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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5EDBB it is the complementary color #5A1244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5EDBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5EDBB shade: #AAEDB6, #BBFFC9, #CCFFDC, #DDFFEF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5EDBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5EDBB shade: #A5EDBB, #94DBA8, #83C995, #72B782 and #61A56F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5EDBB shade: #A5EDBB, #A5EDA8, #B6EDA5, #C9EDA5 and #DDEDA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5EDBB shade: #A5EDBB, #A5EDCE, #A5EDE2, #A5E5ED and #A5D1ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5EDBB shade matches the following richer shades: #A5EDBB, #9CF5B8 and #94FEB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5EDBB shade: #A5EDBB, #AEE4BE, #B6DBC2, #BFD3C5 and #C8CAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5EDBB shade: #B6EDA5, #A5EDA7, #A5EDBB, #A5EDCE and #A5EDE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5EDBB shade: #60DF87, #83E6A1, #A5EDBB, #C8F4D5 and #EAFAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5EDBB shade: #A5EDBB, #A5C9ED and #EDA5AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5EDBB shade: #A5EDBB, #BBA5ED and #EDBBA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5EDBB shade: #A5EDBB, #A5C9ED, #EDA5D7 and #EDC9A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5EDBB shade: #A5EDBB, #A5B3ED, #EDA5D7 and #EDDEA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

Complementary color

CMYK 0 / 80 / 24 / 65

HEX #5A1244

RGB 90 18 68

HSL 318.33, 0.67%, 0.21%

LAB 20.14, 37.35, -12.79

 

CMYK 28 / 0 / 23 / 7

HEX #AAEDB6

RGB 170 237 182

HSL 130.75, 0.65%, 0.8%

LAB 88.2, -31.73, 20.06

 

CMYK 27 / 0 / 21 / 0

HEX #BBFFC9

RGB 187 255 201

HSL 132.35, 1%, 0.87%

LAB 94.44, -31.5, 19.13

 

CMYK 20 / 0 / 14 / 0

HEX #CCFFDC

RGB 204 255 220

HSL 138.82, 1%, 0.9%

LAB 95.8, -22.79, 11.45

 

CMYK 13 / 0 / 6 / 0

HEX #DDFFEF

RGB 221 255 239

HSL 151.76, 1%, 0.93%

LAB 97.28, -13.91, 3.96

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 32 / 0 / 23 / 14

HEX #94DBA8

RGB 148 219 168

HSL 136.9, 0.5%, 0.72%

LAB 81.72, -32.64, 18.16

 

CMYK 35 / 0 / 26 / 21

HEX #83C995

RGB 131 201 149

HSL 135.43, 0.39%, 0.65%

LAB 75.31, -32.91, 19.17

 

CMYK 38 / 0 / 29 / 28

HEX #72B782

RGB 114 183 130

HSL 133.91, 0.32%, 0.58%

LAB 68.79, -33.18, 20.25

 

CMYK 41 / 0 / 33 / 35

HEX #61A56F

RGB 97 165 111

HSL 132.35, 0.27%, 0.51%

LAB 62.17, -33.45, 21.42

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 0 / 29 / 7

HEX #A5EDA8

RGB 165 237 168

HSL 122.5, 0.67%, 0.79%

LAB 87.68, -35.68, 26.5

 

CMYK 23 / 0 / 30 / 7

HEX #B6EDA5

RGB 182 237 165

HSL 105.83, 0.67%, 0.79%

LAB 88.56, -30.6, 29.38

 

CMYK 15 / 0 / 30 / 7

HEX #C9EDA5

RGB 201 237 165

HSL 90, 0.67%, 0.79%

LAB 89.72, -24.02, 31.14

 

CMYK 7 / 0 / 30 / 7

HEX #DDEDA5

RGB 221 237 165

HSL 73.33, 0.67%, 0.79%

LAB 91.08, -16.79, 33.2

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 0 / 13 / 7

HEX #A5EDCE

RGB 165 237 206

HSL 154.17, 0.67%, 0.79%

LAB 88.46, -28.75, 7.91

 

CMYK 30 / 0 / 5 / 7

HEX #A5EDE2

RGB 165 237 226

HSL 170.83, 0.67%, 0.79%

LAB 88.95, -24.58, -1.83

 

CMYK 30 / 3 / 0 / 7

HEX #A5E5ED

RGB 165 229 237

HSL 186.67, 0.67%, 0.79%

LAB 87.07, -18.18, -10.38

 

CMYK 30 / 12 / 0 / 7

HEX #A5D1ED

RGB 165 209 237

HSL 203.33, 0.67%, 0.79%

LAB 81.68, -7.95, -18.46

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 36 / 0 / 25 / 4

HEX #9CF5B8

RGB 156 245 184

HSL 138.88, 0.82%, 0.79%

LAB 89.78, -39.26, 21.11

 

CMYK 42 / 0 / 29 / 0

HEX #94FEB4

RGB 148 254 180

HSL 138.11, 0.98%, 0.79%

LAB 91.9, -46.18, 26.01

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 24 / 0 / 17 / 11

HEX #AEE4BE

RGB 174 228 190

HSL 137.78, 0.5%, 0.79%

LAB 86.11, -24.75, 12.99

 

CMYK 17 / 0 / 11 / 14

HEX #B6DBC2

RGB 182 219 194

HSL 139.46, 0.34%, 0.79%

LAB 84.23, -16.98, 8.27

 

CMYK 9 / 0 / 7 / 17

HEX #BFD3C5

RGB 191 211 197

HSL 138, 0.19%, 0.79%

LAB 82.75, -9.36, 4.63

 

CMYK 1 / 0 / 1 / 21

HEX #C8CAC8

RGB 200 202 200

HSL 120, 0.02%, 0.79%

LAB 81.12, -1.05, 0.75

 

CMYK 23 / 0 / 30 / 7

HEX #B6EDA5

RGB 182 237 165

HSL 105.83, 0.67%, 0.79%

LAB 88.56, -30.6, 29.38

 

CMYK 30 / 0 / 30 / 7

HEX #A5EDA7

RGB 165 237 167

HSL 121.67, 0.67%, 0.79%

LAB 87.66, -35.84, 26.98

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 0 / 13 / 7

HEX #A5EDCE

RGB 165 237 206

HSL 154.17, 0.67%, 0.79%

LAB 88.46, -28.75, 7.91

 

CMYK 30 / 0 / 5 / 7

HEX #A5EDE1

RGB 165 237 225

HSL 170, 0.67%, 0.79%

LAB 88.92, -24.8, -1.34

 

CMYK 57 / 0 / 39 / 13

HEX #60DF87

RGB 96 223 135

HSL 138.43, 0.66%, 0.63%

LAB 80.19, -54.23, 32.8

 

CMYK 43 / 0 / 30 / 10

HEX #83E6A1

RGB 131 230 161

HSL 138.18, 0.66%, 0.71%

LAB 83.96, -43.82, 24.77

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 18 / 0 / 13 / 4

HEX #C8F4D5

RGB 200 244 213

HSL 137.73, 0.67%, 0.87%

LAB 92.48, -20, 10.29

 

CMYK 6 / 0 / 4 / 2

HEX #EAFAEF

RGB 234 250 239

HSL 138.75, 0.62%, 0.95%

LAB 96.86, -7.21, 3.46

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 15 / 0 / 7

HEX #A5C9ED

RGB 165 201 237

HSL 210, 0.67%, 0.79%

LAB 79.55, -3.73, -21.69

 

CMYK 0 / 30 / 27 / 7

HEX #EDA5AC

RGB 237 165 172

HSL 354.17, 0.67%, 0.79%

LAB 74.76, 27.54, 7.14

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 21 / 30 / 0 / 7

HEX #BBA5ED

RGB 187 165 237

HSL 258.33, 0.67%, 0.79%

LAB 71.95, 22.45, -33.19

 

CMYK 0 / 21 / 30 / 7

HEX #EDBBA5

RGB 237 187 165

HSL 18.33, 0.67%, 0.79%

LAB 79.76, 14.92, 18.01

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 15 / 0 / 7

HEX #A5C9ED

RGB 165 201 237

HSL 210, 0.67%, 0.79%

LAB 79.55, -3.73, -21.69

 

CMYK 0 / 30 / 9 / 7

HEX #EDA5D7

RGB 237 165 215

HSL 318.33, 0.67%, 0.79%

LAB 75.96, 34.08, -14.65

 

CMYK 0 / 15 / 30 / 7

HEX #EDC9A5

RGB 237 201 165

HSL 30, 0.67%, 0.79%

LAB 83.18, 7.55, 22.73

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBB

RGB 165 237 187

HSL 138.33, 0.67%, 0.79%

LAB 88.04, -32.39, 17.21

 

CMYK 30 / 24 / 0 / 7

HEX #A5B3ED

RGB 165 179 237

HSL 228.33, 0.67%, 0.79%

LAB 73.77, 8.21, -30.52

 

CMYK 0 / 30 / 9 / 7

HEX #EDA5D7

RGB 237 165 215

HSL 318.33, 0.67%, 0.79%

LAB 75.96, 34.08, -14.65

 

CMYK 0 / 6 / 30 / 7

HEX #EDDEA5

RGB 237 222 165

HSL 47.5, 0.67%, 0.79%

LAB 88.43, -3.3, 29.87

 

Description

Color code: HEX #A5EDBB | qconv.com Color code: HEX #A5EDBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 237 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 237 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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