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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5E27D it is the complementary color #5A1D82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5E27D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5E27D shade: #AAE278, #BBF48B, #CCFF9E, #DDFFB1 and #EEFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5E27D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5E27D shade: #A5E27D, #94D06A, #83BE57, #72AC44 and #619A31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5E27D shade: #A5E27D, #C0E27D, #DBE27D, #E2CD7D and #E2B27D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5E27D shade: #A5E27D, #8AE27D, #7DE28B, #7DE2A7 and #7DE2C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5E27D shade matches the following richer shades: #A5E27D, #A2EF70 and #A0FC63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5E27D shade: #A5E27D, #A8D58A, #AAC896, #ADBCA3 and #B0AFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5E27D shade: #DBE27D, #C0E27D, #A5E27D, #8AE27D and #7DE28A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5E27D shade: #76D339, #8EDB5B, #A5E27D, #BCE99F and #D4F1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5E27D shade: #A5E27D, #7DE2CE and #E27DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5E27D shade: #A5E27D, #7DA5E2 and #E27DA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5E27D shade: #A5E27D, #7DE2CE, #BA7DE2 and #E27D91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5E27D shade: #A5E27D, #7DD8E2, #BA7DE2 and #E2877D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

Complementary color

CMYK 31 / 78 / 0 / 49

HEX #5A1D82

RGB 90 29 130

HSL 276.24, 0.64%, 0.31%

LAB 25.76, 45.23, -44.58

 

CMYK 25 / 0 / 47 / 11

HEX #AAE278

RGB 170 226 120

HSL 91.7, 0.65%, 0.68%

LAB 84.12, -35.7, 45.9

 

CMYK 23 / 0 / 43 / 4

HEX #BBF48B

RGB 187 244 139

HSL 92.57, 0.83%, 0.75%

LAB 90.38, -35.65, 44.76

 

CMYK 20 / 0 / 38 / 0

HEX #CCFF9E

RGB 204 255 158

HSL 91.55, 1%, 0.81%

LAB 94.66, -32.38, 41.18

 

CMYK 13 / 0 / 31 / 0

HEX #DDFFB1

RGB 221 255 177

HSL 86.15, 1%, 0.85%

LAB 96.02, -23.9, 33.76

 

CMYK 7 / 0 / 23 / 0

HEX #EEFFC4

RGB 238 255 196

HSL 77.29, 1%, 0.88%

LAB 97.5, -15.23, 26.4

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 29 / 0 / 49 / 18

HEX #94D06A

RGB 148 208 106

HSL 95.29, 0.52%, 0.62%

LAB 77.55, -36.93, 44.31

 

CMYK 31 / 0 / 54 / 25

HEX #83BE57

RGB 131 190 87

HSL 94.37, 0.44%, 0.54%

LAB 71.1, -36.95, 45.45

 

CMYK 34 / 0 / 60 / 33

HEX #72AC44

RGB 114 172 68

HSL 93.46, 0.43%, 0.47%

LAB 64.56, -36.88, 46.5

 

CMYK 37 / 0 / 68 / 40

HEX #619A31

RGB 97 154 49

HSL 92.57, 0.52%, 0.4%

LAB 57.92, -36.68, 47.32

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 15 / 0 / 45 / 11

HEX #C0E27D

RGB 192 226 125

HSL 80.2, 0.64%, 0.69%

LAB 85.54, -27.09, 45.55

 

CMYK 3 / 0 / 45 / 11

HEX #DBE27D

RGB 219 226 125

HSL 64.16, 0.64%, 0.69%

LAB 87.45, -16.73, 48.33

 

CMYK 0 / 9 / 45 / 11

HEX #E2CD7D

RGB 226 205 125

HSL 47.52, 0.64%, 0.69%

LAB 82.55, -3.38, 42.37

 

CMYK 0 / 21 / 45 / 11

HEX #E2B27D

RGB 226 178 125

HSL 31.49, 0.64%, 0.69%

LAB 75.76, 10.77, 33.7

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 39 / 0 / 45 / 11

HEX #8AE27D

RGB 138 226 125

HSL 112.28, 0.64%, 0.69%

LAB 82.53, -45.73, 41.12

 

CMYK 45 / 0 / 38 / 11

HEX #7DE28B

RGB 125 226 139

HSL 128.32, 0.64%, 0.69%

LAB 82.17, -47.48, 33.57

 

CMYK 45 / 0 / 26 / 11

HEX #7DE2A7

RGB 125 226 167

HSL 144.95, 0.64%, 0.69%

LAB 82.67, -42.57, 19.84

 

CMYK 45 / 0 / 14 / 11

HEX #7DE2C2

RGB 125 226 194

HSL 160.99, 0.64%, 0.69%

LAB 83.26, -37.01, 6.49

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 32 / 0 / 53 / 6

HEX #A2EF70

RGB 162 239 112

HSL 96.38, 0.8%, 0.69%

LAB 87.28, -45.11, 53.38

 

CMYK 37 / 0 / 61 / 1

HEX #A0FC63

RGB 160 252 99

HSL 96.08, 0.96%, 0.69%

LAB 90.78, -52.47, 63.05

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 21 / 0 / 35 / 16

HEX #A8D58A

RGB 168 213 138

HSL 96, 0.47%, 0.69%

LAB 80.6, -28.04, 32.42

 

CMYK 15 / 0 / 25 / 22

HEX #AAC896

RGB 170 200 150

HSL 96, 0.31%, 0.69%

LAB 77.31, -19.17, 21.76

 

CMYK 8 / 0 / 13 / 26

HEX #ADBCA3

RGB 173 188 163

HSL 96, 0.16%, 0.69%

LAB 74.51, -9.79, 10.9

 

CMYK 0 / 1 / 0 / 31

HEX #B0AFB0

RGB 176 175 176

HSL 300, 0.01%, 0.69%

LAB 71.57, 0.54, -0.39

 

CMYK 3 / 0 / 45 / 11

HEX #DBE27D

RGB 219 226 125

HSL 64.16, 0.64%, 0.69%

LAB 87.45, -16.73, 48.33

 

CMYK 15 / 0 / 45 / 11

HEX #C0E27D

RGB 192 226 125

HSL 80.2, 0.64%, 0.69%

LAB 85.54, -27.09, 45.55

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 39 / 0 / 45 / 11

HEX #8AE27D

RGB 138 226 125

HSL 112.28, 0.64%, 0.69%

LAB 82.53, -45.73, 41.12

 

CMYK 45 / 0 / 39 / 11

HEX #7DE28A

RGB 125 226 138

HSL 127.72, 0.64%, 0.69%

LAB 82.16, -47.64, 34.06

 

CMYK 44 / 0 / 73 / 17

HEX #76D339

RGB 118 211 57

HSL 96.23, 0.64%, 0.53%

LAB 76.52, -52.76, 63.62

 

CMYK 35 / 0 / 58 / 14

HEX #8EDB5B

RGB 142 219 91

HSL 96.09, 0.64%, 0.61%

LAB 80.27, -45.43, 54.41

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 19 / 0 / 32 / 9

HEX #BCE99F

RGB 188 233 159

HSL 96.49, 0.63%, 0.77%

LAB 87.71, -27.54, 31.36

 

CMYK 12 / 0 / 20 / 5

HEX #D4F1C1

RGB 212 241 193

HSL 96.25, 0.63%, 0.85%

LAB 92.02, -17.92, 20.08

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 45 / 0 / 9 / 11

HEX #7DE2CE

RGB 125 226 206

HSL 168.12, 0.64%, 0.69%

LAB 83.55, -34.29, 0.58

 

CMYK 0 / 45 / 9 / 11

HEX #E27DCE

RGB 226 125 206

HSL 311.88, 0.64%, 0.69%

LAB 65.98, 49.85, -24.95

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 0 / 45 / 27 / 11

HEX #E27DA5

RGB 226 125 165

HSL 336.24, 0.64%, 0.69%

LAB 64.61, 43.67, -3.88

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 45 / 0 / 9 / 11

HEX #7DE2CE

RGB 125 226 206

HSL 168.12, 0.64%, 0.69%

LAB 83.55, -34.29, 0.58

 

CMYK 18 / 45 / 0 / 11

HEX #BA7DE2

RGB 186 125 226

HSL 276.24, 0.64%, 0.69%

LAB 62.17, 41.82, -42.39

 

CMYK 0 / 45 / 36 / 11

HEX #E27D91

RGB 226 125 145

HSL 348.12, 0.64%, 0.69%

LAB 64.06, 41.12, 6.72

 

CMYK 27 / 0 / 45 / 11

HEX #A5E27D

RGB 165 226 125

HSL 96.24, 0.64%, 0.69%

LAB 83.9, -36.86, 43.14

 

CMYK 45 / 4 / 0 / 11

HEX #7DD8E2

RGB 125 216 226

HSL 185.94, 0.64%, 0.69%

LAB 81.27, -24.61, -13.41

 

CMYK 18 / 45 / 0 / 11

HEX #BA7DE2

RGB 186 125 226

HSL 276.24, 0.64%, 0.69%

LAB 62.17, 41.82, -42.39

 

CMYK 0 / 40 / 45 / 11

HEX #E2877D

RGB 226 135 125

HSL 5.94, 0.64%, 0.69%

LAB 65.73, 33.71, 20.36

 

Description

Color code: HEX #A5E27D | qconv.com Color code: HEX #A5E27D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 226 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 226 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 45 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 45% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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