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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A57740 it is the complementary color #5A88BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A57740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A57740 shade: #AA773B, #BB894E, #CC9B61, #DDAD74 and #EEBF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A57740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A57740 shade: #A57740, #94652D, #83531A, #724107 and #612F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A57740 shade: #A57740, #A55C40, #A54040 and #A54040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A57740 shade: #A57740, #A59240, #9CA540, #81A540 and #66A540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A57740 shade matches the following richer shades: #A57740, #B7782D, #CA7A1B and #DC7C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A57740 shade: #A57740, #927552, #807365, #6D7277 and #5A708A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A57740 shade: #A54040, #A55B40, #A57640, #A59140 and #9EA540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A57740 shade: #694C29, #876134, #A57740, #BC8C52 and #C79F70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A57740 shade: #A57740, #5BA540 and #4D40A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A57740 shade: #A57740, #40A576 and #7640A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A57740 shade: #A57740, #5BA540, #406FA5 and #8A40A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A57740 shade: #A57740, #40A543, #406FA5 and #A540A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

Complementary color

CMYK 53 / 29 / 0 / 25

HEX #5A88BF

RGB 90 136 191

HSL 212.67, 0.44%, 0.55%

LAB 55.63, 0.22, -33.49

 

CMYK 0 / 30 / 65 / 33

HEX #AA773B

RGB 170 119 59

HSL 32.43, 0.48%, 0.45%

LAB 54.09, 13.78, 40.22

 

CMYK 0 / 27 / 58 / 27

HEX #BB894E

RGB 187 137 78

HSL 32.48, 0.44%, 0.52%

LAB 60.79, 12.51, 38.73

 

CMYK 0 / 24 / 52 / 20

HEX #CC9B61

RGB 204 155 97

HSL 32.52, 0.51%, 0.59%

LAB 67.38, 11.43, 37.28

 

CMYK 0 / 22 / 48 / 13

HEX #DDAD74

RGB 221 173 116

HSL 32.57, 0.61%, 0.66%

LAB 73.88, 10.51, 35.9

 

CMYK 0 / 20 / 43 / 7

HEX #EEBF87

RGB 238 191 135

HSL 32.62, 0.75%, 0.73%

LAB 80.29, 9.72, 34.59

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 32 / 70 / 42

HEX #94652D

RGB 148 101 45

HSL 32.62, 0.53%, 0.38%

LAB 46.7, 13.31, 38.36

 

CMYK 0 / 37 / 80 / 49

HEX #83531A

RGB 131 83 26

HSL 32.57, 0.67%, 0.31%

LAB 39.73, 15.02, 39.61

 

CMYK 0 / 43 / 94 / 55

HEX #724107

RGB 114 65 7

HSL 32.52, 0.88%, 0.24%

LAB 32.64, 17.11, 39.9

 

CMYK 0 / 52 / 100 / 62

HEX #612F00

RGB 97 47 0

HSL 29.07, 1%, 0.19%

LAB 25.49, 19.67, 35.8

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 44 / 61 / 35

HEX #A55C40

RGB 165 92 64

HSL 16.63, 0.44%, 0.45%

LAB 47.01, 27.15, 28.99

 

CMYK 0 / 61 / 61 / 35

HEX #A54040

RGB 165 64 64

HSL 0, 0.44%, 0.45%

LAB 41.27, 41.72, 21.76

 

CMYK 0 / 61 / 61 / 35

HEX #A54040

RGB 165 64 64

HSL 0, 0.44%, 0.45%

LAB 41.27, 41.72, 21.76

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 12 / 61 / 35

HEX #A59240

RGB 165 146 64

HSL 48.71, 0.44%, 0.45%

LAB 60.72, -3.13, 45.07

 

CMYK 5 / 0 / 61 / 35

HEX #9CA540

RGB 156 165 64

HSL 65.35, 0.44%, 0.45%

LAB 65.24, -17.11, 49.83

 

CMYK 22 / 0 / 61 / 35

HEX #81A540

RGB 129 165 64

HSL 81.39, 0.44%, 0.45%

LAB 63.3, -28.28, 47.15

 

CMYK 38 / 0 / 61 / 35

HEX #66A540

RGB 102 165 64

HSL 97.43, 0.44%, 0.45%

LAB 61.74, -38.41, 44.98

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 34 / 75 / 28

HEX #B7782D

RGB 183 120 45

HSL 32.61, 0.61%, 0.45%

LAB 55.78, 18.16, 49.17

 

CMYK 0 / 40 / 87 / 21

HEX #CA7A1B

RGB 202 122 27

HSL 32.57, 0.76%, 0.45%

LAB 58.56, 24.69, 59.4

 

CMYK 0 / 44 / 96 / 14

HEX #DC7C08

RGB 220 124 8

HSL 32.83, 0.93%, 0.45%

LAB 61.35, 30.91, 66.79

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 20 / 44 / 43

HEX #927552

RGB 146 117 82

HSL 32.81, 0.28%, 0.45%

LAB 51.2, 6.43, 23.58

 

CMYK 0 / 10 / 21 / 50

HEX #807365

RGB 128 115 101

HSL 31.11, 0.12%, 0.45%

LAB 49.24, 2.6, 9.58

 

CMYK 8 / 4 / 0 / 53

HEX #6D7277

RGB 109 114 119

HSL 210, 0.04%, 0.45%

LAB 47.77, -0.82, -3.42

 

CMYK 35 / 19 / 0 / 46

HEX #5A708A

RGB 90 112 138

HSL 212.5, 0.21%, 0.45%

LAB 46.44, -1.38, -16.88

 

CMYK 0 / 61 / 61 / 35

HEX #A54040

RGB 165 64 64

HSL 0, 0.44%, 0.45%

LAB 41.27, 41.72, 21.76

 

CMYK 0 / 45 / 61 / 35

HEX #A55B40

RGB 165 91 64

HSL 16.04, 0.44%, 0.45%

LAB 46.78, 27.7, 28.71

 

CMYK 0 / 28 / 61 / 35

HEX #A57640

RGB 165 118 64

HSL 32.08, 0.44%, 0.45%

LAB 53.3, 12.49, 36.57

 

CMYK 0 / 12 / 61 / 35

HEX #A59140

RGB 165 145 64

HSL 48.12, 0.44%, 0.45%

LAB 60.45, -2.58, 44.76

 

CMYK 4 / 0 / 61 / 35

HEX #9EA540

RGB 158 165 64

HSL 64.16, 0.44%, 0.45%

LAB 65.4, -16.26, 50.05

 

CMYK 0 / 28 / 61 / 59

HEX #694C29

RGB 105 76 41

HSL 32.81, 0.44%, 0.29%

LAB 34.67, 7.9, 25.37

 

CMYK 0 / 28 / 61 / 47

HEX #876134

RGB 135 97 52

HSL 32.53, 0.44%, 0.37%

LAB 44.16, 10.21, 31.36

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 26 / 56 / 26

HEX #BC8C52

RGB 188 140 82

HSL 32.83, 0.44%, 0.53%

LAB 61.7, 11.6, 37.77

 

CMYK 0 / 20 / 44 / 22

HEX #C79F70

RGB 199 159 112

HSL 32.41, 0.44%, 0.61%

LAB 68.1, 8.65, 30.12

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 45 / 0 / 61 / 35

HEX #5BA540

RGB 91 165 64

HSL 103.96, 0.44%, 0.45%

LAB 61.22, -42.08, 44.25

 

CMYK 53 / 61 / 0 / 35

HEX #4D40A5

RGB 77 64 165

HSL 247.72, 0.44%, 0.45%

LAB 33.9, 33.53, -52.92

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 61 / 0 / 28 / 35

HEX #40A576

RGB 64 165 118

HSL 152.08, 0.44%, 0.45%

LAB 61.05, -40.6, 15.84

 

CMYK 28 / 61 / 0 / 35

HEX #7640A5

RGB 118 64 165

HSL 272.08, 0.44%, 0.45%

LAB 38.26, 42.75, -45.66

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 45 / 0 / 61 / 35

HEX #5BA540

RGB 91 165 64

HSL 103.96, 0.44%, 0.45%

LAB 61.22, -42.08, 44.25

 

CMYK 61 / 33 / 0 / 35

HEX #406FA5

RGB 64 111 165

HSL 212.08, 0.44%, 0.45%

LAB 45.87, 1.02, -33.83

 

CMYK 16 / 61 / 0 / 35

HEX #8A40A5

RGB 138 64 165

HSL 283.96, 0.44%, 0.45%

LAB 40.88, 47.75, -41.34

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 61 / 0 / 59 / 35

HEX #40A543

RGB 64 165 67

HSL 121.78, 0.44%, 0.45%

LAB 60.25, -49.29, 41.48

 

CMYK 61 / 33 / 0 / 35

HEX #406FA5

RGB 64 111 165

HSL 212.08, 0.44%, 0.45%

LAB 45.87, 1.02, -33.83

 

CMYK 0 / 61 / 2 / 35

HEX #A540A1

RGB 165 64 161

HSL 302.38, 0.44%, 0.45%

LAB 44.57, 53.98, -32.84

 

Description

Color code: HEX #A57740 | qconv.com Color code: HEX #A57740 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 119 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 119 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 61 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 61% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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