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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E080 it is the complementary color #5A1F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E080 shade: #AAE07B, #BBF28E, #CCFFA1, #DDFFB4 and #EEFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E080 shade: #A5E080, #94CE6D, #83BC5A, #72AA47 and #619834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E080 shade: #A4E07F, #BEE07F, #D8E07F, #E0CD7F and #E0B37F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E080 shade: #A4E07F, #8AE07F, #7FE08E, #7FE0A8 and #7FE0C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E080 shade matches the following richer shades: #A4E07F, #A1EC72 and #9FF966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E080 shade: #A4E07F, #A7D38C, #AAC699, #ADB9A6 and #B0ADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E080 shade: #D9E07F, #C0E07F, #A6E07F, #8CE07F and #7FE08C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E080 shade: #75D03D, #8DD85E, #A4E07F, #BCE8A0 and #D3F0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E080 shade: #A5E080, #7FE0CC and #E07FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E080 shade: #A5E080, #7FA6E0 and #E07FA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E080 shade: #A5E080, #7FE0CC, #B97FE0 and #E07F93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E080 shade: #A5E080, #7FD6E0, #B97FE0 and #E0897F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

Complementary color

CMYK 29 / 76 / 0 / 50

HEX #5A1F7F

RGB 90 31 127

HSL 276.88, 0.61%, 0.31%

LAB 25.82, 43.66, -42.59

 

CMYK 24 / 0 / 45 / 12

HEX #AAE07B

RGB 170 224 123

HSL 92.08, 0.62%, 0.68%

LAB 83.59, -34.43, 43.8

 

CMYK 23 / 0 / 41 / 5

HEX #BBF28E

RGB 187 242 142

HSL 93, 0.79%, 0.75%

LAB 89.87, -34.37, 42.65

 

CMYK 20 / 0 / 37 / 0

HEX #CCFFA1

RGB 204 255 161

HSL 92.55, 1%, 0.82%

LAB 94.71, -31.99, 39.77

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB4

RGB 221 255 180

HSL 87.2, 1%, 0.85%

LAB 96.07, -23.48, 32.33

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC7

RGB 238 255 199

HSL 78.21, 1%, 0.89%

LAB 97.56, -14.8, 24.96

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 28 / 0 / 47 / 19

HEX #94CE6D

RGB 148 206 109

HSL 95.88, 0.5%, 0.62%

LAB 77.01, -35.66, 42.18

 

CMYK 30 / 0 / 52 / 26

HEX #83BC5A

RGB 131 188 90

HSL 94.9, 0.42%, 0.55%

LAB 70.55, -35.71, 43.35

 

CMYK 33 / 0 / 58 / 33

HEX #72AA47

RGB 114 170 71

HSL 93.94, 0.41%, 0.47%

LAB 63.98, -35.68, 44.46

 

CMYK 36 / 0 / 66 / 40

HEX #619834

RGB 97 152 52

HSL 93, 0.49%, 0.4%

LAB 57.31, -35.53, 45.39

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 15 / 0 / 43 / 12

HEX #BEE07F

RGB 190 224 127

HSL 81.03, 0.61%, 0.69%

LAB 84.89, -26.66, 43.73

 

CMYK 4 / 0 / 43 / 12

HEX #D8E07F

RGB 216 224 127

HSL 64.95, 0.61%, 0.69%

LAB 86.72, -16.72, 46.41

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 0 / 20 / 43 / 12

HEX #E0B37F

RGB 224 179 127

HSL 32.16, 0.61%, 0.69%

LAB 75.84, 9.64, 32.71

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 38 / 0 / 43 / 12

HEX #8AE07F

RGB 138 224 127

HSL 113.2, 0.61%, 0.69%

LAB 81.97, -44.6, 39.43

 

CMYK 43 / 0 / 37 / 12

HEX #7FE08E

RGB 127 224 142

HSL 129.28, 0.61%, 0.69%

LAB 81.72, -45.59, 31.47

 

CMYK 43 / 0 / 25 / 12

HEX #7FE0A8

RGB 127 224 168

HSL 145.36, 0.61%, 0.69%

LAB 82.19, -40.96, 18.67

 

CMYK 43 / 0 / 13 / 12

HEX #7FE0C2

RGB 127 224 194

HSL 161.44, 0.61%, 0.69%

LAB 82.76, -35.59, 5.79

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 32 / 0 / 52 / 7

HEX #A1EC72

RGB 161 236 114

HSL 96.89, 0.76%, 0.69%

LAB 86.4, -43.94, 51.39

 

CMYK 36 / 0 / 59 / 2

HEX #9FF966

RGB 159 249 102

HSL 96.73, 0.92%, 0.69%

LAB 89.9, -51.29, 60.79

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 21 / 0 / 34 / 17

HEX #A7D38C

RGB 167 211 140

HSL 97.18, 0.45%, 0.69%

LAB 80.01, -27.15, 30.6

 

CMYK 14 / 0 / 23 / 22

HEX #AAC699

RGB 170 198 153

HSL 97.33, 0.28%, 0.69%

LAB 76.82, -17.68, 19.49

 

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HEX #ADB9A6

CMYK 1 / 3 / 0 / 30

HEX #B0ADB2

RGB 176 173 178

HSL 276, 0.03%, 0.69%

LAB 71.1, 2.01, -2.19

HEX #B0ADB2

CMYK 3 / 0 / 43 / 12

HEX #D9E07F

RGB 217 224 127

HSL 64.33, 0.61%, 0.69%

LAB 86.8, -16.33, 46.52

 

CMYK 14 / 0 / 43 / 12

HEX #C0E07F

RGB 192 224 127

HSL 79.79, 0.61%, 0.69%

LAB 85.02, -25.91, 43.93

 

CMYK 26 / 0 / 43 / 12

HEX #A6E07F

RGB 166 224 127

HSL 95.88, 0.61%, 0.69%

LAB 83.42, -35.35, 41.56

 

CMYK 38 / 0 / 43 / 12

HEX #8CE07F

RGB 140 224 127

HSL 111.96, 0.61%, 0.69%

LAB 82.07, -43.98, 39.57

 

CMYK 43 / 0 / 38 / 12

HEX #7FE08C

RGB 127 224 140

HSL 128.04, 0.61%, 0.69%

LAB 81.68, -45.92, 32.44

 

CMYK 44 / 0 / 71 / 18

HEX #75D03D

RGB 117 208 61

HSL 97.14, 0.61%, 0.53%

LAB 75.59, -51.62, 61.25

 

CMYK 35 / 0 / 56 / 15

HEX #8DD85E

RGB 141 216 94

HSL 96.89, 0.61%, 0.61%

LAB 79.38, -44.18, 52.02

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 19 / 0 / 31 / 9

HEX #BCE8A0

RGB 188 232 160

HSL 96.67, 0.61%, 0.77%

LAB 87.46, -26.92, 30.51

 

CMYK 12 / 0 / 19 / 6

HEX #D3F0C2

RGB 211 240 194

HSL 97.83, 0.61%, 0.85%

LAB 91.71, -17.61, 19.13

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CC

RGB 127 224 204

HSL 167.63, 0.61%, 0.69%

LAB 83.01, -33.33, 0.86

 

CMYK 0 / 43 / 9 / 12

HEX #E07FCC

RGB 224 127 204

HSL 312.37, 0.61%, 0.69%

LAB 66.05, 47.89, -23.74

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 43 / 26 / 0 / 12

HEX #7FA6E0

RGB 127 166 224

HSL 215.88, 0.61%, 0.69%

LAB 67.4, 1.75, -33.46

 

CMYK 0 / 43 / 26 / 12

HEX #E07FA6

RGB 224 127 166

HSL 335.88, 0.61%, 0.69%

LAB 64.79, 42.09, -4.21

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CC

RGB 127 224 204

HSL 167.63, 0.61%, 0.69%

LAB 83.01, -33.33, 0.86

 

CMYK 17 / 43 / 0 / 12

HEX #B97FE0

RGB 185 127 224

HSL 275.88, 0.61%, 0.69%

LAB 62.4, 40.01, -40.92

 

CMYK 0 / 43 / 34 / 12

HEX #E07F93

RGB 224 127 147

HSL 347.63, 0.61%, 0.69%

LAB 64.27, 39.62, 5.84

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 43 / 4 / 0 / 12

HEX #7FD6E0

RGB 127 214 224

HSL 186.19, 0.61%, 0.69%

LAB 80.73, -23.66, -13.15

 

CMYK 17 / 43 / 0 / 12

HEX #B97FE0

RGB 185 127 224

HSL 275.88, 0.61%, 0.69%

LAB 62.4, 40.01, -40.92

 

CMYK 0 / 39 / 43 / 12

HEX #E0897F

RGB 224 137 127

HSL 6.19, 0.61%, 0.69%

LAB 65.96, 32.1, 19.51

 

Description

Color code: HEX #A5E080 | qconv.com Color code: HEX #A5E080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 224 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 224 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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