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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DC36 it is the complementary color #5A23C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DC36 shade: #AADC31, #BBEE44, #CCFF57, #DDFF6A and #EEFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DC36 shade: #A5DC36, #94CA23, #83B810, #72A600 and #619400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DC36 shade: #A5DB37, #D1DB37, #DBB937, #DB8D37 and #DB6137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DC36 shade: #A5DB37, #79DB37, #4CDB37, #37DB4E and #37DB7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DC36 shade matches the following richer shades: #A5DB37 and #ABEE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DC36 shade: #A5DB37, #9EC84A, #98B55D, #92A270 and #8B8F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DC36 shade: #DBB837, #D3DB37, #A7DB37, #7CDB37 and #50DB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DC36 shade: #77A31C, #90C723, #A5DB37, #B5E15A and #C4E87D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DC36 shade: #A5DC36, #37DB8C and #CE37DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DC36 shade: #A5DC36, #37A7DB and #DB37A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DC36 shade: #A5DC36, #37DB8C, #6B37DB and #DB3786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DC36 shade: #A5DC36, #37DBBD, #6B37DB and #DB3755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

Complementary color

CMYK 55 / 83 / 0 / 21

HEX #5A23C9

RGB 90 35 201

HSL 259.88, 0.7%, 0.46%

LAB 33.12, 60.62, -75.47

 

CMYK 23 / 0 / 78 / 14

HEX #AADC31

RGB 170 220 49

HSL 77.54, 0.71%, 0.53%

LAB 81.81, -38.59, 72.16

 

CMYK 21 / 0 / 71 / 7

HEX #BBEE44

RGB 187 238 68

HSL 78, 0.83%, 0.6%

LAB 88.03, -39.18, 72.43

 

CMYK 20 / 0 / 66 / 0

HEX #CCFF57

RGB 204 255 87

HSL 78.21, 1%, 0.67%

LAB 93.9, -39.2, 71.87

 

CMYK 13 / 0 / 58 / 0

HEX #DDFF6A

RGB 221 255 106

HSL 73.69, 1%, 0.71%

LAB 95.13, -31.43, 65.93

 

CMYK 7 / 0 / 51 / 0

HEX #EEFF7D

RGB 238 255 125

HSL 67.85, 1%, 0.75%

LAB 96.48, -23.38, 59.51

 

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

CMYK 27 / 0 / 83 / 21

HEX #94CA23

RGB 148 202 35

HSL 79.4, 0.7%, 0.46%

LAB 75.24, -39.6, 69.52

 

CMYK 29 / 0 / 91 / 28

HEX #83B810

RGB 131 184 16

HSL 78.93, 0.84%, 0.39%

LAB 68.86, -38.73, 67.56

 

CMYK 31 / 0 / 100 / 35

HEX #72A600

RGB 114 166 0

HSL 78.8, 1%, 0.33%

LAB 62.38, -37.63, 64.14

 

CMYK 34 / 0 / 100 / 42

HEX #619400

RGB 97 148 0

HSL 80.68, 1%, 0.29%

LAB 55.81, -36.23, 58.67

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 5 / 0 / 75 / 14

HEX #D1DB37

RGB 209 219 55

HSL 63.66, 0.69%, 0.54%

LAB 84.22, -22.23, 73.55

 

CMYK 0 / 16 / 75 / 14

HEX #DBB937

RGB 219 185 55

HSL 47.56, 0.69%, 0.54%

LAB 76.09, -0.85, 66.25

 

CMYK 0 / 36 / 75 / 14

HEX #DB8D37

RGB 219 141 55

HSL 31.46, 0.69%, 0.54%

LAB 65.27, 22.61, 55.75

 

CMYK 0 / 56 / 75 / 14

HEX #DB6137

RGB 219 97 55

HSL 15.37, 0.69%, 0.54%

LAB 55.97, 45.33, 46.23

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 65 / 0 / 75 / 14

HEX #4CDB37

RGB 76 219 55

HSL 112.32, 0.69%, 0.54%

LAB 77.56, -66.68, 64.86

 

CMYK 75 / 0 / 64 / 14

HEX #37DB4E

RGB 55 219 78

HSL 128.41, 0.69%, 0.54%

LAB 77.3, -68.33, 55.85

 

CMYK 75 / 0 / 44 / 14

HEX #37DB7A

RGB 55 219 122

HSL 144.51, 0.69%, 0.54%

LAB 77.8, -62.32, 36.06

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 28 / 0 / 85 / 7

HEX #ABEE24

RGB 171 238 36

HSL 79.9, 0.86%, 0.54%

LAB 86.96, -46.51, 79.92

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 21 / 0 / 63 / 22

HEX #9EC84A

RGB 158 200 74

HSL 80, 0.53%, 0.54%

LAB 75.5, -32.65, 56.68

 

CMYK 16 / 0 / 49 / 29

HEX #98B55D

RGB 152 181 93

HSL 79.77, 0.37%, 0.54%

LAB 69.83, -24.15, 41.32

 

CMYK 10 / 0 / 31 / 36

HEX #92A270

RGB 146 162 112

HSL 79.2, 0.21%, 0.54%

LAB 64.26, -14.45, 24.19

 

CMYK 3 / 0 / 8 / 44

HEX #8B8F83

RGB 139 143 131

HSL 80, 0.05%, 0.54%

LAB 58.76, -3.76, 5.87

 

CMYK 0 / 16 / 75 / 14

HEX #DBB837

RGB 219 184 55

HSL 47.2, 0.69%, 0.54%

LAB 75.83, -0.32, 66.01

 

CMYK 4 / 0 / 75 / 14

HEX #D3DB37

RGB 211 219 55

HSL 62.93, 0.69%, 0.54%

LAB 84.37, -21.4, 73.74

 

CMYK 24 / 0 / 75 / 14

HEX #A7DB37

RGB 167 219 55

HSL 79.02, 0.69%, 0.54%

LAB 81.38, -39.02, 69.86

 

CMYK 43 / 0 / 75 / 14

HEX #7CDB37

RGB 124 219 55

HSL 94.76, 0.69%, 0.54%

LAB 79.17, -54.12, 66.98

 

CMYK 63 / 0 / 75 / 14

HEX #50DB37

RGB 80 219 55

HSL 110.85, 0.69%, 0.54%

LAB 77.66, -65.85, 64.99

 

CMYK 27 / 0 / 83 / 36

HEX #77A31C

RGB 119 163 28

HSL 79.56, 0.71%, 0.37%

LAB 61.83, -33.6, 58.82

 

CMYK 28 / 0 / 82 / 22

HEX #90C723

RGB 144 199 35

HSL 80.12, 0.7%, 0.46%

LAB 74.12, -39.81, 68.45

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 20 / 0 / 60 / 12

HEX #B5E15A

RGB 181 225 90

HSL 79.56, 0.69%, 0.62%

LAB 84.18, -34.12, 59.83

 

CMYK 16 / 0 / 46 / 9

HEX #C4E87D

RGB 196 232 125

HSL 80.19, 0.7%, 0.7%

LAB 87.45, -28.44, 47.97

 

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

CMYK 75 / 0 / 36 / 14

HEX #37DB8C

RGB 55 219 140

HSL 151.1, 0.69%, 0.54%

LAB 78.09, -59.04, 27.28

 

CMYK 6 / 75 / 0 / 14

HEX #CE37DB

RGB 206 55 219

HSL 295.24, 0.69%, 0.54%

LAB 52.92, 76.41, -52.95

 

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

CMYK 75 / 24 / 0 / 14

HEX #37A7DB

RGB 55 167 219

HSL 199.02, 0.69%, 0.54%

LAB 64.62, -14.07, -35.26

 

CMYK 0 / 75 / 24 / 14

HEX #DB37A7

RGB 219 55 167

HSL 319.02, 0.69%, 0.54%

LAB 52.49, 71.68, -23.41

 

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

CMYK 75 / 0 / 36 / 14

HEX #37DB8C

RGB 55 219 140

HSL 151.1, 0.69%, 0.54%

LAB 78.09, -59.04, 27.28

 

CMYK 51 / 75 / 0 / 14

HEX #6B37DB

RGB 107 55 219

HSL 259.02, 0.69%, 0.54%

LAB 39.53, 59.09, -75.26

 

CMYK 0 / 75 / 39 / 14

HEX #DB3786

RGB 219 55 134

HSL 331.1, 0.69%, 0.54%

LAB 51.28, 67.97, -5.61

 

CMYK 25 / 0 / 75 / 14

HEX #A5DC36

RGB 165 220 54

HSL 79.88, 0.7%, 0.54%

LAB 81.54, -40.27, 70.29

 

CMYK 75 / 0 / 14 / 14

HEX #37DBBD

RGB 55 219 189

HSL 169.02, 0.69%, 0.54%

LAB 79.13, -47.96, 2.93

 

CMYK 51 / 75 / 0 / 14

HEX #6B37DB

RGB 107 55 219

HSL 259.02, 0.69%, 0.54%

LAB 39.53, 59.09, -75.26

 

CMYK 0 / 75 / 61 / 14

HEX #DB3755

RGB 219 55 85

HSL 349.02, 0.69%, 0.54%

LAB 50.04, 63.99, 22.26

 

Description

Color code: HEX #A5DC36 | qconv.com Color code: HEX #A5DC36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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