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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5DCED it is the complementary color #5A2312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5DCED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5DCED shade: #AADCE8, #BBEEFB, #CCFFFF, #DDFFFF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5DCED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5DCED shade: #A5DCED, #94CADA, #83B8C7, #72A6B4 and #6194A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5DCED shade: #A5DCED, #A5C9ED, #A5B5ED, #A8A5ED and #BCA5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5DCED shade: #A5DCED, #A5C9ED, #A5B5ED and #A5A5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5DCED shade matches the following richer shades: #A5DCED, #9CE0F5 and #94E5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5DCED shade: #A5DCED, #AED7E4, #B6D3DB, #BFCED3 and #C8CACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5DCED shade: #A5EDD7, #A5EDEA, #A5DCED, #A5C9ED and #A5B6ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5DCED shade: #60C1DF, #83CFE6, #A5DCED, #C8E9F4 and #EAF7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5DCED shade: #A5DCED, #C4A5ED and #EDE1A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5DCED shade: #A5DCED, #EDA5DC and #DCEDA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5DCED shade: #A5DCED, #C4A5ED, #EDB6A5 and #CEEDA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5DCED shade: #A5DCED, #DAA5ED, #EDB6A5 and #B8EDA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

Complementary color

CMYK 0 / 61 / 80 / 65

HEX #5A2312

RGB 90 35 18

HSL 14.17, 0.67%, 0.21%

LAB 21.65, 24.14, 23.42

 

CMYK 27 / 5 / 0 / 9

HEX #AADCE8

RGB 170 220 232

HSL 191.61, 0.57%, 0.79%

LAB 84.77, -13.36, -11.14

 

CMYK 25 / 5 / 0 / 2

HEX #BBEEFB

RGB 187 238 251

HSL 192.19, 0.89%, 0.86%

LAB 91.09, -13.35, -11.6

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 32 / 7 / 0 / 15

HEX #94CADA

RGB 148 202 218

HSL 193.71, 0.49%, 0.72%

LAB 78.23, -13.62, -13.58

 

CMYK 34 / 8 / 0 / 22

HEX #83B8C7

RGB 131 184 199

HSL 193.24, 0.38%, 0.65%

LAB 71.71, -13.61, -13.14

 

CMYK 37 / 8 / 0 / 29

HEX #72A6B4

RGB 114 166 180

HSL 192.73, 0.31%, 0.58%

LAB 65.08, -13.59, -12.69

 

CMYK 40 / 8 / 0 / 37

HEX #6194A1

RGB 97 148 161

HSL 192.19, 0.25%, 0.51%

LAB 58.32, -13.55, -12.23

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 30 / 15 / 0 / 7

HEX #A5C9ED

RGB 165 201 237

HSL 210, 0.67%, 0.79%

LAB 79.55, -3.73, -21.69

 

CMYK 30 / 24 / 0 / 7

HEX #A5B5ED

RGB 165 181 237

HSL 226.67, 0.67%, 0.79%

LAB 74.29, 7.11, -29.72

 

CMYK 29 / 30 / 0 / 7

HEX #A8A5ED

RGB 168 165 237

HSL 242.5, 0.67%, 0.79%

LAB 70.42, 16.88, -35.68

 

CMYK 21 / 30 / 0 / 7

HEX #BCA5ED

RGB 188 165 237

HSL 259.17, 0.67%, 0.79%

LAB 72.04, 22.75, -33.05

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 30 / 15 / 0 / 7

HEX #A5C9ED

RGB 165 201 237

HSL 210, 0.67%, 0.79%

LAB 79.55, -3.73, -21.69

 

CMYK 30 / 24 / 0 / 7

HEX #A5B5ED

RGB 165 181 237

HSL 226.67, 0.67%, 0.79%

LAB 74.29, 7.11, -29.72

 

CMYK 30 / 30 / 0 / 7

HEX #A5A5ED

RGB 165 165 237

HSL 240, 0.67%, 0.79%

LAB 70.19, 16.02, -36.06

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 36 / 9 / 0 / 4

HEX #9CE0F5

RGB 156 224 245

HSL 194.16, 0.82%, 0.79%

LAB 85.49, -16.19, -17.01

 

CMYK 42 / 10 / 0 / 0

HEX #94E5FE

RGB 148 229 254

HSL 194.15, 0.98%, 0.79%

LAB 86.75, -18.48, -19.89

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 24 / 6 / 0 / 11

HEX #AED7E4

RGB 174 215 228

HSL 194.44, 0.5%, 0.79%

LAB 83.55, -10.52, -10.81

 

CMYK 17 / 4 / 0 / 14

HEX #B6D3DB

RGB 182 211 219

HSL 192.97, 0.34%, 0.79%

LAB 82.73, -7.95, -7.19

 

CMYK 9 / 2 / 0 / 17

HEX #BFCED3

RGB 191 206 211

HSL 195, 0.19%, 0.79%

LAB 81.8, -4.08, -4.23

 

CMYK 1 / 0 / 0 / 21

HEX #C8CACA

RGB 200 202 202

HSL 180, 0.02%, 0.79%

LAB 81.17, -0.68, -0.25

 

CMYK 30 / 0 / 9 / 7

HEX #A5EDD7

RGB 165 237 215

HSL 161.67, 0.67%, 0.79%

LAB 88.67, -26.92, 3.52

 

CMYK 30 / 0 / 1 / 7

HEX #A5EDEA

RGB 165 237 234

HSL 177.5, 0.67%, 0.79%

LAB 89.16, -22.82, -5.7

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 30 / 15 / 0 / 7

HEX #A5C9ED

RGB 165 201 237

HSL 210, 0.67%, 0.79%

LAB 79.55, -3.73, -21.69

 

CMYK 30 / 23 / 0 / 7

HEX #A5B6ED

RGB 165 182 237

HSL 225.83, 0.67%, 0.79%

LAB 74.55, 6.56, -29.32

 

CMYK 57 / 13 / 0 / 13

HEX #60C1DF

RGB 96 193 223

HSL 194.17, 0.66%, 0.63%

LAB 73.52, -20.06, -23.63

 

CMYK 43 / 10 / 0 / 10

HEX #83CFE6

RGB 131 207 230

HSL 193.94, 0.66%, 0.71%

LAB 79.14, -17.63, -18.74

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 18 / 5 / 0 / 4

HEX #C8E9F4

RGB 200 233 244

HSL 195, 0.67%, 0.87%

LAB 90.36, -8.46, -8.94

 

CMYK 6 / 1 / 0 / 2

HEX #EAF7FA

RGB 234 247 250

HSL 191.25, 0.62%, 0.95%

LAB 96.38, -3.7, -2.92

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 17 / 30 / 0 / 7

HEX #C4A5ED

RGB 196 165 237

HSL 265.83, 0.67%, 0.79%

LAB 72.73, 25.17, -31.92

 

CMYK 0 / 5 / 30 / 7

HEX #EDE1A5

RGB 237 225 165

HSL 50, 0.67%, 0.79%

LAB 89.19, -4.82, 30.89

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 0 / 30 / 7 / 7

HEX #EDA5DC

RGB 237 165 220

HSL 314.17, 0.67%, 0.79%

LAB 76.12, 34.92, -17.13

 

CMYK 7 / 0 / 30 / 7

HEX #DCEDA5

RGB 220 237 165

HSL 74.17, 0.67%, 0.79%

LAB 91.01, -17.16, 33.09

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 17 / 30 / 0 / 7

HEX #C4A5ED

RGB 196 165 237

HSL 265.83, 0.67%, 0.79%

LAB 72.73, 25.17, -31.92

 

CMYK 0 / 23 / 30 / 7

HEX #EDB6A5

RGB 237 182 165

HSL 14.17, 0.67%, 0.79%

LAB 78.56, 17.57, 16.34

 

CMYK 13 / 0 / 30 / 7

HEX #CEEDA5

RGB 206 237 165

HSL 85.83, 0.67%, 0.79%

LAB 90.05, -22.24, 31.64

 

CMYK 30 / 7 / 0 / 7

HEX #A5DCED

RGB 165 220 237

HSL 194.17, 0.67%, 0.79%

LAB 84.64, -13.63, -14.01

 

CMYK 8 / 30 / 0 / 7

HEX #DAA5ED

RGB 218 165 237

HSL 284.17, 0.67%, 0.79%

LAB 74.78, 31.96, -28.59

 

CMYK 0 / 23 / 30 / 7

HEX #EDB6A5

RGB 237 182 165

HSL 14.17, 0.67%, 0.79%

LAB 78.56, 17.57, 16.34

 

CMYK 22 / 0 / 30 / 7

HEX #B8EDA5

RGB 184 237 165

HSL 104.17, 0.67%, 0.79%

LAB 88.67, -29.92, 29.55

 

Description

Color code: HEX #A5DCED | qconv.com Color code: HEX #A5DCED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 220 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 220 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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