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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A59772 it is the complementary color #5A688D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A59772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A59772 shade: #AA976D, #BBA980, #CCBB93, #DDCDA6 and #EEDFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A59772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A59772 shade: #A59772, #94855F, #83734C, #726139 and #614F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A59772 shade: #A59773, #A58A73, #A57C73 and #A57373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A59772 shade: #A59773, #A5A573, #98A573, #8AA573 and #7CA573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A59772 shade matches the following richer shades: #A59773, #B8A060, #CAA84D, #DDB03B and #EFB928

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A59772 shade: #A59773, #928F85, #808698, #6D7EAA and #5B76BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A59772 shade: #A57C73, #A58973, #A59773, #A5A473 and #98A573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A59772 shade: #786C4D, #91835D, #A59773, #B5AA8C and #C5BCA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A59772 shade: #A59772, #77A573 and #8273A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A59772 shade: #A59772, #73A597 and #9773A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A59772 shade: #A59772, #77A573, #7381A5 and #A173A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A59772 shade: #A59772, #73A57D, #7381A5 and #A5739A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

Complementary color

CMYK 36 / 26 / 0 / 45

HEX #5A688D

RGB 90 104 141

HSL 223.53, 0.22%, 0.45%

LAB 44.23, 4.29, -22.06

 

CMYK 0 / 11 / 36 / 33

HEX #AA976D

RGB 170 151 109

HSL 41.31, 0.26%, 0.55%

LAB 63.16, 0.73, 24.73

 

CMYK 0 / 10 / 32 / 27

HEX #BBA980

RGB 187 169 128

HSL 41.69, 0.3%, 0.62%

LAB 69.82, 0.27, 23.57

 

CMYK 0 / 8 / 28 / 20

HEX #CCBB93

RGB 204 187 147

HSL 42.11, 0.36%, 0.69%

LAB 76.37, -0.13, 22.48

 

CMYK 0 / 7 / 25 / 13

HEX #DDCDA6

RGB 221 205 166

HSL 42.55, 0.45%, 0.76%

LAB 82.8, -0.47, 21.46

HEX #DDCDA6

CMYK 0 / 6 / 22 / 7

HEX #EEDFB9

RGB 238 223 185

HSL 43.02, 0.61%, 0.83%

LAB 89.14, -0.78, 20.5

HEX #EEDFB9

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 0 / 10 / 36 / 42

HEX #94855F

RGB 148 133 95

HSL 43.02, 0.22%, 0.48%

LAB 55.98, -0.22, 22.58

 

CMYK 0 / 12 / 42 / 49

HEX #83734C

RGB 131 115 76

HSL 42.55, 0.27%, 0.41%

LAB 49.02, 0.33, 23.86

 

CMYK 0 / 15 / 50 / 55

HEX #726139

RGB 114 97 57

HSL 42.11, 0.33%, 0.34%

LAB 41.88, 1.02, 25.24

 

CMYK 0 / 19 / 61 / 62

HEX #614F26

RGB 97 79 38

HSL 41.69, 0.44%, 0.26%

LAB 34.55, 1.94, 26.71

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 16 / 30 / 35

HEX #A58A73

RGB 165 138 115

HSL 27.6, 0.22%, 0.55%

LAB 59.36, 6.69, 16.14

 

CMYK 0 / 25 / 30 / 35

HEX #A57C73

RGB 165 124 115

HSL 10.8, 0.22%, 0.55%

LAB 55.74, 14.6, 11.1

 

CMYK 0 / 30 / 30 / 35

HEX #A57373

RGB 165 115 115

HSL 0, 0.22%, 0.55%

LAB 53.49, 19.72, 7.92

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 0 / 30 / 35

HEX #A5A573

RGB 165 165 115

HSL 60, 0.22%, 0.55%

LAB 66.63, -8.1, 25.99

 

CMYK 8 / 0 / 30 / 35

HEX #98A573

RGB 152 165 115

HSL 75.6, 0.22%, 0.55%

LAB 65.61, -13.25, 24.45

 

CMYK 16 / 0 / 30 / 35

HEX #8AA573

RGB 138 165 115

HSL 92.4, 0.22%, 0.55%

LAB 64.6, -18.63, 22.93

 

CMYK 25 / 0 / 30 / 35

HEX #7CA573

RGB 124 165 115

HSL 109.2, 0.22%, 0.55%

LAB 63.7, -23.76, 21.55

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 13 / 48 / 28

HEX #B8A060

RGB 184 160 96

HSL 43.64, 0.38%, 0.55%

LAB 66.65, 0.22, 36.46

 

CMYK 0 / 17 / 62 / 21

HEX #CAA84D

RGB 202 168 77

HSL 43.68, 0.54%, 0.55%

LAB 70.24, 2.01, 50.57

 

CMYK 0 / 20 / 73 / 13

HEX #DDB03B

RGB 221 176 59

HSL 43.33, 0.7%, 0.55%

LAB 74.02, 4.92, 62.84

 

CMYK 0 / 23 / 83 / 6

HEX #EFB928

RGB 239 185 40

HSL 43.72, 0.86%, 0.55%

LAB 77.99, 7.25, 73.46

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 2 / 9 / 43

HEX #928F85

RGB 146 143 133

HSL 46.15, 0.06%, 0.55%

LAB 59.39, -0.75, 5.7

 

CMYK 16 / 12 / 0 / 40

HEX #808698

RGB 128 134 152

HSL 225, 0.1%, 0.55%

LAB 55.99, 1.69, -10.35

 

CMYK 36 / 26 / 0 / 33

HEX #6D7EAA

RGB 109 126 170

HSL 223.28, 0.26%, 0.55%

LAB 53.03, 4.83, -25.39

 

CMYK 52 / 38 / 0 / 26

HEX #5B76BD

RGB 91 118 189

HSL 223.47, 0.43%, 0.55%

LAB 50.52, 10.57, -40.36

 

CMYK 0 / 25 / 30 / 35

HEX #A57C73

RGB 165 124 115

HSL 10.8, 0.22%, 0.55%

LAB 55.74, 14.6, 11.1

 

CMYK 0 / 17 / 30 / 35

HEX #A58973

RGB 165 137 115

HSL 26.4, 0.22%, 0.55%

LAB 59.09, 7.25, 15.77

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 1 / 30 / 35

HEX #A5A473

RGB 165 164 115

HSL 58.8, 0.22%, 0.55%

LAB 66.36, -7.56, 25.63

 

CMYK 8 / 0 / 30 / 35

HEX #98A573

RGB 152 165 115

HSL 75.6, 0.22%, 0.55%

LAB 65.61, -13.25, 24.45

 

CMYK 0 / 10 / 36 / 53

HEX #786C4D

RGB 120 108 77

HSL 43.26, 0.22%, 0.39%

LAB 45.98, -0.31, 19.09

 

CMYK 0 / 10 / 36 / 43

HEX #91835D

RGB 145 131 93

HSL 43.85, 0.22%, 0.47%

LAB 55.12, -0.62, 22.5

 

CMYK 0 / 8 / 30 / 35

HEX #A59773

RGB 165 151 115

HSL 43.2, 0.22%, 0.55%

LAB 62.82, -0.53, 20.87

 

CMYK 0 / 6 / 23 / 29

HEX #B5AA8C

RGB 181 170 140

HSL 43.9, 0.22%, 0.63%

LAB 69.8, -0.96, 16.91

 

CMYK 0 / 5 / 16 / 23

HEX #C5BCA5

RGB 197 188 165

HSL 43.13, 0.22%, 0.71%

LAB 76.41, -0.69, 12.78

 

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 28 / 0 / 30 / 35

HEX #77A573

RGB 119 165 115

HSL 115.2, 0.22%, 0.55%

LAB 63.4, -25.53, 21.09

 

CMYK 21 / 30 / 0 / 35

HEX #8273A5

RGB 130 115 165

HSL 258, 0.22%, 0.55%

LAB 51.52, 16.54, -24.68

 

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 30 / 0 / 8 / 35

HEX #73A597

RGB 115 165 151

HSL 163.2, 0.22%, 0.55%

LAB 63.99, -19.75, 1.92

 

CMYK 8 / 30 / 0 / 35

HEX #9773A5

RGB 151 115 165

HSL 283.2, 0.22%, 0.55%

LAB 53.55, 23.46, -21.39

 

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 28 / 0 / 30 / 35

HEX #77A573

RGB 119 165 115

HSL 115.2, 0.22%, 0.55%

LAB 63.4, -25.53, 21.09

 

CMYK 30 / 22 / 0 / 35

HEX #7381A5

RGB 115 129 165

HSL 223.2, 0.22%, 0.55%

LAB 54.09, 3.53, -20.84

 

CMYK 2 / 30 / 0 / 35

HEX #A173A5

RGB 161 115 165

HSL 295.2, 0.22%, 0.55%

LAB 54.61, 26.82, -19.68

 

CMYK 0 / 8 / 31 / 35

HEX #A59772

RGB 165 151 114

HSL 43.53, 0.22%, 0.55%

LAB 62.8, -0.66, 21.4

 

CMYK 30 / 0 / 24 / 35

HEX #73A57D

RGB 115 165 125

HSL 132, 0.22%, 0.55%

LAB 63.37, -25.1, 15.52

 

CMYK 30 / 22 / 0 / 35

HEX #7381A5

RGB 115 129 165

HSL 223.2, 0.22%, 0.55%

LAB 54.09, 3.53, -20.84

 

CMYK 0 / 30 / 7 / 35

HEX #A5739A

RGB 165 115 154

HSL 313.2, 0.22%, 0.55%

LAB 54.65, 26.09, -13.18

 

Description

Color code: HEX #A59772 | qconv.com Color code: HEX #A59772 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 151 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 151 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 31 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 31% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - ~タイを知る、世界を知る~ - 日刊ばん...
Link: http://bangkokshimbun.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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