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Color name
HEX #A5E6BF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E6BF it is the complementary color #5A1940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E6BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E6BF shade: #AAE6BA, #BBF8CD, #CCFFE0, #DDFFF3 and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E6BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E6BF shade: #A5E6BF, #94D4AC, #83C299, #72B086 and #619E73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E6BF shade: #A2E5BD, #A2E5AB, #ACE5A2, #BEE5A2 and #D0E5A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E6BF shade: #A2E5BD, #A2E5CF, #A2E5E1, #A2D7E5 and #A2C5E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E6BF shade matches the following richer shades: #A2E5BD, #99EFBB and #8FF8B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E6BF shade: #A2E5BD, #ACDCBF, #B5D2C1, #BFC9C3 and #C8BFC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E6BF shade: #ABE5A2, #A2E5AB, #A2E5BD, #A2E5CF and #A2E5E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E6BF shade: #62D48F, #82DCA6, #A2E5BD, #C3EED4 and #E3F7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E6BF shade: #A5E6BF, #A2BDE5 and #E5A2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E6BF shade: #A5E6BF, #BDA2E5 and #E5BDA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E6BF shade: #A5E6BF, #A2BDE5, #E5A2CB and #E5CBA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E6BF shade: #A5E6BF, #A2A9E5, #E5A2CB and #E5DFA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

Complementary color

CMYK 0 / 72 / 29 / 65

HEX #5A1940

RGB 90 25 64

HSL 324, 0.57%, 0.23%

LAB 20.98, 33.89, -8.75

 

CMYK 26 / 0 / 19 / 10

HEX #AAE6BA

RGB 170 230 186

HSL 136, 0.55%, 0.78%

LAB 86.35, -27.71, 15.39

 

CMYK 25 / 0 / 17 / 3

HEX #BBF8CD

RGB 187 248 205

HSL 137.7, 0.81%, 0.85%

LAB 92.62, -27.5, 14.52

 

CMYK 20 / 0 / 12 / 0

HEX #CCFFE0

RGB 204 255 224

HSL 143.53, 1%, 0.9%

LAB 95.89, -22.06, 9.53

 

CMYK 13 / 0 / 5 / 0

HEX #DDFFF3

RGB 221 255 243

HSL 158.82, 1%, 0.93%

LAB 97.37, -13.17, 2.04

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

CMYK 30 / 0 / 19 / 17

HEX #94D4AC

RGB 148 212 172

HSL 142.5, 0.43%, 0.71%

LAB 79.82, -28.57, 13.38

 

CMYK 32 / 0 / 21 / 24

HEX #83C299

RGB 131 194 153

HSL 140.95, 0.34%, 0.64%

LAB 73.36, -28.83, 14.31

 

CMYK 35 / 0 / 24 / 31

HEX #72B086

RGB 114 176 134

HSL 139.35, 0.28%, 0.57%

LAB 66.79, -29.1, 15.31

 

CMYK 39 / 0 / 27 / 38

HEX #619E73

RGB 97 158 115

HSL 137.7, 0.24%, 0.5%

LAB 60.1, -29.38, 16.39

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 29 / 0 / 25 / 10

HEX #A2E5AB

RGB 162 229 171

HSL 128.06, 0.56%, 0.77%

LAB 85.33, -32.42, 21.71

 

CMYK 25 / 0 / 29 / 10

HEX #ACE5A2

RGB 172 229 162

HSL 111.04, 0.56%, 0.77%

LAB 85.71, -30.66, 26.97

 

CMYK 17 / 0 / 29 / 10

HEX #BEE5A2

RGB 190 229 162

HSL 94.93, 0.56%, 0.77%

LAB 86.8, -24.49, 28.62

 

CMYK 9 / 0 / 29 / 10

HEX #D0E5A2

RGB 208 229 162

HSL 78.81, 0.56%, 0.77%

LAB 88, -18.03, 30.44

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 29 / 0 / 10 / 10

HEX #A2E5CF

RGB 162 229 207

HSL 160.3, 0.56%, 0.77%

LAB 86.12, -25.59, 3.99

 

CMYK 29 / 0 / 2 / 10

HEX #A2E5E1

RGB 162 229 225

HSL 176.42, 0.56%, 0.77%

LAB 86.58, -21.73, -4.8

 

CMYK 29 / 6 / 0 / 10

HEX #A2D7E5

RGB 162 215 229

HSL 192.54, 0.56%, 0.77%

LAB 82.88, -13.78, -12.41

 

CMYK 29 / 14 / 0 / 10

HEX #A2C5E5

RGB 162 197 229

HSL 208.66, 0.56%, 0.77%

LAB 78.03, -4.38, -19.71

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 36 / 0 / 22 / 6

HEX #99EFBB

RGB 153 239 187

HSL 143.72, 0.73%, 0.77%

LAB 88.01, -36.86, 17.08

 

CMYK 42 / 0 / 25 / 3

HEX #8FF8B9

RGB 143 248 185

HSL 144, 0.88%, 0.77%

LAB 90.08, -44.02, 20.93

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCBF

RGB 172 220 191

HSL 143.75, 0.41%, 0.77%

LAB 83.82, -21.29, 9.19

 

CMYK 14 / 0 / 8 / 18

HEX #B5D2C1

RGB 181 210 193

HSL 144.83, 0.24%, 0.77%

LAB 81.71, -12.94, 5.17

 

CMYK 5 / 0 / 3 / 21

HEX #BFC9C3

RGB 191 201 195

HSL 144, 0.08%, 0.77%

LAB 80.06, -4.53, 1.8

 

CMYK 0 / 5 / 1 / 22

HEX #C8BFC5

RGB 200 191 197

HSL 320, 0.08%, 0.77%

LAB 78.21, 4.23, -1.89

 

CMYK 25 / 0 / 29 / 10

HEX #ABE5A2

RGB 171 229 162

HSL 111.94, 0.56%, 0.77%

LAB 85.66, -30.99, 26.89

 

CMYK 29 / 0 / 25 / 10

HEX #A2E5AB

RGB 162 229 171

HSL 128.06, 0.56%, 0.77%

LAB 85.33, -32.42, 21.71

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 29 / 0 / 10 / 10

HEX #A2E5CF

RGB 162 229 207

HSL 160.3, 0.56%, 0.77%

LAB 86.12, -25.59, 3.99

 

CMYK 29 / 0 / 2 / 10

HEX #A2E5E1

RGB 162 229 225

HSL 176.42, 0.56%, 0.77%

LAB 86.58, -21.73, -4.8

 

CMYK 54 / 0 / 33 / 17

HEX #62D48F

RGB 98 212 143

HSL 143.68, 0.57%, 0.61%

LAB 77.08, -47.89, 24.54

 

CMYK 41 / 0 / 25 / 14

HEX #82DCA6

RGB 130 220 166

HSL 144, 0.56%, 0.69%

LAB 81.12, -38.74, 18.24

 

CMYK 29 / 0 / 17 / 10

HEX #A2E5BD

RGB 162 229 189

HSL 144.18, 0.56%, 0.77%

LAB 85.7, -29.16, 12.85

 

CMYK 18 / 0 / 11 / 7

HEX #C3EED4

RGB 195 238 212

HSL 143.72, 0.56%, 0.85%

LAB 90.55, -18.85, 8.01

 

CMYK 8 / 0 / 5 / 3

HEX #E3F7EB

RGB 227 247 235

HSL 144, 0.56%, 0.93%

LAB 95.52, -8.72, 3.51

 

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

CMYK 29 / 17 / 0 / 10

HEX #A2BDE5

RGB 162 189 229

HSL 215.82, 0.56%, 0.77%

LAB 75.91, -0.08, -22.94

 

CMYK 0 / 29 / 29 / 10

HEX #E5A2A2

RGB 229 162 162

HSL 0, 0.56%, 0.77%

LAB 72.96, 24.84, 9.95

 

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

CMYK 17 / 29 / 0 / 10

HEX #BDA2E5

RGB 189 162 229

HSL 264.18, 0.56%, 0.77%

LAB 71.09, 22.93, -30.14

 

CMYK 0 / 17 / 29 / 10

HEX #E5BDA2

RGB 229 189 162

HSL 24.18, 0.56%, 0.77%

LAB 79.42, 10.43, 19.02

 

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

CMYK 29 / 17 / 0 / 10

HEX #A2BDE5

RGB 162 189 229

HSL 215.82, 0.56%, 0.77%

LAB 75.91, -0.08, -22.94

 

CMYK 0 / 29 / 11 / 10

HEX #E5A2CB

RGB 229 162 203

HSL 323.28, 0.56%, 0.77%

LAB 74.07, 30.97, -11

 

CMYK 0 / 11 / 29 / 10

HEX #E5CBA2

RGB 229 203 162

HSL 36.72, 0.56%, 0.77%

LAB 82.9, 3.07, 23.82

 

CMYK 28 / 0 / 17 / 10

HEX #A5E6BF

RGB 165 230 191

HSL 144, 0.57%, 0.77%

LAB 86.18, -28.34, 12.5

 

CMYK 29 / 26 / 0 / 10

HEX #A2A9E5

RGB 162 169 229

HSL 233.73, 0.56%, 0.77%

LAB 70.67, 10.93, -30.96

 

CMYK 0 / 29 / 11 / 10

HEX #E5A2CB

RGB 229 162 203

HSL 323.28, 0.56%, 0.77%

LAB 74.07, 30.97, -11

 

CMYK 0 / 3 / 29 / 10

HEX #E5DFA2

RGB 229 223 162

HSL 54.63, 0.56%, 0.77%

LAB 87.99, -7.21, 30.7

 

Description

Color code: HEX #A5E6BF | qconv.com Color code: HEX #A5E6BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 230 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 230 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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