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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5919F it is the complementary color #5A6E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5919F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5919F shade: #AA919A, #BBA3AD, #CCB5C0, #DDC7D3 and #EED9E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5919F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5919F shade: #A5919F, #947F8C, #836D79, #725B66 and #614953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5919F shade: #A5919F, #A5919A, #A59194 and #A59191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5919F shade: #A5919F, #A591A4, #A091A5, #9B91A5 and #9691A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5919F shade matches the following richer shades: #A5919F, #B581A5, #C571AC, #D561B2 and #E551B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5919F shade: #A5919F, #95A199, #85B192, #75C18C and #65D185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5919F shade: #A091A5, #A591A4, #A5919F, #A5919A and #A59194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5919F shade: #7D6676, #927A8B, #A5919F, #B8A8B3 and #CABEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5919F shade: #A5919F, #A59B91 and #91A5A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5919F shade: #A5919F, #9FA591 and #919FA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5919F shade: #A5919F, #A59B91, #91A597 and #919BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5919F shade: #A5919F, #A5A191, #91A597 and #9195A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

Complementary color

CMYK 18 / 0 / 13 / 57

HEX #5A6E60

RGB 90 110 96

HSL 138, 0.1%, 0.39%

LAB 44.48, -10.51, 5.35

 

CMYK 0 / 15 / 9 / 33

HEX #AA919A

RGB 170 145 154

HSL 338.4, 0.13%, 0.62%

LAB 62.62, 10.9, -1.28

 

CMYK 0 / 13 / 7 / 27

HEX #BBA3AD

RGB 187 163 173

HSL 335, 0.15%, 0.69%

LAB 69.31, 10.49, -1.94

 

CMYK 0 / 11 / 6 / 20

HEX #CCB5C0

RGB 204 181 192

HSL 331.3, 0.18%, 0.75%

LAB 75.88, 10.11, -2.56

 

CMYK 0 / 10 / 5 / 13

HEX #DDC7D3

RGB 221 199 211

HSL 327.27, 0.24%, 0.82%

LAB 82.34, 9.77, -3.17

 

CMYK 0 / 9 / 3 / 7

HEX #EED9E6

RGB 238 217 230

HSL 322.86, 0.38%, 0.89%

LAB 88.69, 9.45, -3.75

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 14 / 5 / 42

HEX #947F8C

RGB 148 127 140

HSL 322.86, 0.09%, 0.54%

LAB 55.45, 10.39, -4.04

 

CMYK 0 / 17 / 8 / 49

HEX #836D79

RGB 131 109 121

HSL 327.27, 0.09%, 0.47%

LAB 48.44, 10.85, -3.4

 

CMYK 0 / 20 / 11 / 55

HEX #725B66

RGB 114 91 102

HSL 331.3, 0.11%, 0.4%

LAB 41.25, 11.38, -2.73

 

CMYK 0 / 25 / 14 / 62

HEX #614953

RGB 97 73 83

HSL 335, 0.14%, 0.33%

LAB 33.84, 12, -1.98

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 12 / 7 / 35

HEX #A5919A

RGB 165 145 154

HSL 333, 0.1%, 0.61%

LAB 62.15, 9.05, -2.01

 

CMYK 0 / 12 / 10 / 35

HEX #A59194

RGB 165 145 148

HSL 351, 0.1%, 0.61%

LAB 61.99, 7.97, 1.15

 

CMYK 0 / 12 / 12 / 35

HEX #A59191

RGB 165 145 145

HSL 0, 0.1%, 0.61%

LAB 61.91, 7.45, 2.73

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 12 / 1 / 35

HEX #A591A4

RGB 165 145 164

HSL 303, 0.1%, 0.61%

LAB 62.45, 10.93, -7.25

 

CMYK 3 / 12 / 0 / 35

HEX #A091A5

RGB 160 145 165

HSL 285, 0.1%, 0.61%

LAB 62.03, 9.35, -8.48

 

CMYK 6 / 12 / 0 / 35

HEX #9B91A5

RGB 155 145 165

HSL 270, 0.1%, 0.61%

LAB 61.6, 7.59, -9.18

 

CMYK 9 / 12 / 0 / 35

HEX #9691A5

RGB 150 145 165

HSL 255, 0.1%, 0.61%

LAB 61.18, 5.85, -9.85

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 29 / 9 / 29

HEX #B581A5

RGB 181 129 165

HSL 318.46, 0.26%, 0.61%

LAB 60.11, 25.84, -11.15

 

CMYK 0 / 43 / 13 / 23

HEX #C571AC

RGB 197 113 172

HSL 317.86, 0.42%, 0.61%

LAB 58.66, 41.22, -17.17

 

CMYK 0 / 54 / 16 / 16

HEX #D561B2

RGB 213 97 178

HSL 318.1, 0.58%, 0.61%

LAB 57.95, 55.16, -21.5

 

CMYK 0 / 65 / 19 / 10

HEX #E551B9

RGB 229 81 185

HSL 317.84, 0.74%, 0.61%

LAB 58.08, 67.51, -25.13

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 7 / 0 / 5 / 37

HEX #95A199

RGB 149 161 153

HSL 140, 0.06%, 0.61%

LAB 65.1, -5.83, 2.69

 

CMYK 25 / 0 / 18 / 31

HEX #85B192

RGB 133 177 146

HSL 137.73, 0.22%, 0.61%

LAB 68.39, -21.13, 11.14

 

CMYK 39 / 0 / 27 / 24

HEX #75C18C

RGB 117 193 140

HSL 138.16, 0.38%, 0.61%

LAB 72.1, -35.07, 19.45

 

CMYK 52 / 0 / 36 / 18

HEX #65D185

RGB 101 209 133

HSL 137.78, 0.54%, 0.61%

LAB 76.11, -47.73, 28.45

 

CMYK 3 / 12 / 0 / 35

HEX #A091A5

RGB 160 145 165

HSL 285, 0.1%, 0.61%

LAB 62.03, 9.35, -8.48

 

CMYK 0 / 12 / 1 / 35

HEX #A591A4

RGB 165 145 164

HSL 303, 0.1%, 0.61%

LAB 62.45, 10.93, -7.25

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 12 / 7 / 35

HEX #A5919A

RGB 165 145 154

HSL 333, 0.1%, 0.61%

LAB 62.15, 9.05, -2.01

 

CMYK 0 / 12 / 10 / 35

HEX #A59194

RGB 165 145 148

HSL 351, 0.1%, 0.61%

LAB 61.99, 7.97, 1.15

 

CMYK 0 / 18 / 6 / 51

HEX #7D6676

RGB 125 102 118

HSL 318.26, 0.1%, 0.45%

LAB 45.87, 12.14, -5.48

 

CMYK 0 / 16 / 5 / 43

HEX #927A8B

RGB 146 122 139

HSL 317.5, 0.1%, 0.53%

LAB 53.91, 12.35, -5.75

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 9 / 3 / 28

HEX #B8A8B3

RGB 184 168 179

HSL 318.75, 0.1%, 0.69%

LAB 70.49, 7.75, -3.56

 

CMYK 0 / 6 / 1 / 21

HEX #CABEC7

RGB 202 190 199

HSL 315, 0.1%, 0.77%

LAB 78.17, 5.83, -3.01

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 6 / 12 / 35

HEX #A59B91

RGB 165 155 145

HSL 30, 0.1%, 0.61%

LAB 64.55, 1.89, 6.54

 

CMYK 12 / 0 / 1 / 35

HEX #91A5A3

RGB 145 165 163

HSL 174, 0.1%, 0.61%

LAB 66.19, -7.38, -1.34

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 4 / 0 / 12 / 35

HEX #9FA591

RGB 159 165 145

HSL 78, 0.1%, 0.61%

LAB 66.77, -5.82, 9.64

 

CMYK 12 / 4 / 0 / 35

HEX #919FA5

RGB 145 159 165

HSL 198, 0.1%, 0.61%

LAB 64.59, -3.69, -4.82

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 6 / 12 / 35

HEX #A59B91

RGB 165 155 145

HSL 30, 0.1%, 0.61%

LAB 64.55, 1.89, 6.54

 

CMYK 12 / 0 / 8 / 35

HEX #91A597

RGB 145 165 151

HSL 138, 0.1%, 0.61%

LAB 65.88, -9.79, 4.89

 

CMYK 12 / 6 / 0 / 35

HEX #919BA5

RGB 145 155 165

HSL 210, 0.1%, 0.61%

LAB 63.49, -1.48, -6.45

 

CMYK 0 / 12 / 4 / 35

HEX #A5919F

RGB 165 145 159

HSL 318, 0.1%, 0.61%

LAB 62.3, 9.98, -4.64

 

CMYK 0 / 2 / 12 / 35

HEX #A5A191

RGB 165 161 145

HSL 48, 0.1%, 0.61%

LAB 66.16, -1.41, 8.84

 

CMYK 12 / 0 / 8 / 35

HEX #91A597

RGB 145 165 151

HSL 138, 0.1%, 0.61%

LAB 65.88, -9.79, 4.89

 

CMYK 12 / 10 / 0 / 35

HEX #9195A5

RGB 145 149 165

HSL 228, 0.1%, 0.61%

LAB 61.85, 1.87, -8.88

 

Description

Color code: HEX #A5919F | qconv.com Color code: HEX #A5919F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 145 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 145 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 4 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 4% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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