Description

Color code: HEX #A550FA | qconv.com Color code: HEX #A550FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 80 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 80 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 68 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 68% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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