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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5767A it is the complementary color #5A8985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5767A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5767A shade: #AA7675, #BB8888, #CC9A9B, #DDACAE and #EEBEC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5767A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5767A shade: #A5767A, #946467, #835254, #724041 and #612E2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5767A shade: #A47478 and #A47474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5767A shade: #A47478, #A47485, #A47492, #A4749F and #9C74A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5767A shade matches the following richer shades: #A47478, #B66168, #C94F59, #DC3C4A and #EE293A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5767A shade: #A47478, #918687, #7F9997, #6CABA6 and #5ABEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5767A shade: #A47492, #A47485, #A47478, #A47C74 and #A48974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5767A shade: #774E51, #905E62, #A47478, #B48D90 and #C4A6A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5767A shade: #A5767A, #9FA474 and #748CA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5767A shade: #A5767A, #78A474 and #7478A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5767A shade: #A5767A, #9FA474, #74A49F and #7874A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5767A shade: #A5767A, #91A474, #74A49F and #8774A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

Complementary color

CMYK 34 / 0 / 3 / 46

HEX #5A8985

RGB 90 137 133

HSL 174.89, 0.21%, 0.45%

LAB 53.77, -16.85, -2.94

 

CMYK 0 / 31 / 31 / 33

HEX #AA7675

RGB 170 118 117

HSL 1.13, 0.24%, 0.56%

LAB 54.85, 20.28, 8.77

 

CMYK 0 / 27 / 27 / 27

HEX #BB8888

RGB 187 136 136

HSL 0, 0.27%, 0.63%

LAB 61.61, 19.5, 7.71

 

CMYK 0 / 25 / 24 / 20

HEX #CC9A9B

RGB 204 154 155

HSL 358.8, 0.33%, 0.7%

LAB 68.25, 18.81, 6.75

 

CMYK 0 / 22 / 21 / 13

HEX #DDACAE

RGB 221 172 174

HSL 357.55, 0.42%, 0.77%

LAB 74.78, 18.19, 5.86

 

CMYK 0 / 20 / 19 / 7

HEX #EEBEC1

RGB 238 190 193

HSL 356.25, 0.59%, 0.84%

LAB 81.21, 17.62, 5.04

 

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

CMYK 0 / 32 / 30 / 42

HEX #946467

RGB 148 100 103

HSL 356.25, 0.19%, 0.49%

LAB 47.48, 19.84, 6.2

 

CMYK 0 / 37 / 36 / 49

HEX #835254

RGB 131 82 84

HSL 357.55, 0.23%, 0.42%

LAB 40.41, 20.77, 7.41

 

CMYK 0 / 44 / 43 / 55

HEX #724041

RGB 114 64 65

HSL 358.8, 0.28%, 0.35%

LAB 33.19, 21.84, 8.87

 

CMYK 0 / 53 / 53 / 62

HEX #612E2E

RGB 97 46 46

HSL 0, 0.36%, 0.28%

LAB 25.84, 23.07, 10.72

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 29 / 29 / 36

HEX #A47474

RGB 164 116 116

HSL 0, 0.21%, 0.55%

LAB 53.65, 18.9, 7.54

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 29 / 19 / 36

HEX #A47485

RGB 164 116 133

HSL 338.75, 0.21%, 0.55%

LAB 54.11, 21.5, -1.74

 

CMYK 0 / 29 / 11 / 36

HEX #A47492

RGB 164 116 146

HSL 322.5, 0.21%, 0.55%

LAB 54.51, 23.72, -8.75

 

CMYK 0 / 29 / 3 / 36

HEX #A4749F

RGB 164 116 159

HSL 306.25, 0.21%, 0.55%

LAB 54.96, 26.11, -15.64

 

CMYK 5 / 29 / 0 / 36

HEX #9C74A4

RGB 156 116 164

HSL 290, 0.21%, 0.55%

LAB 54.28, 24.35, -19.65

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 47 / 43 / 29

HEX #B66168

RGB 182 97 104

HSL 355.06, 0.37%, 0.55%

LAB 51.26, 34.93, 11.57

 

CMYK 0 / 61 / 56 / 21

HEX #C94F59

RGB 201 79 89

HSL 355.08, 0.53%, 0.55%

LAB 50.37, 49.31, 19.74

 

CMYK 0 / 73 / 66 / 14

HEX #DC3C4A

RGB 220 60 74

HSL 354.75, 0.7%, 0.55%

LAB 50.62, 62.01, 29.62

 

CMYK 0 / 83 / 76 / 7

HEX #EE293A

RGB 238 41 58

HSL 354.82, 0.85%, 0.55%

LAB 51.91, 71.74, 41.26

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 8 / 7 / 43

HEX #918687

RGB 145 134 135

HSL 354.55, 0.05%, 0.55%

LAB 56.9, 4.32, 0.95

 

CMYK 17 / 0 / 1 / 40

HEX #7F9997

RGB 127 153 151

HSL 175.38, 0.11%, 0.55%

LAB 61.25, -9.51, -2

 

CMYK 37 / 0 / 3 / 33

HEX #6CABA6

RGB 108 171 166

HSL 175.24, 0.27%, 0.55%

LAB 65.8, -21.37, -3.84

 

CMYK 53 / 0 / 5 / 25

HEX #5ABEB5

RGB 90 190 181

HSL 174.6, 0.43%, 0.55%

LAB 71.1, -31.38, -4.39

 

CMYK 0 / 29 / 11 / 36

HEX #A47492

RGB 164 116 146

HSL 322.5, 0.21%, 0.55%

LAB 54.51, 23.72, -8.75

 

CMYK 0 / 29 / 19 / 36

HEX #A47485

RGB 164 116 133

HSL 338.75, 0.21%, 0.55%

LAB 54.11, 21.5, -1.74

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 24 / 29 / 36

HEX #A47C74

RGB 164 124 116

HSL 10, 0.21%, 0.55%

LAB 55.65, 14.34, 10.39

 

CMYK 0 / 16 / 29 / 36

HEX #A48974

RGB 164 137 116

HSL 26.25, 0.21%, 0.55%

LAB 59.02, 6.99, 15.09

 

CMYK 0 / 34 / 32 / 53

HEX #774E51

RGB 119 78 81

HSL 355.61, 0.21%, 0.39%

LAB 37.78, 17.75, 5.33

 

CMYK 0 / 35 / 32 / 44

HEX #905E62

RGB 144 94 98

HSL 355.2, 0.21%, 0.47%

LAB 45.38, 21, 6.15

 

CMYK 0 / 29 / 27 / 36

HEX #A47478

RGB 164 116 120

HSL 355, 0.21%, 0.55%

LAB 53.75, 19.48, 5.35

 

CMYK 0 / 22 / 20 / 29

HEX #B48D90

RGB 180 141 144

HSL 355.38, 0.21%, 0.63%

LAB 62.31, 15.23, 4.06

 

CMYK 0 / 15 / 14 / 23

HEX #C4A6A8

RGB 196 166 168

HSL 356, 0.2%, 0.71%

LAB 70.76, 11.27, 3.04

 

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

CMYK 3 / 0 / 29 / 36

HEX #9FA474

RGB 159 164 116

HSL 66.25, 0.21%, 0.55%

LAB 65.89, -9.82, 24.38

 

CMYK 29 / 15 / 0 / 36

HEX #748CA4

RGB 116 140 164

HSL 210, 0.21%, 0.55%

LAB 57.22, -2.76, -15.49

 

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

CMYK 27 / 0 / 29 / 36

HEX #78A474

RGB 120 164 116

HSL 115, 0.21%, 0.55%

LAB 63.18, -24.51, 20.26

 

CMYK 29 / 27 / 0 / 36

HEX #7478A4

RGB 116 120 164

HSL 235, 0.21%, 0.55%

LAB 51.64, 8.88, -24.02

 

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

CMYK 3 / 0 / 29 / 36

HEX #9FA474

RGB 159 164 116

HSL 66.25, 0.21%, 0.55%

LAB 65.89, -9.82, 24.38

 

CMYK 29 / 0 / 3 / 36

HEX #74A49F

RGB 116 164 159

HSL 173.75, 0.21%, 0.55%

LAB 63.97, -17.1, -2.58

 

CMYK 27 / 29 / 0 / 36

HEX #7874A4

RGB 120 116 164

HSL 245, 0.21%, 0.55%

LAB 50.88, 12.52, -25.17

 

CMYK 0 / 28 / 26 / 35

HEX #A5767A

RGB 165 118 122

HSL 354.89, 0.21%, 0.55%

LAB 54.41, 19.03, 5.14

 

CMYK 12 / 0 / 29 / 36

HEX #91A474

RGB 145 164 116

HSL 83.75, 0.21%, 0.55%

LAB 64.83, -15.29, 22.77

 

CMYK 29 / 0 / 3 / 36

HEX #74A49F

RGB 116 164 159

HSL 173.75, 0.21%, 0.55%

LAB 63.97, -17.1, -2.58

 

CMYK 18 / 29 / 0 / 36

HEX #8774A4

RGB 135 116 164

HSL 263.75, 0.21%, 0.55%

LAB 52.2, 17.33, -23.02

 

Description

Color code: HEX #A5767A | qconv.com Color code: HEX #A5767A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 118 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 118 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 26 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 26% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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