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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DC55 it is the complementary color #5A23AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DC55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DC55 shade: #AADC50, #BBEE63, #CCFF76, #DDFF89 and #EEFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DC55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DC55 shade: #A5DC55, #94CA42, #83B82F, #72A61C and #619409

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DC55 shade: #A5DC55, #C9DC55, #DCCA55, #DCA655 and #DC8155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DC55 shade: #A5DC55, #81DC55, #5CDC55, #55DC72 and #55DC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DC55 shade matches the following richer shades: #A5DC55, #A8EC45 and #ABFD34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DC55 shade: #A5DC55, #A2CB66, #9FBB76, #9CAA87 and #999A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DC55 shade: #DCCA55, #CADC55, #A6DC55, #82DC55 and #5EDC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DC55 shade: #7DB925, #93D533, #A5DC55, #B7E377 and #C9EA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DC55 shade: #A5DC55, #55DCA6 and #DC55DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DC55 shade: #A5DC55, #55A6DC and #DC55A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DC55 shade: #A5DC55, #55DCA6, #8B55DC and #DC558B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DC55 shade: #A5DC55, #55DCCE, #8B55DC and #DC5563

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

Complementary color

CMYK 47 / 79 / 0 / 33

HEX #5A23AA

RGB 90 35 170

HSL 264.44, 0.66%, 0.4%

LAB 30.1, 52.62, -62.07

 

CMYK 23 / 0 / 64 / 14

HEX #AADC50

RGB 170 220 80

HSL 81.43, 0.67%, 0.59%

LAB 82.01, -36.78, 61.43

 

CMYK 21 / 0 / 58 / 7

HEX #BBEE63

RGB 187 238 99

HSL 82.01, 0.8%, 0.66%

LAB 88.26, -37.04, 60.64

 

CMYK 20 / 0 / 54 / 0

HEX #CCFF76

RGB 204 255 118

HSL 82.34, 1%, 0.73%

LAB 94.17, -36.78, 59.37

 

CMYK 13 / 0 / 46 / 0

HEX #DDFF89

RGB 221 255 137

HSL 77.29, 1%, 0.77%

LAB 95.45, -28.67, 52.48

 

CMYK 7 / 0 / 39 / 0

HEX #EEFF9C

RGB 238 255 156

HSL 70.3, 1%, 0.81%

LAB 96.86, -20.32, 45.42

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 27 / 0 / 67 / 21

HEX #94CA42

RGB 148 202 66

HSL 83.82, 0.56%, 0.53%

LAB 75.41, -37.97, 59.65

 

CMYK 29 / 0 / 74 / 28

HEX #83B82F

RGB 131 184 47

HSL 83.21, 0.59%, 0.45%

LAB 68.98, -37.54, 59.87

 

CMYK 31 / 0 / 83 / 35

HEX #72A61C

RGB 114 166 28

HSL 82.61, 0.71%, 0.38%

LAB 62.45, -36.92, 59.26

 

CMYK 34 / 0 / 94 / 42

HEX #619409

RGB 97 148 9

HSL 82.01, 0.89%, 0.31%

LAB 55.83, -36.03, 57.24

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 9 / 0 / 61 / 14

HEX #C9DC55

RGB 201 220 85

HSL 68.44, 0.66%, 0.6%

LAB 84.1, -24.32, 62.23

 

CMYK 0 / 8 / 61 / 14

HEX #DCCA55

RGB 220 202 85

HSL 52, 0.66%, 0.6%

LAB 80.8, -7.59, 59.09

 

CMYK 0 / 25 / 61 / 14

HEX #DCA655

RGB 220 166 85

HSL 36, 0.66%, 0.6%

LAB 71.65, 11.28, 48.85

 

CMYK 0 / 41 / 61 / 14

HEX #DC8155

RGB 220 129 85

HSL 19.56, 0.66%, 0.6%

LAB 62.99, 31.1, 38.64

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 41 / 0 / 61 / 14

HEX #81DC55

RGB 129 220 85

HSL 100.44, 0.66%, 0.6%

LAB 79.9, -50.65, 56.43

 

CMYK 58 / 0 / 61 / 14

HEX #5CDC55

RGB 92 220 85

HSL 116.89, 0.66%, 0.6%

LAB 78.53, -60.91, 54.51

 

CMYK 61 / 0 / 48 / 14

HEX #55DC72

RGB 85 220 114

HSL 132.89, 0.66%, 0.6%

LAB 78.66, -58.8, 41.22

 

CMYK 61 / 0 / 31 / 14

HEX #55DC97

RGB 85 220 151

HSL 149.33, 0.66%, 0.6%

LAB 79.24, -52.41, 23.25

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 29 / 0 / 71 / 7

HEX #A8EC45

RGB 168 236 69

HSL 84.43, 0.81%, 0.6%

LAB 86.38, -45.29, 70.08

 

CMYK 32 / 0 / 79 / 1

HEX #ABFD34

RGB 171 253 52

HSL 84.48, 0.98%, 0.6%

LAB 91.31, -52.17, 80

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 20 / 0 / 50 / 20

HEX #A2CB66

RGB 162 203 102

HSL 84.36, 0.49%, 0.6%

LAB 76.89, -29.95, 45.63

 

CMYK 15 / 0 / 37 / 27

HEX #9FBB76

RGB 159 187 118

HSL 84.35, 0.34%, 0.6%

LAB 72.38, -21.39, 31.87

 

CMYK 8 / 0 / 21 / 33

HEX #9CAA87

RGB 156 170 135

HSL 84, 0.17%, 0.6%

LAB 67.7, -11.29, 16.43

 

CMYK 1 / 0 / 2 / 40

HEX #999A97

RGB 153 154 151

HSL 80, 0.01%, 0.6%

LAB 63.44, -0.93, 1.44

 

CMYK 0 / 8 / 61 / 14

HEX #DCCA55

RGB 220 202 85

HSL 52, 0.66%, 0.6%

LAB 80.8, -7.59, 59.09

 

CMYK 8 / 0 / 61 / 14

HEX #CADC55

RGB 202 220 85

HSL 68, 0.66%, 0.6%

LAB 84.17, -23.92, 62.33

 

CMYK 25 / 0 / 61 / 14

HEX #A6DC55

RGB 166 220 85

HSL 84, 0.66%, 0.6%

LAB 81.81, -37.88, 59.07

 

CMYK 41 / 0 / 61 / 14

HEX #82DC55

RGB 130 220 85

HSL 100, 0.66%, 0.6%

LAB 79.95, -50.34, 56.49

 

CMYK 57 / 0 / 61 / 14

HEX #5EDC55

RGB 94 220 85

HSL 116, 0.66%, 0.6%

LAB 78.59, -60.43, 54.59

 

CMYK 32 / 0 / 80 / 27

HEX #7DB925

RGB 125 185 37

HSL 84.32, 0.67%, 0.44%

LAB 68.89, -40.75, 62.81

 

CMYK 31 / 0 / 76 / 16

HEX #93D533

RGB 147 213 51

HSL 84.44, 0.66%, 0.52%

LAB 78.48, -44.06, 67.97

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 19 / 0 / 48 / 11

HEX #B7E377

RGB 183 227 119

HSL 84.44, 0.66%, 0.68%

LAB 85.17, -31.56, 47.85

 

CMYK 14 / 0 / 34 / 8

HEX #C9EA9A

RGB 201 234 154

HSL 84.75, 0.66%, 0.76%

LAB 88.73, -24.08, 35.39

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 61 / 0 / 25 / 14

HEX #55DCA6

RGB 85 220 166

HSL 156, 0.66%, 0.6%

LAB 79.54, -49.3, 15.8

 

CMYK 0 / 61 / 0 / 14

HEX #DC55DC

RGB 220 85 220

HSL 300, 0.66%, 0.6%

LAB 58.86, 68.97, -43.94

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 61 / 25 / 0 / 14

HEX #55A6DC

RGB 85 166 220

HSL 204, 0.66%, 0.6%

LAB 65.26, -8.67, -34.75

 

CMYK 0 / 61 / 25 / 14

HEX #DC55A6

RGB 220 85 166

HSL 324, 0.66%, 0.6%

LAB 56.55, 60.87, -16.59

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 61 / 0 / 25 / 14

HEX #55DCA6

RGB 85 220 166

HSL 156, 0.66%, 0.6%

LAB 79.54, -49.3, 15.8

 

CMYK 37 / 61 / 0 / 14

HEX #8B55DC

RGB 139 85 220

HSL 264, 0.66%, 0.6%

LAB 48.45, 50.12, -61.17

 

CMYK 0 / 61 / 37 / 14

HEX #DC558B

RGB 220 85 139

HSL 336, 0.66%, 0.6%

LAB 55.66, 57.59, -2.1

 

CMYK 25 / 0 / 61 / 14

HEX #A5DC55

RGB 165 220 85

HSL 84.44, 0.66%, 0.6%

LAB 81.75, -38.25, 58.99

 

CMYK 61 / 0 / 6 / 14

HEX #55DCCE

RGB 85 220 206

HSL 173.78, 0.66%, 0.6%

LAB 80.5, -39.77, -4.04

 

CMYK 37 / 61 / 0 / 14

HEX #8B55DC

RGB 139 85 220

HSL 264, 0.66%, 0.6%

LAB 48.45, 50.12, -61.17

 

CMYK 0 / 61 / 55 / 14

HEX #DC5563

RGB 220 85 99

HSL 353.78, 0.66%, 0.6%

LAB 54.67, 53.82, 20.13

 

Description

Color code: HEX #A5DC55 | qconv.com Color code: HEX #A5DC55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 220 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 220 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 61 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 61% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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