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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A58C69 it is the complementary color #5A7396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A58C69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A58C69 shade: #AA8C64, #BB9E77, #CCB08A, #DDC29D and #EED4B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A58C69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A58C69 shade: #A58C69, #947A56, #836843, #725630 and #61441D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A58C69 shade: #A58C69, #A57B69, #A56B69 and #A56969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A58C69 shade: #A58C69, #A59C69, #9DA569, #8DA569 and #7DA569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A58C69 shade matches the following richer shades: #A58C69, #B88F55, #CB9242, #DF952F and #F2991B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A58C69 shade: #A58C69, #91887C, #7E858F, #6A82A3 and #577FB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A58C69 shade: #A56C69, #A57C69, #A58C69, #A59C69 and #9EA569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A58C69 shade: #756146, #8F7755, #A58C69, #B49F82 and #C4B39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A58C69 shade: #A58C69, #76A569 and #7469A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A58C69 shade: #A58C69, #69A58C and #8C69A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A58C69 shade: #A58C69, #76A569, #6982A5 and #9869A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A58C69 shade: #A58C69, #69A56E, #6982A5 and #A569A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

Complementary color

CMYK 40 / 23 / 0 / 41

HEX #5A7396

RGB 90 115 150

HSL 215, 0.25%, 0.47%

LAB 47.8, 0.23, -21.9

 

CMYK 0 / 18 / 41 / 33

HEX #AA8C64

RGB 170 140 100

HSL 34.29, 0.29%, 0.53%

LAB 60.09, 5.73, 25.62

 

CMYK 0 / 16 / 36 / 27

HEX #BB9E77

RGB 187 158 119

HSL 34.41, 0.33%, 0.6%

LAB 66.79, 5.09, 24.37

 

CMYK 0 / 14 / 32 / 20

HEX #CCB08A

RGB 204 176 138

HSL 34.55, 0.39%, 0.67%

LAB 73.37, 4.54, 23.22

 

CMYK 0 / 12 / 29 / 13

HEX #DDC29D

RGB 221 194 157

HSL 34.69, 0.48%, 0.74%

LAB 79.84, 4.07, 22.14

 

CMYK 0 / 11 / 26 / 7

HEX #EED4B0

RGB 238 212 176

HSL 34.84, 0.65%, 0.81%

LAB 86.21, 3.65, 21.13

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 18 / 42 / 42

HEX #947A56

RGB 148 122 86

HSL 34.84, 0.26%, 0.46%

LAB 52.83, 4.9, 23.48

 

CMYK 0 / 21 / 49 / 49

HEX #836843

RGB 131 104 67

HSL 34.69, 0.32%, 0.39%

LAB 45.81, 5.69, 24.87

 

CMYK 0 / 25 / 58 / 55

HEX #725630

RGB 114 86 48

HSL 34.55, 0.41%, 0.32%

LAB 38.63, 6.7, 26.38

 

CMYK 0 / 30 / 70 / 62

HEX #61441D

RGB 97 68 29

HSL 34.41, 0.54%, 0.25%

LAB 31.26, 8.02, 27.96

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 25 / 36 / 35

HEX #A57B69

RGB 165 123 105

HSL 18, 0.25%, 0.53%

LAB 55.26, 13.83, 16.21

 

CMYK 0 / 35 / 36 / 35

HEX #A56B69

RGB 165 107 105

HSL 2, 0.25%, 0.53%

LAB 51.31, 22.92, 10.71

 

CMYK 0 / 36 / 36 / 35

HEX #A56969

RGB 165 105 105

HSL 0, 0.25%, 0.53%

LAB 50.83, 24.05, 10.04

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 5 / 36 / 35

HEX #A59C69

RGB 165 156 105

HSL 51, 0.25%, 0.53%

LAB 64, -4.55, 27.92

 

CMYK 5 / 0 / 36 / 35

HEX #9DA569

RGB 157 165 105

HSL 68, 0.25%, 0.53%

LAB 65.83, -12.6, 30.18

 

CMYK 15 / 0 / 36 / 35

HEX #8DA569

RGB 141 165 105

HSL 84, 0.25%, 0.53%

LAB 64.64, -18.94, 28.41

 

CMYK 24 / 0 / 36 / 35

HEX #7DA569

RGB 125 165 105

HSL 100, 0.25%, 0.53%

LAB 63.58, -24.98, 26.82

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 22 / 54 / 28

HEX #B88F55

RGB 184 143 85

HSL 35.15, 0.41%, 0.53%

LAB 62.08, 8.49, 36.55

 

CMYK 0 / 28 / 67 / 20

HEX #CB9242

RGB 203 146 66

HSL 35.04, 0.57%, 0.53%

LAB 64.68, 13.63, 49.61

 

CMYK 0 / 33 / 79 / 13

HEX #DF952F

RGB 223 149 47

HSL 34.77, 0.73%, 0.53%

LAB 67.57, 19.7, 61.34

 

CMYK 0 / 37 / 89 / 5

HEX #F2991B

RGB 242 153 27

HSL 35.16, 0.89%, 0.53%

LAB 70.69, 25.08, 71.09

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 6 / 14 / 43

HEX #91887C

RGB 145 136 124

HSL 34.29, 0.09%, 0.53%

LAB 57.16, 1.22, 7.65

 

CMYK 12 / 7 / 0 / 44

HEX #7E858F

RGB 126 133 143

HSL 215.29, 0.07%, 0.53%

LAB 55.27, -0.44, -6.25

 

CMYK 35 / 20 / 0 / 36

HEX #6A82A3

RGB 106 130 163

HSL 214.74, 0.24%, 0.53%

LAB 53.68, -0.31, -20.37

 

CMYK 52 / 30 / 0 / 29

HEX #577FB6

RGB 87 127 182

HSL 214.74, 0.39%, 0.53%

LAB 52.49, 2, -33.25

 

CMYK 0 / 35 / 36 / 35

HEX #A56C69

RGB 165 108 105

HSL 3, 0.25%, 0.53%

LAB 51.55, 22.35, 11.05

 

CMYK 0 / 25 / 36 / 35

HEX #A57C69

RGB 165 124 105

HSL 19, 0.25%, 0.53%

LAB 55.52, 13.26, 16.56

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 5 / 36 / 35

HEX #A59C69

RGB 165 156 105

HSL 51, 0.25%, 0.53%

LAB 64, -4.55, 27.92

 

CMYK 4 / 0 / 36 / 35

HEX #9EA569

RGB 158 165 105

HSL 67, 0.25%, 0.53%

LAB 65.9, -12.2, 30.3

 

CMYK 0 / 17 / 40 / 54

HEX #756146

RGB 117 97 70

HSL 34.47, 0.25%, 0.37%

LAB 42.42, 3.92, 18.41

 

CMYK 0 / 17 / 41 / 44

HEX #8F7755

RGB 143 119 85

HSL 35.17, 0.25%, 0.45%

LAB 51.48, 4.34, 22.19

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 0 / 12 / 28 / 29

HEX #B49F82

RGB 180 159 130

HSL 34.8, 0.25%, 0.61%

LAB 66.6, 3.18, 17.98

 

CMYK 0 / 9 / 20 / 23

HEX #C4B39C

RGB 196 179 156

HSL 34.5, 0.25%, 0.69%

LAB 73.79, 2.35, 13.95

HEX #C4B39C

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 28 / 0 / 36 / 35

HEX #76A569

RGB 118 165 105

HSL 107, 0.25%, 0.53%

LAB 63.16, -27.5, 26.19

 

CMYK 30 / 36 / 0 / 35

HEX #7469A5

RGB 116 105 165

HSL 251, 0.25%, 0.53%

LAB 47.67, 18.17, -30.78

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 36 / 0 / 15 / 35

HEX #69A58C

RGB 105 165 140

HSL 155, 0.25%, 0.53%

LAB 63.18, -25.21, 6.84

 

CMYK 15 / 36 / 0 / 35

HEX #8C69A5

RGB 140 105 165

HSL 275, 0.25%, 0.53%

LAB 49.97, 25.67, -27.01

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 28 / 0 / 36 / 35

HEX #76A569

RGB 118 165 105

HSL 107, 0.25%, 0.53%

LAB 63.16, -27.5, 26.19

 

CMYK 36 / 21 / 0 / 35

HEX #6982A5

RGB 105 130 165

HSL 215, 0.25%, 0.53%

LAB 53.69, -0.05, -21.51

 

CMYK 8 / 36 / 0 / 35

HEX #9869A5

RGB 152 105 165

HSL 287, 0.25%, 0.53%

LAB 51.26, 29.55, -24.91

 

CMYK 0 / 15 / 36 / 35

HEX #A58C69

RGB 165 140 105

HSL 35, 0.25%, 0.53%

LAB 59.69, 4.25, 22.21

 

CMYK 36 / 0 / 33 / 35

HEX #69A56E

RGB 105 165 110

HSL 125, 0.25%, 0.53%

LAB 62.54, -31.1, 22.53

 

CMYK 36 / 21 / 0 / 35

HEX #6982A5

RGB 105 130 165

HSL 215, 0.25%, 0.53%

LAB 53.69, -0.05, -21.51

 

CMYK 0 / 36 / 3 / 35

HEX #A569A0

RGB 165 105 160

HSL 305, 0.25%, 0.53%

LAB 52.55, 32.84, -19.87

 

Description

Color code: HEX #A58C69 | qconv.com Color code: HEX #A58C69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 140 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 140 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 36 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 36% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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