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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55F67 it is the complementary color #5AA098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55F67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55F67 shade: #AA5F62, #BB7175, #CC8388, #DD959B and #EEA7AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55F67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55F67 shade: #A55F67, #944D54, #833B41, #72292E and #61171B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55F67 shade: #A55F67 and #A55F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55F67 shade: #A55F67, #A55F79, #A55F8C, #A55F9F and #975FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55F67 shade matches the following richer shades: #A55F67, #B94A57, #CD3647, #E12238 and #F50E28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55F67 shade: #A55F67, #907376, #7C8786, #689B95 and #54AFA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55F67 shade: #A55F8C, #A55F79, #A55F67, #A5695F and #A57C5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55F67 shade: #713F45, #8C4E55, #A55F67, #B37980 and #C29399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55F67 shade: #A55F67, #9FA55F and #5F83A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55F67 shade: #A55F67, #67A55F and #5F67A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55F67 shade: #A55F67, #9FA55F, #5FA59C and #645FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55F67 shade: #A55F67, #8AA55F, #5FA59C and #795FA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

Complementary color

CMYK 44 / 0 / 5 / 37

HEX #5AA098

RGB 90 160 152

HSL 173.14, 0.28%, 0.49%

LAB 61.29, -24.06, -2.73

 

CMYK 0 / 44 / 42 / 33

HEX #AA5F62

RGB 170 95 98

HSL 357.6, 0.31%, 0.52%

LAB 49.02, 30.74, 11.77

 

CMYK 0 / 40 / 37 / 27

HEX #BB7175

RGB 187 113 117

HSL 356.76, 0.35%, 0.59%

LAB 55.75, 29.7, 10.32

 

CMYK 0 / 36 / 33 / 20

HEX #CC8388

RGB 204 131 136

HSL 355.89, 0.42%, 0.66%

LAB 62.38, 28.76, 9.06

 

CMYK 0 / 33 / 30 / 13

HEX #DD959B

RGB 221 149 155

HSL 355, 0.51%, 0.73%

LAB 68.92, 27.9, 7.95

 

CMYK 0 / 30 / 27 / 7

HEX #EEA7AE

RGB 238 167 174

HSL 354.08, 0.68%, 0.79%

LAB 75.37, 27.11, 6.94

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 48 / 43 / 42

HEX #944D54

RGB 148 77 84

HSL 354.08, 0.32%, 0.44%

LAB 41.6, 30.46, 9.43

 

CMYK 0 / 55 / 50 / 49

HEX #833B41

RGB 131 59 65

HSL 355, 0.38%, 0.37%

LAB 34.67, 31.57, 11.32

 

CMYK 0 / 64 / 60 / 55

HEX #72292E

RGB 114 41 46

HSL 355.89, 0.47%, 0.3%

LAB 27.74, 32.64, 13.78

 

CMYK 0 / 76 / 72 / 62

HEX #61171B

RGB 97 23 27

HSL 356.76, 0.62%, 0.24%

LAB 20.96, 33.33, 17.15

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 42 / 42 / 35

HEX #A55F5F

RGB 165 95 95

HSL 0, 0.28%, 0.51%

LAB 48.27, 28.44, 12.42

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 42 / 27 / 35

HEX #A55F79

RGB 165 95 121

HSL 337.71, 0.28%, 0.51%

LAB 48.96, 31.84, -2.18

 

CMYK 0 / 42 / 15 / 35

HEX #A55F8C

RGB 165 95 140

HSL 321.43, 0.28%, 0.51%

LAB 49.59, 34.81, -12.59

 

CMYK 0 / 42 / 4 / 35

HEX #A55F9F

RGB 165 95 159

HSL 305.14, 0.28%, 0.51%

LAB 50.32, 38.16, -22.72

 

CMYK 8 / 42 / 0 / 35

HEX #975FA5

RGB 151 95 165

HSL 288, 0.28%, 0.51%

LAB 48.86, 34.9, -28.64

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 60 / 53 / 27

HEX #B94A57

RGB 185 74 87

HSL 352.97, 0.44%, 0.51%

LAB 46.84, 45.93, 15.74

 

CMYK 0 / 74 / 65 / 20

HEX #CD3647

RGB 205 54 71

HSL 353.25, 0.6%, 0.51%

LAB 47.07, 59.38, 26.37

 

CMYK 0 / 85 / 75 / 12

HEX #E12238

RGB 225 34 56

HSL 353.09, 0.76%, 0.51%

LAB 48.81, 69.72, 38.24

 

CMYK 0 / 94 / 84 / 4

HEX #F50E28

RGB 245 14 40

HSL 353.25, 0.92%, 0.51%

LAB 51.7, 77.16, 51.19

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 20 / 18 / 44

HEX #907376

RGB 144 115 118

HSL 353.79, 0.12%, 0.51%

LAB 51.27, 11.86, 2.66

 

CMYK 8 / 0 / 1 / 47

HEX #7C8786

RGB 124 135 134

HSL 174.55, 0.04%, 0.51%

LAB 55.41, -4.22, -0.85

 

CMYK 33 / 0 / 4 / 39

HEX #689B95

RGB 104 155 149

HSL 172.94, 0.2%, 0.51%

LAB 60.39, -18.33, -2.29

 

CMYK 52 / 0 / 6 / 31

HEX #54AFA5

RGB 84 175 165

HSL 173.41, 0.36%, 0.51%

LAB 65.95, -29.59, -3.18

 

CMYK 0 / 42 / 15 / 35

HEX #A55F8C

RGB 165 95 140

HSL 321.43, 0.28%, 0.51%

LAB 49.59, 34.81, -12.59

 

CMYK 0 / 42 / 27 / 35

HEX #A55F79

RGB 165 95 121

HSL 337.71, 0.28%, 0.51%

LAB 48.96, 31.84, -2.18

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 36 / 42 / 35

HEX #A5695F

RGB 165 105 95

HSL 8.57, 0.28%, 0.51%

LAB 50.6, 22.83, 15.63

 

CMYK 0 / 25 / 42 / 35

HEX #A57C5F

RGB 165 124 95

HSL 24.86, 0.28%, 0.51%

LAB 55.32, 12.05, 22.01

 

CMYK 0 / 44 / 39 / 56

HEX #713F45

RGB 113 63 69

HSL 352.8, 0.28%, 0.35%

LAB 32.91, 22.54, 5.89

 

CMYK 0 / 44 / 39 / 45

HEX #8C4E55

RGB 140 78 85

HSL 353.23, 0.28%, 0.43%

LAB 40.7, 26.86, 7.38

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 32 / 28 / 30

HEX #B37980

RGB 179 121 128

HSL 352.76, 0.28%, 0.59%

LAB 56.9, 23.65, 5.43

 

CMYK 0 / 24 / 21 / 24

HEX #C29399

RGB 194 147 153

HSL 352.34, 0.28%, 0.67%

LAB 65.46, 18.59, 3.72

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 4 / 0 / 42 / 35

HEX #9FA55F

RGB 159 165 95

HSL 65.14, 0.28%, 0.51%

LAB 65.83, -12.98, 35.48

 

CMYK 42 / 21 / 0 / 35

HEX #5F83A5

RGB 95 131 165

HSL 209.14, 0.28%, 0.51%

LAB 53.37, -3.45, -22.06

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 38 / 0 / 42 / 35

HEX #67A55F

RGB 103 165 95

HSL 113.14, 0.28%, 0.51%

LAB 62.19, -34.19, 30.1

 

CMYK 42 / 38 / 0 / 35

HEX #5F67A5

RGB 95 103 165

HSL 233.14, 0.28%, 0.51%

LAB 45.43, 13.36, -34.41

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 4 / 0 / 42 / 35

HEX #9FA55F

RGB 159 165 95

HSL 65.14, 0.28%, 0.51%

LAB 65.83, -12.98, 35.48

 

CMYK 42 / 0 / 5 / 35

HEX #5FA59C

RGB 95 165 156

HSL 172.29, 0.28%, 0.51%

LAB 63.13, -24.28, -2.25

 

CMYK 39 / 42 / 0 / 35

HEX #645FA5

RGB 100 95 165

HSL 244.29, 0.28%, 0.51%

LAB 43.67, 19.68, -37.16

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 16 / 0 / 42 / 35

HEX #8AA55F

RGB 138 165 95

HSL 83.14, 0.28%, 0.51%

LAB 64.27, -21.43, 33.19

 

CMYK 42 / 0 / 5 / 35

HEX #5FA59C

RGB 95 165 156

HSL 172.29, 0.28%, 0.51%

LAB 63.13, -24.28, -2.25

 

CMYK 27 / 42 / 0 / 35

HEX #795FA5

RGB 121 95 165

HSL 262.29, 0.28%, 0.51%

LAB 45.59, 25.7, -34

 

Description

Color code: HEX #A55F67 | qconv.com Color code: HEX #A55F67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 95 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 95 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 38 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 38% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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