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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A58FC4 it is the complementary color #5A703B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A58FC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A58FC4 shade: #AA8FBF, #BBA1D2, #CCB3E5, #DDC5F8 and #EED7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A58FC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A58FC4 shade: #A58FC4, #947DB1, #836B9E, #72598B and #614778

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A58FC4 shade: #A38DC3, #B28DC3, #C08DC3, #C38DB7 and #C38DA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A58FC4 shade: #A38DC3, #958DC3 and #8D8DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A58FC4 shade matches the following richer shades: #A38DC3, #A17FD1, #9E71DF, #9C63ED and #9A55FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A58FC4 shade: #A38DC3, #A69BB5, #A8A9A7, #AAB799 and #ADC58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A58FC4 shade: #8D94C3, #948DC3, #A28DC3, #B18DC3 and #BF8DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A58FC4 shade: #7857A6, #8E72B4, #A38DC3, #B9A8D1 and #CFC3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A58FC4 shade: #A58FC4, #C38DA2 and #8DC38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A58FC4 shade: #A58FC4, #C3A28D and #8DC3A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A58FC4 shade: #A58FC4, #C38DA2, #ADC38D and #8DC3AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A58FC4 shade: #A58FC4, #C38D92, #ADC38D and #8DC3BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

Complementary color

CMYK 20 / 0 / 47 / 56

HEX #5A703B

RGB 90 112 59

HSL 84.91, 0.31%, 0.34%

LAB 44.34, -17.93, 26.74

 

CMYK 11 / 25 / 0 / 25

HEX #AA8FBF

RGB 170 143 191

HSL 273.75, 0.27%, 0.65%

LAB 63.3, 19.28, -21.16

 

CMYK 11 / 23 / 0 / 18

HEX #BBA1D2

RGB 187 161 210

HSL 271.84, 0.35%, 0.73%

LAB 69.97, 18.76, -21.43

 

CMYK 11 / 22 / 0 / 10

HEX #CCB3E5

RGB 204 179 229

HSL 270, 0.49%, 0.8%

LAB 76.52, 18.29, -21.72

 

CMYK 11 / 21 / 0 / 3

HEX #DDC5F8

RGB 221 197 248

HSL 268.24, 0.78%, 0.87%

LAB 82.96, 17.85, -22.01

 

CMYK 7 / 16 / 0 / 0

HEX #EED7FF

RGB 238 215 255

HSL 274.5, 1%, 0.92%

LAB 88.92, 15.09, -16.57

 

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

CMYK 16 / 29 / 0 / 31

HEX #947DB1

RGB 148 125 177

HSL 266.54, 0.25%, 0.59%

LAB 56.23, 19.31, -24.23

 

CMYK 17 / 32 / 0 / 38

HEX #836B9E

RGB 131 107 158

HSL 268.24, 0.21%, 0.52%

LAB 49.26, 19.95, -24.07

 

CMYK 18 / 36 / 0 / 45

HEX #72598B

RGB 114 89 139

HSL 270, 0.22%, 0.45%

LAB 42.13, 20.66, -23.94

 

CMYK 19 / 41 / 0 / 53

HEX #614778

RGB 97 71 120

HSL 271.84, 0.26%, 0.37%

LAB 34.81, 21.46, -23.83

 

CMYK 16 / 28 / 0 / 24

HEX #A38DC3

RGB 163 141 195

HSL 264.44, 0.31%, 0.66%

LAB 62.32, 19.02, -24.97

 

CMYK 9 / 28 / 0 / 24

HEX #B28DC3

RGB 178 141 195

HSL 281.11, 0.31%, 0.66%

LAB 63.72, 23.88, -22.71

 

CMYK 2 / 28 / 0 / 24

HEX #C08DC3

RGB 192 141 195

HSL 296.67, 0.31%, 0.66%

LAB 65.12, 28.49, -20.44

 

CMYK 0 / 28 / 6 / 24

HEX #C38DB7

RGB 195 141 183

HSL 313.33, 0.31%, 0.66%

LAB 65.02, 27.27, -13.82

 

CMYK 0 / 28 / 14 / 24

HEX #C38DA8

RGB 195 141 168

HSL 330, 0.31%, 0.66%

LAB 64.55, 24.67, -6.07

 

CMYK 16 / 28 / 0 / 24

HEX #A38DC3

RGB 163 141 195

HSL 264.44, 0.31%, 0.66%

LAB 62.32, 19.02, -24.97

 

CMYK 24 / 28 / 0 / 24

HEX #958DC3

RGB 149 141 195

HSL 248.89, 0.31%, 0.66%

LAB 61.12, 14.61, -26.93

 

CMYK 28 / 28 / 0 / 24

HEX #8D8DC3

RGB 141 141 195

HSL 240, 0.31%, 0.66%

LAB 60.47, 12.16, -27.97

 

CMYK 16 / 28 / 0 / 24

HEX #A38DC3

RGB 163 141 195

HSL 264.44, 0.31%, 0.66%

LAB 62.32, 19.02, -24.97

 

CMYK 23 / 39 / 0 / 18

HEX #A17FD1

RGB 161 127 209

HSL 264.88, 0.47%, 0.66%

LAB 59.31, 29.63, -37.54

 

CMYK 29 / 49 / 0 / 13

HEX #9E71DF

RGB 158 113 223

HSL 264.55, 0.63%, 0.66%

LAB 56.49, 40.1, -49.87

 

CMYK 34 / 58 / 0 / 7

HEX #9C63ED

RGB 156 99 237

HSL 264.78, 0.79%, 0.66%

LAB 54.14, 50.72, -61.49

 

CMYK 39 / 66 / 0 / 2

HEX #9A55FB

RGB 154 85 251

HSL 264.94, 0.95%, 0.66%

LAB 52.21, 60.88, -72.43

 

CMYK 16 / 28 / 0 / 24

HEX #A38DC3

RGB 163 141 195

HSL 264.44, 0.31%, 0.66%

LAB 62.32, 19.02, -24.97

 

CMYK 8 / 14 / 0 / 29

HEX #A69BB5

RGB 166 155 181

HSL 265.38, 0.15%, 0.66%

LAB 65.66, 9.07, -12.02

 

CMYK 1 / 0 / 1 / 34

HEX #A8A9A7

RGB 168 169 167

HSL 90, 0.01%, 0.66%

LAB 69.11, -0.73, 0.9

 

CMYK 7 / 0 / 16 / 28

HEX #AAB799

RGB 170 183 153

HSL 86, 0.17%, 0.66%

LAB 72.7, -9.97, 13.75

 

CMYK 12 / 0 / 29 / 23

HEX #ADC58B

RGB 173 197 139

HSL 84.83, 0.33%, 0.66%

LAB 76.49, -18.23, 26.48

 

CMYK 28 / 24 / 0 / 24

HEX #8D94C3

RGB 141 148 195

HSL 232.22, 0.31%, 0.66%

LAB 62.32, 8.14, -25.12

 

CMYK 24 / 28 / 0 / 24

HEX #948DC3

RGB 148 141 195

HSL 247.78, 0.31%, 0.66%

LAB 61.03, 14.3, -27.06

 

CMYK 17 / 28 / 0 / 24

HEX #A28DC3

RGB 162 141 195

HSL 263.33, 0.31%, 0.66%

LAB 62.23, 18.7, -25.12

 

CMYK 9 / 28 / 0 / 24

HEX #B18DC3

RGB 177 141 195

HSL 280, 0.31%, 0.66%

LAB 63.62, 23.55, -22.86

 

CMYK 2 / 28 / 0 / 24

HEX #BF8DC3

RGB 191 141 195

HSL 295.56, 0.31%, 0.66%

LAB 65.02, 28.16, -20.61

 

CMYK 28 / 48 / 0 / 35

HEX #7857A6

RGB 120 87 166

HSL 265.06, 0.31%, 0.5%

LAB 43.6, 30.44, -37.74

 

CMYK 21 / 37 / 0 / 29

HEX #8E72B4

RGB 142 114 180

HSL 265.45, 0.31%, 0.58%

LAB 53.04, 24.53, -30.94

 

CMYK 16 / 28 / 0 / 24

HEX #A38DC3

RGB 163 141 195

HSL 264.44, 0.31%, 0.66%

LAB 62.32, 19.02, -24.97

 

CMYK 11 / 20 / 0 / 18

HEX #B9A8D1

RGB 185 168 209

HSL 264.88, 0.31%, 0.74%

LAB 71.5, 14.02, -18.57

 

CMYK 7 / 13 / 0 / 13

HEX #CFC3DF

RGB 207 195 223

HSL 265.71, 0.3%, 0.82%

LAB 80.53, 9.4, -12.41

 

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

CMYK 0 / 28 / 17 / 24

HEX #C38DA2

RGB 195 141 162

HSL 336.67, 0.31%, 0.66%

LAB 64.37, 23.69, -2.94

 

CMYK 28 / 0 / 28 / 24

HEX #8DC38D

RGB 141 195 141

HSL 120, 0.31%, 0.66%

LAB 73.94, -28.26, 21.64

 

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

CMYK 0 / 17 / 28 / 24

HEX #C3A28D

RGB 195 162 141

HSL 23.33, 0.31%, 0.66%

LAB 69.02, 8.98, 15.46

 

CMYK 28 / 0 / 17 / 24

HEX #8DC3A2

RGB 141 195 162

HSL 143.33, 0.31%, 0.66%

LAB 74.38, -24.43, 10.98

 

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

CMYK 0 / 28 / 17 / 24

HEX #C38DA2

RGB 195 141 162

HSL 336.67, 0.31%, 0.66%

LAB 64.37, 23.69, -2.94

 

CMYK 11 / 0 / 28 / 24

HEX #ADC38D

RGB 173 195 141

HSL 84.44, 0.31%, 0.66%

LAB 75.97, -16.93, 24.73

 

CMYK 28 / 0 / 11 / 24

HEX #8DC3AD

RGB 141 195 173

HSL 155.56, 0.31%, 0.66%

LAB 74.64, -22.22, 5.41

 

CMYK 16 / 27 / 0 / 23

HEX #A58FC4

RGB 165 143 196

HSL 264.91, 0.31%, 0.66%

LAB 63.04, 18.74, -24.42

 

CMYK 0 / 28 / 25 / 24

HEX #C38D92

RGB 195 141 146

HSL 354.44, 0.31%, 0.66%

LAB 63.94, 21.23, 5.48

 

CMYK 11 / 0 / 28 / 24

HEX #ADC38D

RGB 173 195 141

HSL 84.44, 0.31%, 0.66%

LAB 75.97, -16.93, 24.73

 

CMYK 28 / 0 / 3 / 24

HEX #8DC3BD

RGB 141 195 189

HSL 173.33, 0.31%, 0.66%

LAB 75.06, -18.77, -2.66

 

Description

Color code: HEX #A58FC4 | qconv.com Color code: HEX #A58FC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 143 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 143 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 27 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 27% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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