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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E585 it is the complementary color #5A1A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E585 shade: #AAE580, #BBF793, #CCFFA6, #DDFFB9 and #EEFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E585 shade: #A5E585, #94D372, #83C15F, #72AF4C and #619D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E585 shade: #A5E584, #BEE584, #D8E584, #E5D784 and #E5BD84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E585 shade: #A5E584, #8BE584, #84E598, #84E5B2 and #84E5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E585 shade matches the following richer shades: #A5E584, #A1F179 and #9DFD6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E585 shade: #A5E584, #A9D990, #ADCD9C, #B0C1A8 and #B4B5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E585 shade: #D8E584, #BEE584, #A5E584, #8BE584 and #84E598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E585 shade: #72D640, #8BDD62, #A5E584, #BEECA7 and #D7F3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E585 shade: #A5E585, #84E5D8 and #E584CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E585 shade: #A5E585, #84A5E5 and #E584A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E585 shade: #A5E585, #84E5D8, #C584E5 and #E58491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E585 shade: #A5E585, #84D5E5, #C584E5 and #E59584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

Complementary color

CMYK 26 / 79 / 0 / 52

HEX #5A1A7A

RGB 90 26 122

HSL 280, 0.65%, 0.29%

LAB 24.69, 44.61, -41.24

 

CMYK 26 / 0 / 44 / 10

HEX #AAE580

RGB 170 229 128

HSL 95.05, 0.66%, 0.7%

LAB 85.07, -36.11, 43.21

 

CMYK 24 / 0 / 40 / 3

HEX #BBF793

RGB 187 247 147

HSL 96, 0.86%, 0.77%

LAB 91.32, -36.02, 42.06

 

CMYK 20 / 0 / 35 / 0

HEX #CCFFA6

RGB 204 255 166

HSL 94.38, 1%, 0.83%

LAB 94.79, -31.33, 37.4

 

CMYK 13 / 0 / 27 / 0

HEX #DDFFB9

RGB 221 255 185

HSL 89.14, 1%, 0.86%

LAB 96.16, -22.78, 29.93

 

CMYK 7 / 0 / 20 / 0

HEX #EEFFCC

RGB 238 255 204

HSL 80, 1%, 0.9%

LAB 97.65, -14.06, 22.55

 

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

CMYK 30 / 0 / 46 / 17

HEX #94D372

RGB 148 211 114

HSL 98.97, 0.52%, 0.64%

LAB 78.52, -37.32, 41.6

 

CMYK 32 / 0 / 51 / 24

HEX #83C15F

RGB 131 193 95

HSL 97.96, 0.44%, 0.56%

LAB 72.09, -37.4, 42.78

 

CMYK 35 / 0 / 57 / 31

HEX #72AF4C

RGB 114 175 76

HSL 96.97, 0.39%, 0.49%

LAB 65.56, -37.41, 43.93

 

CMYK 38 / 0 / 64 / 38

HEX #619D39

RGB 97 157 57

HSL 96, 0.47%, 0.42%

LAB 58.93, -37.31, 44.94

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 17 / 0 / 42 / 10

HEX #BEE584

RGB 190 229 132

HSL 84.12, 0.65%, 0.71%

LAB 86.33, -28.46, 43.09

 

CMYK 6 / 0 / 42 / 10

HEX #D8E584

RGB 216 229 132

HSL 68.04, 0.65%, 0.71%

LAB 88.11, -18.66, 45.71

 

CMYK 0 / 6 / 42 / 10

HEX #E5D784

RGB 229 215 132

HSL 51.34, 0.65%, 0.71%

LAB 85.47, -6.59, 42.6

 

CMYK 0 / 17 / 42 / 10

HEX #E5BD84

RGB 229 189 132

HSL 35.26, 0.65%, 0.71%

LAB 78.88, 6.87, 34.16

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 39 / 0 / 42 / 10

HEX #8BE584

RGB 139 229 132

HSL 115.67, 0.65%, 0.71%

LAB 83.54, -45.73, 38.98

 

CMYK 42 / 0 / 34 / 10

HEX #84E598

RGB 132 229 152

HSL 132.37, 0.65%, 0.71%

LAB 83.55, -44.67, 28.85

 

CMYK 42 / 0 / 22 / 10

HEX #84E5B2

RGB 132 229 178

HSL 148.45, 0.65%, 0.71%

LAB 84.05, -39.9, 16.06

 

CMYK 42 / 0 / 11 / 10

HEX #84E5CC

RGB 132 229 204

HSL 164.54, 0.65%, 0.71%

LAB 84.64, -34.42, 3.25

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 33 / 0 / 50 / 5

HEX #A1F179

RGB 161 241 121

HSL 100, 0.81%, 0.71%

LAB 87.91, -45.31, 49.96

 

CMYK 38 / 0 / 57 / 1

HEX #9DFD6D

RGB 157 253 109

HSL 100, 0.97%, 0.71%

LAB 91.02, -52.9, 59.03

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 22 / 0 / 34 / 15

HEX #A9D990

RGB 169 217 144

HSL 99.45, 0.49%, 0.71%

LAB 81.88, -28.73, 31.04

 

CMYK 16 / 0 / 24 / 20

HEX #ADCD9C

RGB 173 205 156

HSL 99.18, 0.33%, 0.71%

LAB 79.01, -19.64, 20.95

 

CMYK 9 / 0 / 13 / 24

HEX #B0C1A8

RGB 176 193 168

HSL 100.8, 0.17%, 0.71%

LAB 76.19, -10.46, 10.62

 

CMYK 1 / 0 / 1 / 29

HEX #B4B5B4

RGB 180 181 180

HSL 120, 0.01%, 0.71%

LAB 73.58, -0.53, 0.38

 

CMYK 6 / 0 / 42 / 10

HEX #D8E584

RGB 216 229 132

HSL 68.04, 0.65%, 0.71%

LAB 88.11, -18.66, 45.71

 

CMYK 17 / 0 / 42 / 10

HEX #BEE584

RGB 190 229 132

HSL 84.12, 0.65%, 0.71%

LAB 86.33, -28.46, 43.09

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 39 / 0 / 42 / 10

HEX #8BE584

RGB 139 229 132

HSL 115.67, 0.65%, 0.71%

LAB 83.54, -45.73, 38.98

 

CMYK 42 / 0 / 34 / 10

HEX #84E598

RGB 132 229 152

HSL 132.37, 0.65%, 0.71%

LAB 83.55, -44.67, 28.85

 

CMYK 47 / 0 / 70 / 16

HEX #72D640

RGB 114 214 64

HSL 100, 0.65%, 0.55%

LAB 77.31, -54.66, 61.85

 

CMYK 37 / 0 / 56 / 13

HEX #8BDD62

RGB 139 221 98

HSL 100, 0.64%, 0.63%

LAB 80.79, -46.56, 51.82

 

CMYK 28 / 0 / 42 / 10

HEX #A5E584

RGB 165 229 132

HSL 99.59, 0.65%, 0.71%

LAB 84.85, -37.33, 40.9

 

CMYK 19 / 0 / 29 / 7

HEX #BEECA7

RGB 190 236 167

HSL 100, 0.64%, 0.79%

LAB 88.79, -27.1, 28.76

 

CMYK 12 / 0 / 17 / 5

HEX #D7F3C9

RGB 215 243 201

HSL 100, 0.64%, 0.87%

LAB 92.91, -16.59, 17.23

 

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

CMYK 42 / 0 / 6 / 10

HEX #84E5D8

RGB 132 229 216

HSL 171.96, 0.65%, 0.71%

LAB 84.95, -31.68, -2.63

 

CMYK 0 / 42 / 11 / 10

HEX #E584CB

RGB 229 132 203

HSL 316.08, 0.65%, 0.71%

LAB 67.63, 46.74, -20.71

 

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

CMYK 42 / 28 / 0 / 10

HEX #84A5E5

RGB 132 165 229

HSL 219.59, 0.65%, 0.71%

LAB 67.63, 4.98, -35.83

 

CMYK 0 / 42 / 28 / 10

HEX #E584A5

RGB 229 132 165

HSL 339.59, 0.65%, 0.71%

LAB 66.43, 41.1, -1.16

 

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

CMYK 42 / 0 / 6 / 10

HEX #84E5D8

RGB 132 229 216

HSL 171.96, 0.65%, 0.71%

LAB 84.95, -31.68, -2.63

 

CMYK 14 / 42 / 0 / 10

HEX #C584E5

RGB 197 132 229

HSL 280.21, 0.65%, 0.71%

LAB 64.99, 41.83, -39.55

 

CMYK 0 / 42 / 37 / 10

HEX #E58491

RGB 229 132 145

HSL 351.96, 0.65%, 0.71%

LAB 65.91, 38.59, 9.4

 

CMYK 28 / 0 / 42 / 10

HEX #A5E585

RGB 165 229 133

HSL 100, 0.65%, 0.71%

LAB 84.86, -37.2, 40.43

 

CMYK 42 / 7 / 0 / 10

HEX #84D5E5

RGB 132 213 229

HSL 189.9, 0.65%, 0.71%

LAB 80.82, -20.69, -15.65

 

CMYK 14 / 42 / 0 / 10

HEX #C584E5

RGB 197 132 229

HSL 280.21, 0.65%, 0.71%

LAB 64.99, 41.83, -39.55

 

CMYK 0 / 35 / 42 / 10

HEX #E59584

RGB 229 149 132

HSL 10.52, 0.65%, 0.71%

LAB 69.34, 28.17, 21.45

 

Description

Color code: HEX #A5E585 | qconv.com Color code: HEX #A5E585 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 229 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 229 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 42 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 42% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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