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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5EF61 it is the complementary color #5A109E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5EF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5EF61 shade: #AAEF5C, #BBFF6F, #CCFF82, #DDFF95 and #EEFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5EF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5EF61 shade: #A5EF61, #94DD4E, #83CB3B, #72B928 and #61A715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5EF61 shade: #A5EF61, #CBEF61, #EFEC61, #EFC661 and #EFA061

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5EF61 shade: #A5EF61, #7EEF61, #61EF69, #61EF90 and #61EFB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5EF61 shade matches the following richer shades: #A5EF61 and #A4FD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5EF61 shade: #A5EF61, #A5E16F, #A6D37D, #A7C58B and #A7B799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5EF61 shade: #EFED61, #CBEF61, #A5EF61, #80EF61 and #61EF68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5EF61 shade: #7AE716, #8FEB3B, #A5EF61, #BAF386 and #CFF6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5EF61 shade: #A5EF61, #61EFC7 and #EF61DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5EF61 shade: #A5EF61, #61A5EF and #EF61A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5EF61 shade: #A5EF61, #61EFC7, #AA61EF and #EF6189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5EF61 shade: #A5EF61, #61EDEF, #AA61EF and #EF6361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

Complementary color

CMYK 43 / 90 / 0 / 38

HEX #5A109E

RGB 90 16 158

HSL 271.27, 0.82%, 0.34%

LAB 26.77, 56.11, -60.27

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5C

RGB 170 239 92

HSL 88.16, 0.82%, 0.65%

LAB 87.51, -44.22, 62.48

 

CMYK 27 / 0 / 56 / 0

HEX #BBFF6F

RGB 187 255 111

HSL 88.33, 1%, 0.72%

LAB 93.12, -43.51, 60.97

 

CMYK 20 / 0 / 49 / 0

HEX #CCFF82

RGB 204 255 130

HSL 84.48, 1%, 0.75%

LAB 94.3, -35.61, 54.08

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF95

RGB 221 255 149

HSL 79.25, 1%, 0.79%

LAB 95.61, -27.38, 46.97

 

CMYK 7 / 0 / 34 / 0

HEX #EEFFA8

RGB 238 255 168

HSL 71.72, 1%, 0.83%

LAB 97.03, -18.92, 39.78

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 33 / 0 / 65 / 13

HEX #94DD4E

RGB 148 221 78

HSL 90.63, 0.68%, 0.59%

LAB 81.05, -45.36, 60.84

 

CMYK 35 / 0 / 71 / 20

HEX #83CB3B

RGB 131 203 59

HSL 90, 0.58%, 0.51%

LAB 74.73, -45.05, 61.31

 

CMYK 38 / 0 / 78 / 27

HEX #72B928

RGB 114 185 40

HSL 89.38, 0.64%, 0.44%

LAB 68.34, -44.56, 61.21

 

CMYK 42 / 0 / 87 / 35

HEX #61A715

RGB 97 167 21

HSL 88.77, 0.78%, 0.37%

LAB 61.85, -43.82, 60.08

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 15 / 0 / 59 / 6

HEX #CBEF61

RGB 203 239 97

HSL 75.21, 0.82%, 0.66%

LAB 89.53, -31.62, 63.18

 

CMYK 0 / 1 / 59 / 6

HEX #EFEC61

RGB 239 236 97

HSL 58.73, 0.82%, 0.66%

LAB 91.33, -15.97, 65.89

 

CMYK 0 / 17 / 59 / 6

HEX #EFC661

RGB 239 198 97

HSL 42.68, 0.82%, 0.66%

LAB 81.62, 3.19, 55.08

 

CMYK 0 / 33 / 59 / 6

HEX #EFA061

RGB 239 160 97

HSL 26.62, 0.82%, 0.66%

LAB 72.47, 23.18, 44.37

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 47 / 0 / 59 / 6

HEX #7EEF61

RGB 126 239 97

HSL 107.75, 0.82%, 0.66%

LAB 85.52, -57.87, 57.58

 

CMYK 59 / 0 / 56 / 6

HEX #61EF69

RGB 97 239 105

HSL 123.38, 0.82%, 0.66%

LAB 84.64, -64.32, 52.79

 

CMYK 59 / 0 / 40 / 6

HEX #61EF90

RGB 97 239 144

HSL 139.86, 0.82%, 0.66%

LAB 85.14, -58.69, 34.78

 

CMYK 59 / 0 / 24 / 6

HEX #61EFB6

RGB 97 239 182

HSL 155.92, 0.82%, 0.66%

LAB 85.83, -51.44, 16.31

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 35 / 0 / 67 / 1

HEX #A4FD53

RGB 164 253 83

HSL 91.41, 0.98%, 0.66%

LAB 91.13, -52.83, 69.8

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 27 / 0 / 51 / 12

HEX #A5E16F

RGB 165 225 111

HSL 91.58, 0.66%, 0.66%

LAB 83.44, -38.03, 49.29

 

CMYK 21 / 0 / 41 / 17

HEX #A6D37D

RGB 166 211 125

HSL 91.4, 0.49%, 0.66%

LAB 79.71, -29.55, 37.85

 

CMYK 15 / 0 / 29 / 23

HEX #A7C58B

RGB 167 197 139

HSL 91.03, 0.33%, 0.66%

LAB 76.08, -20.44, 25.86

 

CMYK 9 / 0 / 16 / 28

HEX #A7B799

RGB 167 183 153

HSL 92, 0.17%, 0.66%

LAB 72.48, -11.06, 13.41

 

CMYK 0 / 1 / 59 / 6

HEX #EFED61

RGB 239 237 97

HSL 59.15, 0.82%, 0.66%

LAB 91.59, -16.46, 66.17

 

CMYK 15 / 0 / 59 / 6

HEX #CBEF61

RGB 203 239 97

HSL 75.21, 0.82%, 0.66%

LAB 89.53, -31.62, 63.18

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 46 / 0 / 59 / 6

HEX #80EF61

RGB 128 239 97

HSL 106.9, 0.82%, 0.66%

LAB 85.6, -57.3, 57.69

 

CMYK 59 / 0 / 56 / 6

HEX #61EF68

RGB 97 239 104

HSL 122.96, 0.82%, 0.66%

LAB 84.62, -64.43, 53.22

 

CMYK 47 / 0 / 90 / 9

HEX #7AE716

RGB 122 231 22

HSL 91.29, 0.83%, 0.5%

LAB 82.57, -60.6, 77.75

 

CMYK 39 / 0 / 75 / 8

HEX #8FEB3B

RGB 143 235 59

HSL 91.36, 0.81%, 0.58%

LAB 84.78, -54.08, 71.41

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 23 / 0 / 45 / 5

HEX #BAF386

RGB 186 243 134

HSL 91.38, 0.82%, 0.74%

LAB 89.98, -36.15, 46.65

 

CMYK 16 / 0 / 30 / 4

HEX #CFF6AC

RGB 207 246 172

HSL 91.62, 0.8%, 0.82%

LAB 92.64, -25.23, 31.59

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 59 / 0 / 17 / 6

HEX #61EFC7

RGB 97 239 199

HSL 163.1, 0.82%, 0.66%

LAB 86.21, -47.68, 7.98

 

CMYK 0 / 59 / 7 / 6

HEX #EF61DE

RGB 239 97 222

HSL 307.18, 0.82%, 0.66%

LAB 63.49, 69.07, -37.62

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 59 / 31 / 0 / 6

HEX #61A5EF

RGB 97 165 239

HSL 211.27, 0.82%, 0.66%

LAB 66.28, 0.17, -43.56

 

CMYK 0 / 59 / 31 / 6

HEX #EF61A5

RGB 239 97 165

HSL 331.27, 0.82%, 0.66%

LAB 61.32, 61.16, -8.55

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 59 / 0 / 17 / 6

HEX #61EFC7

RGB 97 239 199

HSL 163.1, 0.82%, 0.66%

LAB 86.21, -47.68, 7.98

 

CMYK 29 / 59 / 0 / 6

HEX #AA61EF

RGB 170 97 239

HSL 270.85, 0.82%, 0.66%

LAB 55.41, 55.41, -60.49

 

CMYK 0 / 59 / 43 / 6

HEX #EF6189

RGB 239 97 137

HSL 343.1, 0.82%, 0.66%

LAB 60.52, 58.09, 6.49

 

CMYK 31 / 0 / 59 / 6

HEX #A5EF61

RGB 165 239 97

HSL 91.27, 0.82%, 0.66%

LAB 87.29, -45.54, 60.06

 

CMYK 59 / 1 / 0 / 6

HEX #61EDEF

RGB 97 237 239

HSL 180.85, 0.82%, 0.66%

LAB 86.67, -36.8, -12.31

 

CMYK 29 / 59 / 0 / 6

HEX #AA61EF

RGB 170 97 239

HSL 270.85, 0.82%, 0.66%

LAB 55.41, 55.41, -60.49

 

CMYK 0 / 59 / 59 / 6

HEX #EF6361

RGB 239 99 97

HSL 0.85, 0.82%, 0.66%

LAB 60.01, 53.85, 28.89

 

Description

Color code: HEX #A5EF61 | qconv.com Color code: HEX #A5EF61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 239 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 239 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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