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Color name
HEX #A5AC39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5AC39 it is the complementary color #5A53C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5AC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5AC39 shade: #AAAC34, #BBBE47, #CCD05A, #DDE26D and #EEF480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5AC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5AC39 shade: #A5AC39, #949A26, #838813, #727600 and #616400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5AC39 shade: #A5AC39, #AC9439, #AC7539, #AC5639 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5AC39 shade: #A5AC39, #86AC39, #67AC39, #48AC39 and #39AC49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5AC39 shade matches the following richer shades: #A5AC39, #B5BE26, #C5D114 and #D6E301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5AC39 shade: #A5AC39, #94994B, #84865E, #747471 and #636183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5AC39 shade: #AC7439, #AC9339, #A6AC39, #87AC39 and #69AC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5AC39 shade: #696E24, #878D2F, #A5AC39, #BBC34B and #C7CD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5AC39 shade: #A5AC39, #39AC56 and #8339AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5AC39 shade: #A5AC39, #39A6AC and #AC39A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5AC39 shade: #A5AC39, #39AC56, #3F39AC and #AC398F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5AC39 shade: #A5AC39, #39AC78, #3F39AC and #AC396D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

Complementary color

CMYK 55 / 58 / 0 / 22

HEX #5A53C6

RGB 90 83 198

HSL 243.65, 0.5%, 0.55%

LAB 41.9, 34.88, -59.36

 

CMYK 1 / 0 / 70 / 33

HEX #AAAC34

RGB 170 172 52

HSL 61, 0.54%, 0.44%

LAB 68.24, -15.45, 58.26

 

CMYK 2 / 0 / 63 / 25

HEX #BBBE47

RGB 187 190 71

HSL 61.51, 0.48%, 0.51%

LAB 74.73, -16.24, 57.73

 

CMYK 2 / 0 / 57 / 18

HEX #CCD05A

RGB 204 208 90

HSL 62.03, 0.56%, 0.58%

LAB 81.12, -16.87, 56.87

 

CMYK 2 / 0 / 52 / 11

HEX #DDE26D

RGB 221 226 109

HSL 62.56, 0.67%, 0.66%

LAB 87.42, -17.4, 55.85

 

CMYK 2 / 0 / 48 / 4

HEX #EEF480

RGB 238 244 128

HSL 63.1, 0.84%, 0.73%

LAB 93.64, -17.84, 54.76

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 4 / 0 / 75 / 40

HEX #949A26

RGB 148 154 38

HSL 63.1, 0.6%, 0.38%

LAB 61.26, -16.48, 55.99

 

CMYK 4 / 0 / 86 / 47

HEX #838813

RGB 131 136 19

HSL 62.56, 0.75%, 0.3%

LAB 54.53, -15.4, 55.17

 

CMYK 3 / 0 / 100 / 54

HEX #727600

RGB 114 118 0

HSL 62.03, 1%, 0.23%

LAB 47.67, -14.08, 53.05

 

CMYK 3 / 0 / 100 / 61

HEX #616400

RGB 97 100 0

HSL 61.8, 1%, 0.2%

LAB 40.66, -12.31, 47.23

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 0 / 14 / 67 / 33

HEX #AC9439

RGB 172 148 57

HSL 47.48, 0.5%, 0.45%

LAB 61.87, -1.59, 49.74

 

CMYK 0 / 32 / 67 / 33

HEX #AC7539

RGB 172 117 57

HSL 31.3, 0.5%, 0.45%

LAB 53.8, 15.65, 40.98

 

CMYK 0 / 50 / 67 / 33

HEX #AC5639

RGB 172 86 57

HSL 15.13, 0.5%, 0.45%

LAB 46.61, 32.79, 32.72

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 22 / 0 / 67 / 33

HEX #86AC39

RGB 134 172 57

HSL 79.83, 0.5%, 0.45%

LAB 65.65, -30.19, 52.8

 

CMYK 40 / 0 / 67 / 33

HEX #67AC39

RGB 103 172 57

HSL 96, 0.5%, 0.45%

LAB 63.9, -41.74, 50.42

 

CMYK 58 / 0 / 67 / 33

HEX #48AC39

RGB 72 172 57

HSL 112.17, 0.5%, 0.45%

LAB 62.66, -51.04, 48.72

 

CMYK 67 / 0 / 58 / 33

HEX #39AC49

RGB 57 172 73

HSL 128.35, 0.5%, 0.45%

LAB 62.39, -52.65, 41.08

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 5 / 0 / 80 / 25

HEX #B5BE26

RGB 181 190 38

HSL 63.55, 0.67%, 0.45%

LAB 74.06, -20.41, 68.56

 

CMYK 6 / 0 / 90 / 18

HEX #C5D114

RGB 197 209 20

HSL 63.81, 0.83%, 0.45%

LAB 80.47, -23.4, 78.12

 

CMYK 6 / 0 / 100 / 11

HEX #D6E301

RGB 214 227 1

HSL 63.45, 0.99%, 0.45%

LAB 86.62, -25.16, 85.27

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 3 / 0 / 51 / 40

HEX #94994B

RGB 148 153 75

HSL 63.85, 0.34%, 0.45%

LAB 61.3, -13.35, 39.96

 

CMYK 1 / 0 / 30 / 47

HEX #84865E

RGB 132 134 94

HSL 63, 0.18%, 0.45%

LAB 54.83, -7.6, 21.35

 

CMYK 0 / 0 / 3 / 55

HEX #747471

RGB 116 116 113

HSL 60, 0.01%, 0.45%

LAB 48.76, -0.6, 1.65

 

CMYK 24 / 26 / 0 / 49

HEX #636183

RGB 99 97 131

HSL 243.53, 0.15%, 0.45%

LAB 42.52, 8.73, -18.62

 

CMYK 0 / 33 / 67 / 33

HEX #AC7439

RGB 172 116 57

HSL 30.78, 0.5%, 0.45%

LAB 53.55, 16.22, 40.7

 

CMYK 0 / 15 / 67 / 33

HEX #AC9339

RGB 172 147 57

HSL 46.96, 0.5%, 0.45%

LAB 61.6, -1.04, 49.46

 

CMYK 3 / 0 / 67 / 33

HEX #A6AC39

RGB 166 172 57

HSL 63.13, 0.5%, 0.45%

LAB 67.95, -16.89, 55.91

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 39 / 0 / 67 / 33

HEX #69AC39

RGB 105 172 57

HSL 94.96, 0.5%, 0.45%

LAB 64, -41.05, 50.56

 

CMYK 5 / 0 / 67 / 57

HEX #696E24

RGB 105 110 36

HSL 64.05, 0.51%, 0.29%

LAB 44.64, -12.49, 39.14

 

CMYK 4 / 0 / 67 / 45

HEX #878D2F

RGB 135 141 47

HSL 63.83, 0.5%, 0.37%

LAB 56.49, -14.92, 47.45

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 4 / 0 / 62 / 24

HEX #BBC34B

RGB 187 195 75

HSL 64, 0.5%, 0.53%

LAB 76.13, -18.48, 57.54

 

CMYK 3 / 0 / 48 / 20

HEX #C7CD6A

RGB 199 205 106

HSL 63.64, 0.5%, 0.61%

LAB 80.09, -16.06, 48.18

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 67 / 0 / 50 / 33

HEX #39AC56

RGB 57 172 86

HSL 135.13, 0.5%, 0.45%

LAB 62.55, -50.8, 34.86

 

CMYK 24 / 67 / 0 / 33

HEX #8339AC

RGB 131 57 172

HSL 278.61, 0.5%, 0.45%

LAB 39.12, 50.96, -48.37

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 67 / 3 / 0 / 33

HEX #39A6AC

RGB 57 166 172

HSL 183.13, 0.5%, 0.45%

LAB 62.61, -28.3, -12.15

 

CMYK 0 / 67 / 3 / 33

HEX #AC39A6

RGB 172 57 166

HSL 303.13, 0.5%, 0.45%

LAB 44.87, 59.51, -35.28

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 67 / 0 / 50 / 33

HEX #39AC56

RGB 57 172 86

HSL 135.13, 0.5%, 0.45%

LAB 62.55, -50.8, 34.86

 

CMYK 63 / 67 / 0 / 33

HEX #3F39AC

RGB 63 57 172

HSL 243.13, 0.5%, 0.45%

LAB 31.72, 37.68, -60.72

 

CMYK 0 / 67 / 17 / 33

HEX #AC398F

RGB 172 57 143

HSL 315.13, 0.5%, 0.45%

LAB 43.77, 55.89, -23.2

 

CMYK 4 / 0 / 67 / 33

HEX #A5AC39

RGB 165 172 57

HSL 63.65, 0.5%, 0.45%

LAB 67.87, -17.32, 55.8

 

CMYK 67 / 0 / 30 / 33

HEX #39AC78

RGB 57 172 120

HSL 152.87, 0.5%, 0.45%

LAB 63.12, -44.48, 17.56

 

CMYK 63 / 67 / 0 / 33

HEX #3F39AC

RGB 63 57 172

HSL 243.13, 0.5%, 0.45%

LAB 31.72, 37.68, -60.72

 

CMYK 0 / 67 / 37 / 33

HEX #AC396D

RGB 172 57 109

HSL 332.87, 0.5%, 0.45%

LAB 42.46, 51.41, -4.35

 

Description

Color code: HEX #A5AC39 | qconv.com Color code: HEX #A5AC39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 172 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 172 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 67% 33% C M Y K

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Provide designers and agencies with accurate color values.

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