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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5BD5D it is the complementary color #5A42A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5BD5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5BD5D shade: #AABD58, #BBCF6B, #CCE17E, #DDF391 and #EEFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5BD5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5BD5D shade: #A5BD5D, #94AB4A, #839937, #728724 and #617511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5BD5D shade: #A4BC5C, #BCBA5C, #BCA05C, #BC865C and #BC6C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5BD5D shade: #A4BC5C, #8ABC5C, #70BC5C, #5CBC61 and #5CBC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5BD5D shade matches the following richer shades: #A4BC5C, #ADCF49, #B6E136 and #C0F424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5BD5D shade: #A4BC5C, #9BA96E, #919781, #888493 and #7F72A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5BD5D shade: #BCA15C, #BCBA5C, #A4BC5C, #8ABC5C and #70BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5BD5D shade: #778C39, #90A945, #A4BC5C, #B4C879 and #C4D496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5BD5D shade: #A5BD5D, #5CBC87 and #AD5CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5BD5D shade: #A5BD5D, #5CA4BC and #BC5CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5BD5D shade: #A5BD5D, #5CBC87, #745CBC and #BC5C91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5BD5D shade: #A5BD5D, #5CBCA4, #745CBC and #BC5C74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

Complementary color

CMYK 44 / 59 / 0 / 36

HEX #5A42A2

RGB 90 66 162

HSL 255, 0.42%, 0.45%

LAB 35.36, 34.15, -48.7

 

CMYK 10 / 0 / 53 / 26

HEX #AABD58

RGB 170 189 88

HSL 71.29, 0.43%, 0.54%

LAB 73.32, -21.43, 48.19

 

CMYK 10 / 0 / 48 / 19

HEX #BBCF6B

RGB 187 207 107

HSL 72, 0.51%, 0.62%

LAB 79.76, -21.72, 47.08

 

CMYK 9 / 0 / 44 / 12

HEX #CCE17E

RGB 204 225 126

HSL 72.73, 0.62%, 0.69%

LAB 86.1, -21.95, 45.94

 

CMYK 9 / 0 / 40 / 5

HEX #DDF391

RGB 221 243 145

HSL 73.47, 0.8%, 0.76%

LAB 92.36, -22.13, 44.8

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA4

RGB 238 255 164

HSL 71.21, 1%, 0.82%

LAB 96.97, -19.4, 41.67

 

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

CMYK 13 / 0 / 57 / 33

HEX #94AB4A

RGB 148 171 74

HSL 74.23, 0.4%, 0.48%

LAB 66.46, -22.67, 46.45

 

CMYK 14 / 0 / 64 / 40

HEX #839937

RGB 131 153 55

HSL 73.47, 0.47%, 0.41%

LAB 59.78, -22.28, 47.36

 

CMYK 16 / 0 / 73 / 47

HEX #728724

RGB 114 135 36

HSL 72.73, 0.58%, 0.34%

LAB 52.99, -21.72, 47.85

 

CMYK 17 / 0 / 85 / 54

HEX #617511

RGB 97 117 17

HSL 72, 0.75%, 0.26%

LAB 46.05, -20.93, 47.36

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 0 / 1 / 51 / 26

HEX #BCBA5C

RGB 188 186 92

HSL 58.75, 0.42%, 0.55%

LAB 73.92, -12.18, 47.35

 

CMYK 0 / 15 / 51 / 26

HEX #BCA05C

RGB 188 160 92

HSL 42.5, 0.42%, 0.55%

LAB 66.98, 1.53, 39.02

 

CMYK 0 / 29 / 51 / 26

HEX #BC865C

RGB 188 134 92

HSL 26.25, 0.42%, 0.55%

LAB 60.35, 15.8, 30.73

 

CMYK 0 / 43 / 51 / 26

HEX #BC6C5C

RGB 188 108 92

HSL 10, 0.42%, 0.55%

LAB 54.23, 30.12, 22.77

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 27 / 0 / 51 / 26

HEX #8ABC5C

RGB 138 188 92

HSL 91.25, 0.42%, 0.55%

LAB 70.97, -32.94, 42.98

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 51 / 0 / 48 / 26

HEX #5CBC61

RGB 92 188 97

HSL 123.13, 0.42%, 0.55%

LAB 68.83, -47.19, 37.38

 

CMYK 51 / 0 / 35 / 26

HEX #5CBC7B

RGB 92 188 123

HSL 139.38, 0.42%, 0.55%

LAB 69.24, -42.93, 24.44

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 16 / 0 / 65 / 19

HEX #ADCF49

RGB 173 207 73

HSL 75.22, 0.58%, 0.55%

LAB 78.46, -30.12, 60.54

 

CMYK 19 / 0 / 76 / 12

HEX #B6E136

RGB 182 225 54

HSL 75.09, 0.74%, 0.55%

LAB 84, -35.97, 72.97

 

CMYK 21 / 0 / 85 / 4

HEX #C0F424

RGB 192 244 36

HSL 75, 0.9%, 0.55%

LAB 89.88, -41.21, 82.87

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 8 / 0 / 35 / 34

HEX #9BA96E

RGB 155 169 110

HSL 74.24, 0.26%, 0.55%

LAB 66.88, -14.84, 28.86

 

CMYK 4 / 0 / 15 / 41

HEX #919781

RGB 145 151 129

HSL 76.36, 0.1%, 0.55%

LAB 61.43, -6.25, 10.86

 

CMYK 7 / 10 / 0 / 42

HEX #888493

RGB 136 132 147

HSL 256, 0.06%, 0.55%

LAB 55.93, 4.53, -7.49

 

CMYK 23 / 31 / 0 / 35

HEX #7F72A6

RGB 127 114 166

HSL 255, 0.23%, 0.55%

LAB 51.04, 16.42, -26.04

 

CMYK 0 / 14 / 51 / 26

HEX #BCA15C

RGB 188 161 92

HSL 43.13, 0.42%, 0.55%

LAB 67.24, 0.99, 39.34

 

CMYK 0 / 1 / 51 / 26

HEX #BCBA5C

RGB 188 186 92

HSL 58.75, 0.42%, 0.55%

LAB 73.92, -12.18, 47.35

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 27 / 0 / 51 / 26

HEX #8ABC5C

RGB 138 188 92

HSL 91.25, 0.42%, 0.55%

LAB 70.97, -32.94, 42.98

 

CMYK 40 / 0 / 51 / 26

HEX #70BC5C

RGB 112 188 92

HSL 107.5, 0.42%, 0.55%

LAB 69.6, -41.93, 41

 

CMYK 15 / 0 / 59 / 45

HEX #778C39

RGB 119 140 57

HSL 75.18, 0.42%, 0.39%

LAB 55.05, -20.57, 40.98

 

CMYK 15 / 0 / 59 / 34

HEX #90A945

RGB 144 169 69

HSL 75, 0.42%, 0.47%

LAB 65.54, -23.75, 47.66

 

CMYK 13 / 0 / 51 / 26

HEX #A4BC5C

RGB 164 188 92

HSL 75, 0.42%, 0.55%

LAB 72.65, -22.96, 45.39

 

CMYK 10 / 0 / 40 / 22

HEX #B4C879

RGB 180 200 121

HSL 75.19, 0.42%, 0.63%

LAB 77.51, -19.46, 37.25

 

CMYK 8 / 0 / 29 / 17

HEX #C4D496

RGB 196 212 150

HSL 75.48, 0.42%, 0.71%

LAB 82.39, -15.65, 28.95

 

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

CMYK 51 / 0 / 28 / 26

HEX #5CBC87

RGB 92 188 135

HSL 146.88, 0.42%, 0.55%

LAB 69.46, -40.63, 18.33

 

CMYK 8 / 51 / 0 / 26

HEX #AD5CBC

RGB 173 92 188

HSL 290.63, 0.42%, 0.55%

LAB 52.03, 47.73, -36.89

 

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

CMYK 51 / 13 / 0 / 26

HEX #5CA4BC

RGB 92 164 188

HSL 195, 0.42%, 0.55%

LAB 63.72, -15.88, -19.32

 

CMYK 0 / 51 / 13 / 26

HEX #BC5CA4

RGB 188 92 164

HSL 315, 0.42%, 0.55%

LAB 52.98, 47.84, -21.3

 

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

CMYK 51 / 0 / 28 / 26

HEX #5CBC87

RGB 92 188 135

HSL 146.88, 0.42%, 0.55%

LAB 69.46, -40.63, 18.33

 

CMYK 38 / 51 / 0 / 26

HEX #745CBC

RGB 116 92 188

HSL 255, 0.42%, 0.55%

LAB 45.63, 32.27, -47.43

 

CMYK 0 / 51 / 23 / 26

HEX #BC5C91

RGB 188 92 145

HSL 326.88, 0.42%, 0.55%

LAB 52.28, 44.92, -11.2

 

CMYK 13 / 0 / 51 / 26

HEX #A5BD5D

RGB 165 189 93

HSL 75, 0.42%, 0.55%

LAB 73.01, -22.96, 45.36

 

CMYK 51 / 0 / 13 / 26

HEX #5CBCA4

RGB 92 188 164

HSL 165, 0.42%, 0.55%

LAB 70.12, -34.23, 3.49

 

CMYK 38 / 51 / 0 / 26

HEX #745CBC

RGB 116 92 188

HSL 255, 0.42%, 0.55%

LAB 45.63, 32.27, -47.43

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

Description

Color code: HEX #A5BD5D | qconv.com Color code: HEX #A5BD5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 189 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 189 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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