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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5CAED it is the complementary color #5A3512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5CAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5CAED shade: #AACAE8, #BBDCFB, #CCEEFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5CAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5CAED shade: #A5CAED, #94B8DA, #83A6C7, #7294B4 and #6182A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5CAED shade: #A5CAED, #A5B7ED, #A7A5ED, #BAA5ED and #CEA5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5CAED shade: #A5CAED, #A5B7ED and #A5A5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5CAED shade matches the following richer shades: #A5CAED, #9CCAF5 and #94CAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5CAED shade: #A5CAED, #AECAE4, #B6C9DB, #BFC9D3 and #C8C9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5CAED shade: #A5EDE9, #A5DDED, #A5CAED, #A5B7ED and #A6A5ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5CAED shade: #60A1DF, #83B6E6, #A5CAED, #C8DEF4 and #EAF2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5CAED shade: #A5CAED, #D6A5ED and #E7EDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5CAED shade: #A5CAED, #EDA5CA and #CAEDA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5CAED shade: #A5CAED, #D6A5ED, #EDC8A5 and #BCEDA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5CAED shade: #A5CAED, #ECA5ED, #EDC8A5 and #A6EDA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

Complementary color

CMYK 0 / 41 / 80 / 65

HEX #5A3512

RGB 90 53 18

HSL 29.17, 0.67%, 0.21%

LAB 26.05, 13.29, 28.03

 

CMYK 27 / 13 / 0 / 9

HEX #AACAE8

RGB 170 202 232

HSL 209.03, 0.57%, 0.79%

LAB 79.96, -4, -18.35

 

CMYK 25 / 12 / 0 / 2

HEX #BBDCFB

RGB 187 220 251

HSL 209.06, 0.89%, 0.86%

LAB 86.36, -4.12, -18.68

 

CMYK 20 / 7 / 0 / 0

HEX #CCEEFF

RGB 204 238 255

HSL 200, 1%, 0.9%

LAB 92.22, -7.49, -11.88

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 32 / 16 / 0 / 15

HEX #94B8DA

RGB 148 184 218

HSL 209.14, 0.49%, 0.72%

LAB 73.31, -4.1, -21

 

CMYK 34 / 17 / 0 / 22

HEX #83A6C7

RGB 131 166 199

HSL 209.12, 0.38%, 0.65%

LAB 66.69, -3.92, -20.73

 

CMYK 37 / 18 / 0 / 29

HEX #7294B4

RGB 114 148 180

HSL 209.09, 0.31%, 0.58%

LAB 59.94, -3.71, -20.48

 

CMYK 40 / 19 / 0 / 37

HEX #6182A1

RGB 97 130 161

HSL 209.06, 0.25%, 0.51%

LAB 53.04, -3.46, -20.24

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 30 / 23 / 0 / 7

HEX #A5B7ED

RGB 165 183 237

HSL 225, 0.67%, 0.79%

LAB 74.81, 6.01, -28.92

 

CMYK 30 / 30 / 0 / 7

HEX #A7A5ED

RGB 167 165 237

HSL 241.67, 0.67%, 0.79%

LAB 70.34, 16.59, -35.81

 

CMYK 22 / 30 / 0 / 7

HEX #BAA5ED

RGB 186 165 237

HSL 257.5, 0.67%, 0.79%

LAB 71.87, 22.15, -33.32

 

CMYK 13 / 30 / 0 / 7

HEX #CEA5ED

RGB 206 165 237

HSL 274.17, 0.67%, 0.79%

LAB 73.64, 28.23, -30.44

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 30 / 23 / 0 / 7

HEX #A5B7ED

RGB 165 183 237

HSL 225, 0.67%, 0.79%

LAB 74.81, 6.01, -28.92

 

CMYK 30 / 30 / 0 / 7

HEX #A5A5ED

RGB 165 165 237

HSL 240, 0.67%, 0.79%

LAB 70.19, 16.02, -36.06

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 36 / 18 / 0 / 4

HEX #9CCAF5

RGB 156 202 245

HSL 208.99, 0.82%, 0.79%

LAB 79.56, -4.76, -26

 

CMYK 42 / 20 / 0 / 0

HEX #94CAFE

RGB 148 202 254

HSL 209.43, 0.98%, 0.79%

LAB 79.44, -4.48, -31.03

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 24 / 11 / 0 / 11

HEX #AECAE4

RGB 174 202 228

HSL 208.89, 0.5%, 0.79%

LAB 80.09, -3.73, -15.99

 

CMYK 17 / 8 / 0 / 14

HEX #B6C9DB

RGB 182 201 219

HSL 209.19, 0.34%, 0.79%

LAB 80.09, -2.71, -11.12

 

CMYK 9 / 5 / 0 / 17

HEX #BFC9D3

RGB 191 201 211

HSL 210, 0.19%, 0.79%

LAB 80.49, -1.45, -6.16

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 30 / 0 / 2 / 7

HEX #A5EDE9

RGB 165 237 233

HSL 176.67, 0.67%, 0.79%

LAB 89.14, -23.04, -5.22

 

CMYK 30 / 7 / 0 / 7

HEX #A5DDED

RGB 165 221 237

HSL 193.33, 0.67%, 0.79%

LAB 84.91, -14.14, -13.61

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 30 / 23 / 0 / 7

HEX #A5B7ED

RGB 165 183 237

HSL 225, 0.67%, 0.79%

LAB 74.81, 6.01, -28.92

 

CMYK 30 / 30 / 0 / 7

HEX #A6A5ED

RGB 166 165 237

HSL 240.83, 0.67%, 0.79%

LAB 70.27, 16.31, -35.93

 

CMYK 57 / 28 / 0 / 13

HEX #60A1DF

RGB 96 161 223

HSL 209.29, 0.66%, 0.63%

LAB 64.41, -2.82, -37.69

 

CMYK 43 / 21 / 0 / 10

HEX #83B6E6

RGB 131 182 230

HSL 209.09, 0.66%, 0.71%

LAB 72.22, -4.43, -29.28

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 18 / 9 / 0 / 4

HEX #C8DEF4

RGB 200 222 244

HSL 210, 0.67%, 0.87%

LAB 87.51, -2.8, -13.18

 

CMYK 6 / 3 / 0 / 2

HEX #EAF2FA

RGB 234 242 250

HSL 210, 0.62%, 0.95%

LAB 95.12, -1.16, -4.77

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 10 / 30 / 0 / 7

HEX #D6A5ED

RGB 214 165 237

HSL 280.83, 0.67%, 0.79%

LAB 74.39, 30.71, -29.22

 

CMYK 3 / 0 / 30 / 7

HEX #E7EDA5

RGB 231 237 165

HSL 65, 0.67%, 0.79%

LAB 91.81, -13.09, 34.3

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 0 / 30 / 15 / 7

HEX #EDA5CA

RGB 237 165 202

HSL 329.17, 0.67%, 0.79%

LAB 75.56, 31.95, -8.13

 

CMYK 15 / 0 / 30 / 7

HEX #CAEDA5

RGB 202 237 165

HSL 89.17, 0.67%, 0.79%

LAB 89.79, -23.67, 31.24

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 10 / 30 / 0 / 7

HEX #D6A5ED

RGB 214 165 237

HSL 280.83, 0.67%, 0.79%

LAB 74.39, 30.71, -29.22

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A5

RGB 237 200 165

HSL 29.17, 0.67%, 0.79%

LAB 82.93, 8.08, 22.39

 

CMYK 21 / 0 / 30 / 7

HEX #BCEDA5

RGB 188 237 165

HSL 100.83, 0.67%, 0.79%

LAB 88.91, -28.56, 29.91

 

CMYK 30 / 15 / 0 / 7

HEX #A5CAED

RGB 165 202 237

HSL 209.17, 0.67%, 0.79%

LAB 79.82, -4.26, -21.28

 

CMYK 0 / 30 / 0 / 7

HEX #ECA5ED

RGB 236 165 237

HSL 299.17, 0.67%, 0.79%

LAB 76.59, 37.61, -25.66

 

CMYK 0 / 16 / 30 / 7

HEX #EDC8A5

RGB 237 200 165

HSL 29.17, 0.67%, 0.79%

LAB 82.93, 8.08, 22.39

 

CMYK 30 / 0 / 30 / 7

HEX #A6EDA5

RGB 166 237 165

HSL 119.17, 0.67%, 0.79%

LAB 87.68, -35.85, 28.04

 

Description

Color code: HEX #A5CAED | qconv.com Color code: HEX #A5CAED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 202 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 202 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 15 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 15% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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