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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A57977 it is the complementary color #5A8688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A57977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A57977 shade: #AA7972, #BB8B85, #CC9D98, #DDAFAB and #EEC1BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A57977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A57977 shade: #A57977, #946764, #835551, #72433E and #61312B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A57977 shade: #A57A78 and #A57878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A57977 shade: #A57A78, #A58678, #A59278, #A59E78 and #9FA578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A57977 shade matches the following richer shades: #A57A78, #B76966, #C95954, #DB4841 and #ED382F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A57977 shade: #A57A78, #938A8A, #809B9C, #6EACAE and #5CBCC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A57977 shade: #A5788E, #A57882, #A57978, #A58578 and #A59178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A57977 shade: #795251, #926361, #A57A78, #B59291 and #C6ABA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A57977 shade: #A57977, #9AA578 and #7888A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A57977 shade: #A57977, #78A579 and #7978A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A57977 shade: #A57977, #9AA578, #78A3A5 and #8278A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A57977 shade: #A57977, #8DA578, #78A3A5 and #9078A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

Complementary color

CMYK 34 / 1 / 0 / 47

HEX #5A8688

RGB 90 134 136

HSL 182.61, 0.2%, 0.44%

LAB 52.95, -14.47, -5.9

 

CMYK 0 / 29 / 33 / 33

HEX #AA7972

RGB 170 121 114

HSL 7.5, 0.25%, 0.56%

LAB 55.52, 18.18, 11.45

 

CMYK 0 / 26 / 29 / 27

HEX #BB8B85

RGB 187 139 133

HSL 6.67, 0.28%, 0.63%

LAB 62.27, 17.41, 10.35

 

CMYK 0 / 23 / 25 / 20

HEX #CC9D98

RGB 204 157 152

HSL 5.77, 0.34%, 0.7%

LAB 68.91, 16.73, 9.35

 

CMYK 0 / 21 / 23 / 13

HEX #DDAFAB

RGB 221 175 171

HSL 4.8, 0.42%, 0.77%

LAB 75.43, 16.13, 8.43

 

CMYK 0 / 19 / 20 / 7

HEX #EEC1BE

RGB 238 193 190

HSL 3.75, 0.59%, 0.84%

LAB 81.86, 15.59, 7.58

 

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

CMYK 0 / 30 / 32 / 42

HEX #946764

RGB 148 103 100

HSL 3.75, 0.19%, 0.49%

LAB 48.15, 17.68, 8.95

 

CMYK 0 / 35 / 38 / 49

HEX #835551

RGB 131 85 81

HSL 4.8, 0.24%, 0.42%

LAB 41.08, 18.6, 10.21

 

CMYK 0 / 41 / 46 / 55

HEX #72433E

RGB 114 67 62

HSL 5.77, 0.3%, 0.35%

LAB 33.86, 19.69, 11.7

 

CMYK 0 / 49 / 56 / 62

HEX #61312B

RGB 97 49 43

HSL 6.67, 0.39%, 0.27%

LAB 26.48, 20.97, 13.57

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 27 / 27 / 35

HEX #A57878

RGB 165 120 120

HSL 0, 0.2%, 0.56%

LAB 54.85, 17.6, 6.94

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 19 / 27 / 35

HEX #A58678

RGB 165 134 120

HSL 18.67, 0.2%, 0.56%

LAB 58.42, 9.65, 11.99

 

CMYK 0 / 12 / 27 / 35

HEX #A59278

RGB 165 146 120

HSL 34.67, 0.2%, 0.56%

LAB 61.58, 2.93, 16.39

 

CMYK 0 / 4 / 27 / 35

HEX #A59E78

RGB 165 158 120

HSL 50.67, 0.2%, 0.56%

LAB 64.81, -3.65, 20.82

 

CMYK 4 / 0 / 27 / 35

HEX #9FA578

RGB 159 165 120

HSL 68, 0.2%, 0.56%

LAB 66.24, -9.79, 22.67

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 43 / 44 / 28

HEX #B76966

RGB 183 105 102

HSL 2.22, 0.36%, 0.56%

LAB 53.09, 30.79, 15.31

 

CMYK 0 / 56 / 58 / 21

HEX #C95954

RGB 201 89 84

HSL 2.56, 0.52%, 0.56%

LAB 52.07, 44.23, 24.93

 

CMYK 0 / 67 / 70 / 14

HEX #DB4841

RGB 219 72 65

HSL 2.73, 0.68%, 0.56%

LAB 51.92, 56.81, 36.37

 

CMYK 0 / 76 / 80 / 7

HEX #ED382F

RGB 237 56 47

HSL 2.84, 0.84%, 0.56%

LAB 52.99, 67.22, 48.26

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 6 / 6 / 42

HEX #938A8A

RGB 147 138 138

HSL 0, 0.04%, 0.56%

LAB 58.24, 3.36, 1.2

 

CMYK 18 / 1 / 0 / 39

HEX #809B9C

RGB 128 155 156

HSL 182.14, 0.12%, 0.56%

LAB 62.03, -9.16, -3.67

 

CMYK 37 / 1 / 0 / 32

HEX #6EACAE

RGB 110 172 174

HSL 181.88, 0.28%, 0.56%

LAB 66.43, -19.36, -7.36

 

CMYK 52 / 2 / 0 / 25

HEX #5CBCC0

RGB 92 188 192

HSL 182.4, 0.44%, 0.56%

LAB 70.9, -27.07, -10.7

 

CMYK 0 / 27 / 14 / 35

HEX #A5788E

RGB 165 120 142

HSL 330.67, 0.2%, 0.56%

LAB 55.47, 21.11, -4.98

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 27 / 27 / 35

HEX #A57978

RGB 165 121 120

HSL 1.33, 0.2%, 0.56%

LAB 55.1, 17.03, 7.3

 

CMYK 0 / 19 / 27 / 35

HEX #A58578

RGB 165 133 120

HSL 17.33, 0.2%, 0.56%

LAB 58.16, 10.22, 11.63

 

CMYK 0 / 12 / 27 / 35

HEX #A59178

RGB 165 145 120

HSL 33.33, 0.2%, 0.56%

LAB 61.31, 3.49, 16.02

 

CMYK 0 / 32 / 33 / 53

HEX #795251

RGB 121 82 81

HSL 1.5, 0.2%, 0.4%

LAB 39.06, 16.18, 7.18

 

CMYK 0 / 32 / 34 / 43

HEX #926361

RGB 146 99 97

HSL 2.45, 0.2%, 0.48%

LAB 46.84, 18.77, 8.85

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 19 / 20 / 29

HEX #B59291

RGB 181 146 145

HSL 1.67, 0.2%, 0.64%

LAB 63.69, 12.97, 5.5

 

CMYK 0 / 14 / 15 / 22

HEX #C6ABA9

RGB 198 171 169

HSL 4.14, 0.2%, 0.72%

LAB 72.23, 9.45, 4.64

 

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

CMYK 7 / 0 / 27 / 35

HEX #9AA578

RGB 154 165 120

HSL 74.67, 0.2%, 0.56%

LAB 65.85, -11.74, 22.08

 

CMYK 27 / 18 / 0 / 35

HEX #7888A5

RGB 120 136 165

HSL 218.67, 0.2%, 0.56%

LAB 56.4, 1.02, -17.27

 

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

CMYK 27 / 0 / 27 / 35

HEX #78A579

RGB 120 165 121

HSL 121.33, 0.2%, 0.56%

LAB 63.58, -24.14, 18.05

 

CMYK 27 / 27 / 0 / 35

HEX #7978A5

RGB 121 120 165

HSL 241.33, 0.2%, 0.56%

LAB 52.08, 10.7, -23.89

 

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

CMYK 7 / 0 / 27 / 35

HEX #9AA578

RGB 154 165 120

HSL 74.67, 0.2%, 0.56%

LAB 65.85, -11.74, 22.08

 

CMYK 27 / 1 / 0 / 35

HEX #78A3A5

RGB 120 163 165

HSL 182.67, 0.2%, 0.56%

LAB 64.08, -13.95, -5.75

 

CMYK 21 / 27 / 0 / 35

HEX #8278A5

RGB 130 120 165

HSL 253.33, 0.2%, 0.56%

LAB 52.83, 13.58, -22.66

 

CMYK 0 / 27 / 28 / 35

HEX #A57977

RGB 165 121 119

HSL 2.61, 0.2%, 0.56%

LAB 55.08, 16.88, 7.85

 

CMYK 15 / 0 / 27 / 35

HEX #8DA578

RGB 141 165 120

HSL 92, 0.2%, 0.56%

LAB 64.91, -16.72, 20.64

 

CMYK 27 / 1 / 0 / 35

HEX #78A3A5

RGB 120 163 165

HSL 182.67, 0.2%, 0.56%

LAB 64.08, -13.95, -5.75

 

CMYK 13 / 27 / 0 / 35

HEX #9078A5

RGB 144 120 165

HSL 272, 0.2%, 0.56%

LAB 54.11, 18.2, -20.6

 

Description

Color code: HEX #A57977 | qconv.com Color code: HEX #A57977 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 121 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 121 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 28 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 28% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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