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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5BE17 it is the complementary color #5A41E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5BE17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5BE17 shade: #AABE12, #BBD025, #CCE238, #DDF44B and #EEFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5BE17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5BE17 shade: #A5BE17, #94AC04, #839A00, #728800 and #617600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5BE17 shade: #A5BE17, #BEAA17, #BE7D17, #BE5017 and #BE2317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5BE17 shade: #A5BE17, #78BE17, #4BBE17, #1EBE17 and #17BE3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5BE17 shade matches the following richer shades: #A5BE17 and #B1CF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5BE17 shade: #A5BE17, #99AD28, #8D9B3A, #818A4B and #75795C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5BE17 shade: #BE7B17, #BEA817, #A8BE17, #7BBE17 and #4FBE17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5BE17 shade: #65750E, #859913, #A5BE17, #C5E31C and #CEE741

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5BE17 shade: #A5BE17, #17BE4F and #9217BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5BE17 shade: #A5BE17, #17A8BE and #BE17A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5BE17 shade: #A5BE17, #17BE4F, #2D17BE and #BE1786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5BE17 shade: #A5BE17, #17BE81, #2D17BE and #BE1754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

Complementary color

CMYK 61 / 72 / 0 / 9

HEX #5A41E8

RGB 90 65 232

HSL 248.98, 0.78%, 0.58%

LAB 40.87, 55.58, -80.55

 

CMYK 11 / 0 / 91 / 25

HEX #AABE12

RGB 170 190 18

HSL 66.98, 0.83%, 0.41%

LAB 73.17, -25.61, 71.79

 

CMYK 10 / 0 / 82 / 18

HEX #BBD025

RGB 187 208 37

HSL 67.37, 0.7%, 0.48%

LAB 79.51, -26.69, 73.72

 

CMYK 10 / 0 / 75 / 11

HEX #CCE238

RGB 204 226 56

HSL 67.76, 0.75%, 0.55%

LAB 85.76, -27.58, 74.53

 

CMYK 9 / 0 / 69 / 4

HEX #DDF44B

RGB 221 244 75

HSL 68.17, 0.88%, 0.63%

LAB 91.95, -28.32, 74.61

 

CMYK 7 / 0 / 63 / 0

HEX #EEFF5E

RGB 238 255 94

HSL 66.34, 1%, 0.68%

LAB 96.21, -25.67, 72.3

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 14 / 0 / 98 / 33

HEX #94AC04

RGB 148 172 4

HSL 68.57, 0.95%, 0.35%

LAB 66.37, -26.43, 67.63

 

CMYK 15 / 0 / 100 / 40

HEX #839A00

RGB 131 154 0

HSL 68.96, 1%, 0.3%

LAB 59.83, -24.99, 62.69

 

CMYK 16 / 0 / 100 / 47

HEX #728800

RGB 114 136 0

HSL 69.71, 1%, 0.27%

LAB 53.15, -23.48, 57.13

 

CMYK 18 / 0 / 100 / 54

HEX #617600

RGB 97 118 0

HSL 70.68, 1%, 0.23%

LAB 46.31, -21.93, 51.43

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 0 / 11 / 88 / 25

HEX #BEAA17

RGB 190 170 23

HSL 52.81, 0.78%, 0.42%

LAB 69.3, -6.69, 68.5

 

CMYK 0 / 34 / 88 / 25

HEX #BE7D17

RGB 190 125 23

HSL 36.65, 0.78%, 0.42%

LAB 57.73, 17.74, 59.26

 

CMYK 0 / 58 / 88 / 25

HEX #BE5017

RGB 190 80 23

HSL 20.48, 0.78%, 0.42%

LAB 47.94, 41.56, 51.46

 

CMYK 0 / 82 / 88 / 25

HEX #BE2317

RGB 190 35 23

HSL 4.31, 0.78%, 0.42%

LAB 41.55, 58.89, 46.38

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 37 / 0 / 88 / 25

HEX #78BE17

RGB 120 190 23

HSL 85.15, 0.78%, 0.42%

LAB 70.09, -45.22, 67.13

 

CMYK 61 / 0 / 88 / 25

HEX #4BBE17

RGB 75 190 23

HSL 101.32, 0.78%, 0.42%

LAB 68.3, -58.87, 64.9

 

CMYK 84 / 0 / 88 / 25

HEX #1EBE17

RGB 30 190 23

HSL 117.49, 0.78%, 0.42%

LAB 67.4, -66.6, 63.76

 

CMYK 88 / 0 / 68 / 25

HEX #17BE3D

RGB 23 190 61

HSL 133.65, 0.78%, 0.42%

LAB 67.54, -64.62, 52.05

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 14 / 0 / 97 / 19

HEX #B1CF06

RGB 177 207 6

HSL 68.96, 0.94%, 0.42%

LAB 78.45, -30.95, 77.51

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 12 / 0 / 77 / 32

HEX #99AD28

RGB 153 173 40

HSL 69.02, 0.62%, 0.42%

LAB 67.14, -23.83, 60.94

 

CMYK 9 / 0 / 63 / 39

HEX #8D9B3A

RGB 141 155 58

HSL 68.66, 0.46%, 0.42%

LAB 61.14, -18.83, 47.72

 

CMYK 7 / 0 / 46 / 46

HEX #818A4B

RGB 129 138 75

HSL 68.57, 0.3%, 0.42%

LAB 55.43, -13.45, 32.5

 

CMYK 3 / 0 / 24 / 53

HEX #75795C

RGB 117 121 92

HSL 68.28, 0.14%, 0.42%

LAB 49.77, -6.82, 15.44

 

CMYK 0 / 35 / 88 / 25

HEX #BE7B17

RGB 190 123 23

HSL 35.93, 0.78%, 0.42%

LAB 57.25, 18.84, 58.87

 

CMYK 0 / 12 / 88 / 25

HEX #BEA817

RGB 190 168 23

HSL 52.1, 0.78%, 0.42%

LAB 68.76, -5.63, 68.07

 

CMYK 12 / 0 / 88 / 25

HEX #A8BE17

RGB 168 190 23

HSL 67.9, 0.78%, 0.42%

LAB 73.03, -26.35, 70.77

 

CMYK 35 / 0 / 88 / 25

HEX #7BBE17

RGB 123 190 23

HSL 84.07, 0.78%, 0.42%

LAB 70.25, -44.14, 67.32

 

CMYK 58 / 0 / 88 / 25

HEX #4FBE17

RGB 79 190 23

HSL 99.88, 0.78%, 0.42%

LAB 68.42, -57.87, 65.05

 

CMYK 14 / 0 / 88 / 54

HEX #65750E

RGB 101 117 14

HSL 69.32, 0.79%, 0.26%

LAB 46.34, -19.22, 48.53

 

CMYK 13 / 0 / 88 / 40

HEX #859913

RGB 133 153 19

HSL 68.96, 0.78%, 0.34%

LAB 59.72, -23.25, 59.57

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 11 / 0 / 72 / 9

HEX #CEE741

RGB 206 231 65

HSL 69.04, 0.78%, 0.58%

LAB 87.32, -28.72, 73.17

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 88 / 0 / 58 / 25

HEX #17BE4F

RGB 23 190 79

HSL 140.12, 0.78%, 0.42%

LAB 67.71, -62.52, 44.38

 

CMYK 23 / 88 / 0 / 25

HEX #9217BE

RGB 146 23 190

HSL 284.19, 0.78%, 0.42%

LAB 38.62, 68.99, -59.71

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 88 / 12 / 0 / 25

HEX #17A8BE

RGB 23 168 190

HSL 187.9, 0.78%, 0.42%

LAB 63.26, -27.17, -21.28

 

CMYK 0 / 88 / 12 / 25

HEX #BE17A8

RGB 190 23 168

HSL 307.9, 0.78%, 0.42%

LAB 44.78, 73.09, -36.4

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 88 / 0 / 58 / 25

HEX #17BE4F

RGB 23 190 79

HSL 140.12, 0.78%, 0.42%

LAB 67.71, -62.52, 44.38

 

CMYK 76 / 88 / 0 / 25

HEX #2D17BE

RGB 45 23 190

HSL 247.9, 0.78%, 0.42%

LAB 26.41, 58.48, -80.24

 

CMYK 0 / 88 / 29 / 25

HEX #BE1786

RGB 190 23 134

HSL 320.12, 0.78%, 0.42%

LAB 43.18, 68.82, -18.36

 

CMYK 13 / 0 / 88 / 25

HEX #A5BE17

RGB 165 190 23

HSL 68.98, 0.78%, 0.42%

LAB 72.82, -27.6, 70.51

 

CMYK 88 / 0 / 32 / 25

HEX #17BE81

RGB 23 190 129

HSL 158.08, 0.78%, 0.42%

LAB 68.46, -53.68, 19.93

 

CMYK 76 / 88 / 0 / 25

HEX #2D17BE

RGB 45 23 190

HSL 247.9, 0.78%, 0.42%

LAB 26.41, 58.48, -80.24

 

CMYK 0 / 88 / 56 / 25

HEX #BE1754

RGB 190 23 84

HSL 338.08, 0.78%, 0.42%

LAB 41.53, 64.23, 10.42

 

Description

Color code: HEX #A5BE17 | qconv.com Color code: HEX #A5BE17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 190 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 190 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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