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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5ABD0 it is the complementary color #5A542F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5ABD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5ABD0 shade: #AAABCB, #BBBDDE, #CCCFF1, #DDE1FF and #EEF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5ABD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5ABD0 shade: #A5ABD0, #9499BD, #8387AA, #727597 and #616384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5ABD0 shade: #A4AACF, #AAA4CF, #B5A4CF, #C1A4CF and #CCA4CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5ABD0 shade: #A4AACF and #A4A4CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5ABD0 shade matches the following richer shades: #A4AACF, #99A2DA, #8E9AE5, #8392F0 and #788AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5ABD0 shade: #A4AACF, #AFB2C4, #BBBAB9, #C6C2AE and #D1CAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5ABD0 shade: #A4C1CF, #A4B6CF, #A4ABCF, #A9A4CF and #B5A4CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5ABD0 shade: #6E78B3, #8991C1, #A4AACF, #BFC4DD and #DADDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5ABD0 shade: #A5ABD0, #CFA4CD and #BCCFA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5ABD0 shade: #A5ABD0, #CFA4AB and #ABCFA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5ABD0 shade: #A5ABD0, #CFA4CD, #CFC9A4 and #A4CFA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5ABD0 shade: #A5ABD0, #CFA4C0, #CFC9A4 and #A4CFB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

Complementary color

CMYK 0 / 7 / 48 / 65

HEX #5A542F

RGB 90 84 47

HSL 51.63, 0.31%, 0.27%

LAB 35.44, -3.51, 22.45

 

CMYK 16 / 16 / 0 / 20

HEX #AAABCB

RGB 170 171 203

HSL 238.18, 0.24%, 0.73%

LAB 70.86, 6.2, -16.36

 

CMYK 16 / 15 / 0 / 13

HEX #BBBDDE

RGB 187 189 222

HSL 236.57, 0.35%, 0.8%

LAB 77.42, 5.94, -16.69

 

CMYK 15 / 14 / 0 / 5

HEX #CCCFF1

RGB 204 207 241

HSL 235.14, 0.57%, 0.87%

LAB 83.87, 5.69, -17.03

 

CMYK 13 / 12 / 0 / 0

HEX #DDE1FF

RGB 221 225 255

HSL 232.94, 1%, 0.93%

LAB 90.06, 4.44, -14.99

 

CMYK 7 / 5 / 0 / 0

HEX #EEF3FF

RGB 238 243 255

HSL 222.35, 1%, 0.97%

LAB 95.79, 0.56, -6.34

 

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

CMYK 22 / 19 / 0 / 26

HEX #9499BD

RGB 148 153 189

HSL 232.68, 0.24%, 0.66%

LAB 63.96, 6.02, -19.2

 

CMYK 23 / 21 / 0 / 33

HEX #8387AA

RGB 131 135 170

HSL 233.85, 0.19%, 0.59%

LAB 57.13, 6.34, -18.96

 

CMYK 25 / 23 / 0 / 41

HEX #727597

RGB 114 117 151

HSL 235.14, 0.15%, 0.52%

LAB 50.14, 6.69, -18.75

 

CMYK 27 / 25 / 0 / 48

HEX #616384

RGB 97 99 132

HSL 236.57, 0.15%, 0.45%

LAB 42.96, 7.1, -18.57

 

CMYK 21 / 18 / 0 / 19

HEX #A4AACF

RGB 164 170 207

HSL 231.63, 0.31%, 0.73%

LAB 70.28, 5.74, -19.49

 

CMYK 18 / 21 / 0 / 19

HEX #AAA4CF

RGB 170 164 207

HSL 248.37, 0.31%, 0.73%

LAB 69.19, 10.97, -21.11

 

CMYK 13 / 21 / 0 / 19

HEX #B5A4CF

RGB 181 164 207

HSL 263.72, 0.31%, 0.73%

LAB 70.09, 14.51, -19.64

 

CMYK 7 / 21 / 0 / 19

HEX #C1A4CF

RGB 193 164 207

HSL 280.47, 0.31%, 0.73%

LAB 71.14, 18.46, -17.95

 

CMYK 1 / 21 / 0 / 19

HEX #CCA4CF

RGB 204 164 207

HSL 295.81, 0.31%, 0.73%

LAB 72.16, 22.13, -16.32

 

CMYK 21 / 18 / 0 / 19

HEX #A4AACF

RGB 164 170 207

HSL 231.63, 0.31%, 0.73%

LAB 70.28, 5.74, -19.49

 

CMYK 21 / 21 / 0 / 19

HEX #A4A4CF

RGB 164 164 207

HSL 240, 0.31%, 0.73%

LAB 68.71, 9.07, -21.87

 

CMYK 21 / 18 / 0 / 19

HEX #A4AACF

RGB 164 170 207

HSL 231.63, 0.31%, 0.73%

LAB 70.28, 5.74, -19.49

 

CMYK 30 / 26 / 0 / 15

HEX #99A2DA

RGB 153 162 218

HSL 231.69, 0.47%, 0.73%

LAB 67.78, 9.51, -29.44

 

CMYK 38 / 33 / 0 / 10

HEX #8E9AE5

RGB 142 154 229

HSL 231.72, 0.63%, 0.73%

LAB 65.37, 13.86, -39.3

 

CMYK 45 / 39 / 0 / 6

HEX #8392F0

RGB 131 146 240

HSL 231.74, 0.78%, 0.73%

LAB 63.07, 18.8, -49.03

 

CMYK 52 / 45 / 0 / 1

HEX #788AFC

RGB 120 138 252

HSL 231.82, 0.96%, 0.73%

LAB 60.96, 24.63, -59.04

 

CMYK 21 / 18 / 0 / 19

HEX #A4AACF

RGB 164 170 207

HSL 231.63, 0.31%, 0.73%

LAB 70.28, 5.74, -19.49

 

CMYK 11 / 9 / 0 / 23

HEX #AFB2C4

RGB 175 178 196

HSL 231.43, 0.15%, 0.73%

LAB 72.85, 2.52, -9.49

 

CMYK 0 / 1 / 1 / 27

HEX #BBBAB9

RGB 187 186 185

HSL 30, 0.01%, 0.73%

LAB 75.57, 0.17, 0.62

 

CMYK 0 / 2 / 12 / 22

HEX #C6C2AE

RGB 198 194 174

HSL 50, 0.17%, 0.73%

LAB 78.25, -2.05, 10.56

 

CMYK 0 / 3 / 22 / 18

HEX #D1CAA2

RGB 209 202 162

HSL 51.06, 0.34%, 0.73%

LAB 80.96, -3.99, 20.89

 

CMYK 21 / 7 / 0 / 19

HEX #A4C1CF

RGB 164 193 207

HSL 199.53, 0.31%, 0.73%

LAB 76.4, -6.72, -10.28

 

CMYK 21 / 12 / 0 / 19

HEX #A4B6CF

RGB 164 182 207

HSL 214.88, 0.31%, 0.73%

LAB 73.45, -0.83, -14.69

 

CMYK 21 / 17 / 0 / 19

HEX #A4ABCF

RGB 164 171 207

HSL 230.23, 0.31%, 0.73%

LAB 70.54, 5.18, -19.09

 

CMYK 18 / 21 / 0 / 19

HEX #A9A4CF

RGB 169 164 207

HSL 246.98, 0.31%, 0.73%

LAB 69.11, 10.65, -21.23

 

CMYK 13 / 21 / 0 / 19

HEX #B5A4CF

RGB 181 164 207

HSL 263.72, 0.31%, 0.73%

LAB 70.09, 14.51, -19.64

 

CMYK 39 / 33 / 0 / 30

HEX #6E78B3

RGB 110 120 179

HSL 231.3, 0.31%, 0.57%

LAB 51.84, 11.21, -32.44

 

CMYK 29 / 25 / 0 / 24

HEX #8991C1

RGB 137 145 193

HSL 231.43, 0.31%, 0.65%

LAB 61.15, 8.14, -25.82

 

CMYK 21 / 18 / 0 / 19

HEX #A4AACF

RGB 164 170 207

HSL 231.63, 0.31%, 0.73%

LAB 70.28, 5.74, -19.49

 

CMYK 14 / 11 / 0 / 13

HEX #BFC4DD

RGB 191 196 221

HSL 230, 0.31%, 0.81%

LAB 79.49, 3.24, -13.02

 

CMYK 7 / 6 / 0 / 8

HEX #DADDEB

RGB 218 221 235

HSL 229.41, 0.3%, 0.89%

LAB 88.26, 1.61, -7.19

 

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

CMYK 0 / 21 / 1 / 19

HEX #CFA4CD

RGB 207 164 205

HSL 302.79, 0.31%, 0.73%

LAB 72.38, 22.76, -14.86

 

CMYK 9 / 0 / 21 / 19

HEX #BCCFA4

RGB 188 207 164

HSL 86.51, 0.31%, 0.73%

LAB 80.74, -14.01, 19.27

 

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

CMYK 0 / 21 / 17 / 19

HEX #CFA4AB

RGB 207 164 171

HSL 350.23, 0.31%, 0.73%

LAB 71.39, 16.9, 2.43

 

CMYK 17 / 0 / 21 / 19

HEX #ABCFA4

RGB 171 207 164

HSL 110.23, 0.31%, 0.73%

LAB 79.59, -20.02, 17.5

 

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

CMYK 0 / 21 / 1 / 19

HEX #CFA4CD

RGB 207 164 205

HSL 302.79, 0.31%, 0.73%

LAB 72.38, 22.76, -14.86

 

CMYK 0 / 3 / 21 / 19

HEX #CFC9A4

RGB 207 201 164

HSL 51.63, 0.31%, 0.73%

LAB 80.58, -3.93, 19.27

 

CMYK 21 / 0 / 20 / 19

HEX #A4CFA6

RGB 164 207 166

HSL 122.79, 0.31%, 0.73%

LAB 79.2, -22.07, 15.82

 

CMYK 21 / 18 / 0 / 18

HEX #A5ABD0

RGB 165 171 208

HSL 231.63, 0.31%, 0.73%

LAB 70.65, 5.73, -19.47

 

CMYK 0 / 21 / 7 / 19

HEX #CFA4C0

RGB 207 164 192

HSL 320.93, 0.31%, 0.73%

LAB 71.98, 20.41, -8.3

 

CMYK 0 / 3 / 21 / 19

HEX #CFC9A4

RGB 207 201 164

HSL 51.63, 0.31%, 0.73%

LAB 80.58, -3.93, 19.27

 

CMYK 21 / 0 / 14 / 19

HEX #A4CFB3

RGB 164 207 179

HSL 140.93, 0.31%, 0.73%

LAB 79.48, -19.69, 9.3

 

Description

Color code: HEX #A5ABD0 | qconv.com Color code: HEX #A5ABD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 171 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 171 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 18 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 18% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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