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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A57207 it is the complementary color #5A8DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A57207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A57207 shade: #AA7202, #BB8415, #CC9628, #DDA83B and #EEBA4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A57207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A57207 shade: #A57207, #946000, #834E00, #723C00 and #612A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A57207 shade: #A67206, #A64706, #A61C06 and #A60606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A57207 shade: #A67206, #A69D06, #83A606, #58A606 and #2DA606

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A57207 shade matches the following richer shades: #A67206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A57207 shade: #A67206, #986D14, #8A6922, #7C6431 and #6E5F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A57207 shade: #A61C06, #A64606, #A67106, #A69B06 and #86A606

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A57207 shade: #573C03, #7E5705, #A67206, #CE8E08 and #F4A90B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A57207 shade: #A57207, #1CA606 and #3106A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A57207 shade: #A57207, #06A671 and #7106A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A57207 shade: #A57207, #1CA606, #063CA6 and #9106A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A57207 shade: #A57207, #06A621, #063CA6 and #A6068B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

Complementary color

CMYK 64 / 43 / 0 / 3

HEX #5A8DF8

RGB 90 141 248

HSL 220.63, 0.92%, 0.66%

LAB 59.89, 15.89, -58.64

 

CMYK 0 / 33 / 99 / 33

HEX #AA7202

RGB 170 114 2

HSL 40, 0.98%, 0.34%

LAB 52.49, 14.56, 58.78

 

CMYK 0 / 29 / 89 / 27

HEX #BB8415

RGB 187 132 21

HSL 40.12, 0.8%, 0.41%

LAB 59.09, 12.49, 60.71

 

CMYK 0 / 26 / 80 / 20

HEX #CC9628

RGB 204 150 40

HSL 40.24, 0.67%, 0.48%

LAB 65.6, 10.7, 61.26

 

CMYK 0 / 24 / 73 / 13

HEX #DDA83B

RGB 221 168 59

HSL 40.37, 0.7%, 0.55%

LAB 72.02, 9.16, 60.87

 

CMYK 0 / 22 / 67 / 7

HEX #EEBA4E

RGB 238 186 78

HSL 40.5, 0.82%, 0.62%

LAB 78.37, 7.84, 60.01

 

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

CMYK 0 / 35 / 100 / 42

HEX #946000

RGB 148 96 0

HSL 38.92, 1%, 0.29%

LAB 45.17, 14.68, 52.99

 

CMYK 0 / 40 / 100 / 49

HEX #834E00

RGB 131 78 0

HSL 35.73, 1%, 0.26%

LAB 38.33, 17.24, 47.43

 

CMYK 0 / 47 / 100 / 55

HEX #723C00

RGB 114 60 0

HSL 31.58, 1%, 0.22%

LAB 31.37, 19.91, 41.73

 

CMYK 0 / 57 / 100 / 62

HEX #612A00

RGB 97 42 0

HSL 25.98, 1%, 0.19%

LAB 24.31, 22.61, 34.67

 

CMYK 0 / 31 / 96 / 35

HEX #A67206

RGB 166 114 6

HSL 40.5, 0.93%, 0.34%

LAB 52.01, 12.8, 57.43

 

CMYK 0 / 57 / 96 / 35

HEX #A64706

RGB 166 71 6

HSL 24.38, 0.93%, 0.34%

LAB 42.2, 36.35, 50.74

 

CMYK 0 / 83 / 96 / 35

HEX #A61C06

RGB 166 28 6

HSL 8.25, 0.93%, 0.34%

LAB 35.89, 53.41, 46.93

 

CMYK 0 / 96 / 96 / 35

HEX #A60606

RGB 166 6 6

HSL 0, 0.93%, 0.34%

LAB 34.5, 57.39, 46.17

 

CMYK 0 / 31 / 96 / 35

HEX #A67206

RGB 166 114 6

HSL 40.5, 0.93%, 0.34%

LAB 52.01, 12.8, 57.43

 

CMYK 0 / 5 / 96 / 35

HEX #A69D06

RGB 166 157 6

HSL 56.63, 0.93%, 0.34%

LAB 63.54, -10.87, 65.86

 

CMYK 21 / 0 / 96 / 35

HEX #83A606

RGB 131 166 6

HSL 73.13, 0.93%, 0.34%

LAB 63.43, -30.68, 64.6

 

CMYK 47 / 0 / 96 / 35

HEX #58A606

RGB 88 166 6

HSL 89.25, 0.93%, 0.34%

LAB 61.1, -46.83, 61.76

 

CMYK 73 / 0 / 96 / 35

HEX #2DA606

RGB 45 166 6

HSL 105.38, 0.93%, 0.34%

LAB 59.75, -57.8, 60.1

 

CMYK 0 / 31 / 96 / 35

HEX #A67206

RGB 166 114 6

HSL 40.5, 0.93%, 0.34%

LAB 52.01, 12.8, 57.43

 

CMYK 0 / 31 / 96 / 35

HEX #A67206

RGB 166 114 6

HSL 40.5, 0.93%, 0.34%

LAB 52.01, 12.8, 57.43

 

CMYK 0 / 28 / 87 / 40

HEX #986D14

RGB 152 109 20

HSL 40.45, 0.77%, 0.34%

LAB 49.09, 9.46, 51.19

 

CMYK 0 / 24 / 75 / 46

HEX #8A6922

RGB 138 105 34

HSL 40.96, 0.6%, 0.34%

LAB 46.47, 5.76, 42.96

 

CMYK 0 / 19 / 60 / 51

HEX #7C6431

RGB 124 100 49

HSL 40.8, 0.43%, 0.34%

LAB 43.68, 3.12, 32.12

 

CMYK 0 / 14 / 43 / 57

HEX #6E5F3F

RGB 110 95 63

HSL 40.85, 0.27%, 0.34%

LAB 40.99, 1.08, 20.54

 

CMYK 0 / 83 / 96 / 35

HEX #A61C06

RGB 166 28 6

HSL 8.25, 0.93%, 0.34%

LAB 35.89, 53.41, 46.93

 

CMYK 0 / 58 / 96 / 35

HEX #A64606

RGB 166 70 6

HSL 24, 0.93%, 0.34%

LAB 42, 36.86, 50.62

 

CMYK 0 / 32 / 96 / 35

HEX #A67106

RGB 166 113 6

HSL 40.13, 0.93%, 0.34%

LAB 51.76, 13.36, 57.25

 

CMYK 0 / 7 / 96 / 35

HEX #A69B06

RGB 166 155 6

HSL 55.88, 0.93%, 0.34%

LAB 62.98, -9.81, 65.44

 

CMYK 19 / 0 / 96 / 35

HEX #86A606

RGB 134 166 6

HSL 72, 0.93%, 0.34%

LAB 63.63, -29.43, 64.84

 

CMYK 0 / 31 / 97 / 66

HEX #573C03

RGB 87 60 3

HSL 40.71, 0.93%, 0.18%

LAB 27.48, 6.73, 35.8

 

CMYK 0 / 31 / 96 / 51

HEX #7E5705

RGB 126 87 5

HSL 40.66, 0.92%, 0.26%

LAB 40.02, 9.64, 46.77

 

CMYK 0 / 31 / 96 / 35

HEX #A67206

RGB 166 114 6

HSL 40.5, 0.93%, 0.34%

LAB 52.01, 12.8, 57.43

 

CMYK 0 / 31 / 96 / 19

HEX #CE8E08

RGB 206 142 8

HSL 40.61, 0.93%, 0.42%

LAB 63.74, 15.25, 67.6

 

CMYK 0 / 31 / 95 / 4

HEX #F4A90B

RGB 244 169 11

HSL 40.69, 0.91%, 0.5%

LAB 74.59, 17.29, 76.87

 

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

CMYK 83 / 0 / 96 / 35

HEX #1CA606

RGB 28 166 6

HSL 111.75, 0.93%, 0.34%

LAB 59.46, -60.29, 59.75

 

CMYK 70 / 96 / 0 / 35

HEX #3106A6

RGB 49 6 166

HSL 256.13, 0.93%, 0.34%

LAB 22.08, 56.95, -73.07

 

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

CMYK 96 / 0 / 32 / 35

HEX #06A671

RGB 6 166 113

HSL 160.13, 0.93%, 0.34%

LAB 60.34, -49.05, 17.47

 

CMYK 32 / 96 / 0 / 35

HEX #7106A6

RGB 113 6 166

HSL 280.13, 0.93%, 0.34%

LAB 30.39, 62.59, -59.07

 

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

CMYK 83 / 0 / 96 / 35

HEX #1CA606

RGB 28 166 6

HSL 111.75, 0.93%, 0.34%

LAB 59.46, -60.29, 59.75

 

CMYK 96 / 64 / 0 / 35

HEX #063CA6

RGB 6 60 166

HSL 219.75, 0.93%, 0.34%

LAB 29.47, 28.24, -60.9

 

CMYK 13 / 96 / 0 / 35

HEX #9106A6

RGB 145 6 166

HSL 292.13, 0.93%, 0.34%

LAB 35.8, 67.15, -50.02

 

CMYK 0 / 31 / 96 / 35

HEX #A57207

RGB 165 114 7

HSL 40.63, 0.92%, 0.34%

LAB 51.89, 12.35, 57.1

 

CMYK 96 / 0 / 80 / 35

HEX #06A621

RGB 6 166 33

HSL 130.13, 0.93%, 0.34%

LAB 59.36, -60.87, 53.85

 

CMYK 96 / 64 / 0 / 35

HEX #063CA6

RGB 6 60 166

HSL 219.75, 0.93%, 0.34%

LAB 29.47, 28.24, -60.9

 

CMYK 0 / 96 / 16 / 35

HEX #A6068B

RGB 166 6 139

HSL 310.13, 0.93%, 0.34%

LAB 38.02, 66.75, -29.81

 

Description

Color code: HEX #A57207 | qconv.com Color code: HEX #A57207 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 114 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 114 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 96 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 96% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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