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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E79C it is the complementary color #5A1863. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E79C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E79C shade: #AAE797, #BBF9AA, #CCFFBD, #DDFFD0 and #EEFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E79C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E79C shade: #A5E79C, #94D589, #83C376, #72B163 and #619F50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E79C shade: #A5E79C, #B9E79C, #CDE79C, #E1E79C and #E7D89C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E79C shade: #A5E79C, #9CE7A7, #9CE7BB, #9CE7CF and #9CE7E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E79C shade matches the following richer shades: #A5E79C, #9DF192 and #96FA88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E79C shade: #A5E79C, #ACDDA6, #B4D3B0, #BCC9BA and #C3BFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E79C shade: #CEE79C, #BAE79C, #A6E79C, #9CE7A6 and #9CE7BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E79C shade: #69D75A, #87DF7B, #A5E79C, #C3EFBD and #E1F7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E79C shade: #A5E79C, #9CE2E7 and #E79CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E79C shade: #A5E79C, #9CA6E7 and #E79CA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E79C shade: #A5E79C, #9CE2E7, #DD9CE7 and #E7A19C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E79C shade: #A5E79C, #9CCBE7, #DD9CE7 and #E7B79C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

Complementary color

CMYK 9 / 76 / 0 / 61

HEX #5A1863

RGB 90 24 99

HSL 292.8, 0.61%, 0.24%

LAB 22.75, 40.49, -29.52

 

CMYK 26 / 0 / 35 / 9

HEX #AAE797

RGB 170 231 151

HSL 105.75, 0.63%, 0.75%

LAB 85.97, -33.93, 32.91

 

CMYK 25 / 0 / 32 / 2

HEX #BBF9AA

RGB 187 249 170

HSL 107.09, 0.87%, 0.82%

LAB 92.23, -33.75, 31.83

 

CMYK 20 / 0 / 26 / 0

HEX #CCFFBD

RGB 204 255 189

HSL 106.36, 1%, 0.87%

LAB 95.17, -27.99, 26.4

 

CMYK 13 / 0 / 18 / 0

HEX #DDFFD0

RGB 221 255 208

HSL 103.4, 1%, 0.91%

LAB 96.59, -19.28, 18.87

 

CMYK 7 / 0 / 11 / 0

HEX #EEFFE3

RGB 238 255 227

HSL 96.43, 1%, 0.95%

LAB 98.13, -10.44, 11.49

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 31 / 0 / 36 / 16

HEX #94D589

RGB 148 213 137

HSL 111.32, 0.48%, 0.69%

LAB 79.44, -35.05, 31.19

 

CMYK 33 / 0 / 39 / 24

HEX #83C376

RGB 131 195 118

HSL 109.87, 0.39%, 0.61%

LAB 73, -35.26, 32.36

 

CMYK 36 / 0 / 44 / 31

HEX #72B163

RGB 114 177 99

HSL 108.46, 0.33%, 0.54%

LAB 66.46, -35.44, 33.59

 

CMYK 39 / 0 / 50 / 38

HEX #619F50

RGB 97 159 80

HSL 107.09, 0.33%, 0.47%

LAB 59.81, -35.58, 34.85

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 20 / 0 / 32 / 9

HEX #B9E79C

RGB 185 231 156

HSL 96.8, 0.61%, 0.76%

LAB 86.93, -28.07, 31.81

 

CMYK 11 / 0 / 32 / 9

HEX #CDE79C

RGB 205 231 156

HSL 80.8, 0.61%, 0.76%

LAB 88.22, -20.91, 33.76

 

CMYK 3 / 0 / 32 / 9

HEX #E1E79C

RGB 225 231 156

HSL 64.8, 0.61%, 0.76%

LAB 89.65, -13.48, 35.91

 

CMYK 0 / 6 / 32 / 9

HEX #E7D89C

RGB 231 216 156

HSL 48, 0.61%, 0.76%

LAB 86.26, -3.63, 31.5

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 32 / 0 / 28 / 9

HEX #9CE7A7

RGB 156 231 167

HSL 128.8, 0.61%, 0.76%

LAB 85.51, -35.91, 23.98

 

CMYK 32 / 0 / 19 / 9

HEX #9CE7BB

RGB 156 231 187

HSL 144.8, 0.61%, 0.76%

LAB 85.91, -32.29, 14.14

 

CMYK 32 / 0 / 10 / 9

HEX #9CE7CF

RGB 156 231 207

HSL 160.8, 0.61%, 0.76%

LAB 86.37, -28.28, 4.31

 

CMYK 32 / 0 / 1 / 9

HEX #9CE7E4

RGB 156 231 228

HSL 177.6, 0.61%, 0.76%

LAB 86.91, -23.69, -5.93

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 35 / 0 / 39 / 5

HEX #9DF192

RGB 157 241 146

HSL 113.05, 0.77%, 0.76%

LAB 88.04, -43.36, 38.01

 

CMYK 40 / 0 / 46 / 2

HEX #96FA88

RGB 150 250 136

HSL 112.63, 0.92%, 0.76%

LAB 90.15, -50.7, 45.52

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 22 / 0 / 25 / 13

HEX #ACDDA6

RGB 172 221 166

HSL 113.45, 0.45%, 0.76%

LAB 83.57, -26.21, 21.97

 

CMYK 15 / 0 / 17 / 17

HEX #B4D3B0

RGB 180 211 176

HSL 113.14, 0.28%, 0.76%

LAB 81.53, -16.87, 13.94

 

CMYK 6 / 0 / 7 / 21

HEX #BCC9BA

RGB 188 201 186

HSL 112, 0.12%, 0.76%

LAB 79.62, -7.21, 5.96

 

CMYK 1 / 3 / 0 / 23

HEX #C3BFC4

RGB 195 191 196

HSL 288, 0.04%, 0.76%

LAB 77.79, 2.32, -2.02

 

CMYK 11 / 0 / 32 / 9

HEX #CEE79C

RGB 206 231 156

HSL 80, 0.61%, 0.76%

LAB 88.29, -20.54, 33.86

 

CMYK 19 / 0 / 32 / 9

HEX #BAE79C

RGB 186 231 156

HSL 96, 0.61%, 0.76%

LAB 86.99, -27.72, 31.9

 

CMYK 28 / 0 / 32 / 9

HEX #A6E79C

RGB 166 231 156

HSL 112, 0.61%, 0.76%

LAB 85.84, -34.51, 30.15

 

CMYK 32 / 0 / 28 / 9

HEX #9CE7A6

RGB 156 231 166

HSL 128, 0.61%, 0.76%

LAB 85.49, -36.08, 24.47

 

CMYK 32 / 0 / 19 / 9

HEX #9CE7BA

RGB 156 231 186

HSL 144, 0.61%, 0.76%

LAB 85.89, -32.48, 14.63

 

CMYK 51 / 0 / 58 / 16

HEX #69D75A

RGB 105 215 90

HSL 112.8, 0.61%, 0.6%

LAB 77.49, -55.22, 51.23

 

CMYK 39 / 0 / 45 / 13

HEX #87DF7B

RGB 135 223 123

HSL 112.8, 0.61%, 0.68%

LAB 81.49, -45.65, 40.76

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBD

RGB 195 239 189

HSL 112.8, 0.61%, 0.84%

LAB 90.33, -23.37, 19.62

 

CMYK 9 / 0 / 10 / 3

HEX #E1F7DE

RGB 225 247 222

HSL 112.8, 0.61%, 0.92%

LAB 95.08, -11.67, 9.57

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 32 / 2 / 0 / 9

HEX #9CE2E7

RGB 156 226 231

HSL 184, 0.61%, 0.76%

LAB 85.62, -20.53, -9.42

 

CMYK 0 / 32 / 15 / 9

HEX #E79CC4

RGB 231 156 196

HSL 328, 0.61%, 0.76%

LAB 72.73, 33.72, -9.12

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 32 / 28 / 0 / 9

HEX #9CA6E7

RGB 156 166 231

HSL 232, 0.61%, 0.76%

LAB 69.55, 11.4, -33.83

 

CMYK 0 / 32 / 28 / 9

HEX #E79CA6

RGB 231 156 166

HSL 352, 0.61%, 0.76%

LAB 71.91, 29.32, 6.26

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 32 / 2 / 0 / 9

HEX #9CE2E7

RGB 156 226 231

HSL 184, 0.61%, 0.76%

LAB 85.62, -20.53, -9.42

 

CMYK 4 / 32 / 0 / 9

HEX #DD9CE7

RGB 221 156 231

HSL 292, 0.61%, 0.76%

LAB 72.84, 36.57, -28.28

 

CMYK 0 / 30 / 32 / 9

HEX #E7A19C

RGB 231 161 156

HSL 4, 0.61%, 0.76%

LAB 72.81, 25.34, 13.07

 

CMYK 29 / 0 / 32 / 9

HEX #A5E79C

RGB 165 231 156

HSL 112.8, 0.61%, 0.76%

LAB 85.78, -34.83, 30.07

 

CMYK 32 / 12 / 0 / 9

HEX #9CCBE7

RGB 156 203 231

HSL 202.4, 0.61%, 0.76%

LAB 79.36, -8.77, -18.81

 

CMYK 4 / 32 / 0 / 9

HEX #DD9CE7

RGB 221 156 231

HSL 292, 0.61%, 0.76%

LAB 72.84, 36.57, -28.28

 

CMYK 0 / 21 / 32 / 9

HEX #E7B79C

RGB 231 183 156

HSL 21.6, 0.61%, 0.76%

LAB 78.03, 13.61, 20.34

 

Description

Color code: HEX #A5E79C | qconv.com Color code: HEX #A5E79C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 231 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 231 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 32 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 32% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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