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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B7FC it is the complementary color #5A4803. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B7FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5B7FC shade: #AAB7F7, #BBC9FF, #CCDBFF, #DDEDFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B7FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5B7FC shade: #A5B7FC, #94A5E9, #8393D6, #7281C3 and #616FB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5B7FC shade: #A5B7FC, #ABA5FC, #C2A5FC, #D9A5FC and #F1A5FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5B7FC shade: #A5B7FC and #A5A5FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5B7FC shade matches the following richer shades: #A5B7FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5B7FC shade: #A5B7FC, #ADBCF4, #B4C0ED, #BCC4E5 and #C3C9DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5B7FC shade: #A5E6FC, #A5CFFC, #A5B8FC, #AAA5FC and #C1A5FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5B7FC shade: #5577F9, #7D97FB, #A5B7FC, #CDD7FD and #F5F7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5B7FC shade: #A5B7FC, #FAA5FC and #DBFCA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5B7FC shade: #A5B7FC, #FCA5B8 and #B8FCA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5B7FC shade: #A5B7FC, #FAA5FC, #FCE9A5 and #A7FCA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5B7FC shade: #A5B7FC, #FCA5E3, #FCE9A5 and #A5FCBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

Complementary color

CMYK 0 / 20 / 97 / 65

HEX #5A4803

RGB 90 72 3

HSL 47.59, 0.94%, 0.18%

LAB 31.38, 0.76, 39.04

 

CMYK 31 / 26 / 0 / 3

HEX #AAB7F7

RGB 170 183 247

HSL 229.87, 0.83%, 0.82%

LAB 75.53, 9.9, -33.18

 

CMYK 27 / 21 / 0 / 0

HEX #BBC9FF

RGB 187 201 255

HSL 227.65, 1%, 0.87%

LAB 81.6, 6.88, -28.04

 

CMYK 20 / 14 / 0 / 0

HEX #CCDBFF

RGB 204 219 255

HSL 222.35, 1%, 0.9%

LAB 87.35, 2.34, -19.19

 

CMYK 13 / 7 / 0 / 0

HEX #DDEDFF

RGB 221 237 255

HSL 211.76, 1%, 0.93%

LAB 93.08, -1.77, -10.48

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 36 / 29 / 0 / 9

HEX #94A5E9

RGB 148 165 233

HSL 228, 0.66%, 0.75%

LAB 68.82, 10.28, -36.1

 

CMYK 39 / 31 / 0 / 16

HEX #8393D6

RGB 131 147 214

HSL 228.43, 0.5%, 0.68%

LAB 62.12, 10.85, -36.12

 

CMYK 42 / 34 / 0 / 24

HEX #7281C3

RGB 114 129 195

HSL 228.89, 0.4%, 0.61%

LAB 55.3, 11.5, -36.18

 

CMYK 45 / 37 / 0 / 31

HEX #616FB0

RGB 97 111 176

HSL 229.37, 0.33%, 0.54%

LAB 48.32, 12.28, -36.29

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 32 / 35 / 0 / 1

HEX #ABA5FC

RGB 171 165 252

HSL 244.14, 0.94%, 0.82%

LAB 71.28, 21.47, -42.48

 

CMYK 23 / 35 / 0 / 1

HEX #C2A5FC

RGB 194 165 252

HSL 260, 0.94%, 0.82%

LAB 73.16, 27.94, -39.41

 

CMYK 14 / 35 / 0 / 1

HEX #D9A5FC

RGB 217 165 252

HSL 275.86, 0.94%, 0.82%

LAB 75.26, 34.71, -35.99

 

CMYK 4 / 35 / 0 / 1

HEX #F1A5FC

RGB 241 165 252

HSL 292.41, 0.94%, 0.82%

LAB 77.66, 41.94, -32.08

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 35 / 35 / 0 / 1

HEX #A5A5FC

RGB 165 165 252

HSL 240, 0.94%, 0.82%

LAB 70.83, 19.84, -43.23

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 29 / 23 / 0 / 4

HEX #ADBCF4

RGB 173 188 244

HSL 227.32, 0.76%, 0.82%

LAB 76.91, 7.27, -29.43

 

CMYK 24 / 19 / 0 / 7

HEX #B4C0ED

RGB 180 192 237

HSL 227.37, 0.61%, 0.82%

LAB 78.18, 5.49, -23.68

 

CMYK 18 / 14 / 0 / 10

HEX #BCC4E5

RGB 188 196 229

HSL 228.29, 0.44%, 0.82%

LAB 79.52, 3.99, -17.3

 

CMYK 12 / 9 / 0 / 13

HEX #C3C9DE

RGB 195 201 222

HSL 226.67, 0.29%, 0.82%

LAB 81.1, 2.07, -11.12

 

CMYK 35 / 9 / 0 / 1

HEX #A5E6FC

RGB 165 230 252

HSL 195.17, 0.94%, 0.82%

LAB 87.79, -15.16, -17.19

 

CMYK 35 / 18 / 0 / 1

HEX #A5CFFC

RGB 165 207 252

HSL 211.03, 0.94%, 0.82%

LAB 81.65, -3.24, -26.49

 

CMYK 35 / 27 / 0 / 1

HEX #A5B8FC

RGB 165 184 252

HSL 226.9, 0.94%, 0.82%

LAB 75.64, 9.23, -35.73

 

CMYK 33 / 35 / 0 / 1

HEX #AAA5FC

RGB 170 165 252

HSL 243.45, 0.94%, 0.82%

LAB 71.2, 21.19, -42.61

 

CMYK 23 / 35 / 0 / 1

HEX #C1A5FC

RGB 193 165 252

HSL 259.31, 0.94%, 0.82%

LAB 73.07, 27.65, -39.55

 

CMYK 66 / 52 / 0 / 2

HEX #5577F9

RGB 85 119 249

HSL 227.56, 0.93%, 0.65%

LAB 53.99, 28.79, -68.69

 

CMYK 50 / 40 / 0 / 2

HEX #7D97FB

RGB 125 151 251

HSL 227.62, 0.94%, 0.74%

LAB 64.53, 17.76, -52.79

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 19 / 15 / 0 / 1

HEX #CDD7FD

RGB 205 215 253

HSL 227.5, 0.92%, 0.9%

LAB 86.34, 4.32, -19.65

 

CMYK 4 / 3 / 0 / 0

HEX #F5F7FE

RGB 245 247 254

HSL 226.67, 0.82%, 0.98%

LAB 97.26, 0.6, -3.59

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 1 / 35 / 0 / 1

HEX #FAA5FC

RGB 250 165 252

HSL 298.62, 0.94%, 0.82%

LAB 78.61, 44.68, -30.53

 

CMYK 13 / 0 / 35 / 1

HEX #DBFCA5

RGB 219 252 165

HSL 82.76, 0.94%, 0.82%

LAB 94.91, -24.77, 38.23

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 0 / 35 / 27 / 1

HEX #FCA5B8

RGB 252 165 184

HSL 346.9, 0.94%, 0.82%

LAB 76.72, 34.57, 3.61

 

CMYK 27 / 0 / 35 / 1

HEX #B8FCA5

RGB 184 252 165

HSL 106.9, 0.94%, 0.82%

LAB 92.81, -36.84, 35.08

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 1 / 35 / 0 / 1

HEX #FAA5FC

RGB 250 165 252

HSL 298.62, 0.94%, 0.82%

LAB 78.61, 44.68, -30.53

 

CMYK 0 / 8 / 35 / 1

HEX #FCE9A5

RGB 252 233 165

HSL 46.9, 0.94%, 0.82%

LAB 92.44, -3.17, 35.43

 

CMYK 34 / 0 / 35 / 1

HEX #A7FCA5

RGB 167 252 165

HSL 118.62, 0.94%, 0.82%

LAB 91.93, -42.26, 33.76

 

CMYK 35 / 27 / 0 / 1

HEX #A5B7FC

RGB 165 183 252

HSL 227.59, 0.94%, 0.82%

LAB 75.39, 9.78, -36.13

 

CMYK 0 / 35 / 10 / 1

HEX #FCA5E3

RGB 252 165 227

HSL 317.24, 0.94%, 0.82%

LAB 77.96, 41, -17.99

 

CMYK 0 / 8 / 35 / 1

HEX #FCE9A5

RGB 252 233 165

HSL 46.9, 0.94%, 0.82%

LAB 92.44, -3.17, 35.43

 

CMYK 35 / 0 / 25 / 1

HEX #A5FCBE

RGB 165 252 190

HSL 137.24, 0.94%, 0.82%

LAB 92.28, -38.72, 21.57

 

Description

Color code: HEX #A5B7FC | qconv.com Color code: HEX #A5B7FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 183 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 183 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 27 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 27% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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