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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5F457 it is the complementary color #5A0BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5F457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5F457 shade: #AAF452, #BBFF65, #CCFF78, #DDFF8B and #EEFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5F457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5F457 shade: #A5F457, #94E244, #83D031, #72BE1E and #61AC0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5F457 shade: #A5F457, #CFF457, #F4EE57, #F4C457 and #F49957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5F457 shade: #A5F457, #7AF457, #57F45D, #57F488 and #57F4B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5F457 shade matches the following richer shades: #A5F457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5F457 shade: #A5F457, #A5E565, #A5D774, #A5C882 and #A5BA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5F457 shade: #F4EF57, #CFF457, #A5F457, #7BF457 and #57F45C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5F457 shade: #7BEA0E, #90F130, #A5F457, #B9F67D and #CEF9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5F457 shade: #A5F457, #57F4C5 and #F457E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5F457 shade: #A5F457, #57A5F4 and #F457A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5F457 shade: #A5F457, #57F4C5, #A557F4 and #F45786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5F457 shade: #A5F457, #57F4F4, #A557F4 and #F45757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

Complementary color

CMYK 46 / 93 / 0 / 34

HEX #5A0BA8

RGB 90 11 168

HSL 270.19, 0.88%, 0.35%

LAB 27.41, 59.5, -65.29

 

CMYK 30 / 0 / 66 / 4

HEX #AAF452

RGB 170 244 82

HSL 87.41, 0.88%, 0.64%

LAB 88.85, -47.12, 67.9

 

CMYK 27 / 0 / 60 / 0

HEX #BBFF65

RGB 187 255 101

HSL 86.49, 1%, 0.7%

LAB 93.03, -44.37, 65.1

 

CMYK 20 / 0 / 53 / 0

HEX #CCFF78

RGB 204 255 120

HSL 82.67, 1%, 0.74%

LAB 94.19, -36.59, 58.5

 

CMYK 13 / 0 / 45 / 0

HEX #DDFF8B

RGB 221 255 139

HSL 77.59, 1%, 0.77%

LAB 95.48, -28.46, 51.57

 

CMYK 7 / 0 / 38 / 0

HEX #EEFF9E

RGB 238 255 158

HSL 70.52, 1%, 0.81%

LAB 96.89, -20.09, 44.49

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 35 / 0 / 70 / 11

HEX #94E244

RGB 148 226 68

HSL 89.62, 0.73%, 0.58%

LAB 82.44, -48.19, 66.12

 

CMYK 37 / 0 / 76 / 18

HEX #83D031

RGB 131 208 49

HSL 89.06, 0.63%, 0.5%

LAB 76.17, -47.74, 66.11

 

CMYK 40 / 0 / 84 / 25

HEX #72BE1E

RGB 114 190 30

HSL 88.5, 0.73%, 0.43%

LAB 69.82, -47.08, 65.28

 

CMYK 44 / 0 / 94 / 33

HEX #61AC0B

RGB 97 172 11

HSL 87.95, 0.88%, 0.36%

LAB 63.4, -46.13, 63.12

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 15 / 0 / 64 / 4

HEX #CFF457

RGB 207 244 87

HSL 74.14, 0.88%, 0.65%

LAB 91.08, -33.09, 68.98

 

CMYK 0 / 2 / 64 / 4

HEX #F4EE57

RGB 244 238 87

HSL 57.71, 0.88%, 0.65%

LAB 92.16, -15.54, 70.94

 

CMYK 0 / 20 / 64 / 4

HEX #F4C457

RGB 244 196 87

HSL 41.66, 0.88%, 0.65%

LAB 81.51, 5.65, 59.62

 

CMYK 0 / 37 / 64 / 4

HEX #F49957

RGB 244 153 87

HSL 25.22, 0.88%, 0.65%

LAB 71.35, 28.23, 48.24

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 50 / 0 / 64 / 4

HEX #7AF457

RGB 122 244 87

HSL 106.62, 0.88%, 0.65%

LAB 86.76, -61.82, 63.08

 

CMYK 64 / 0 / 62 / 4

HEX #57F45D

RGB 87 244 93

HSL 122.29, 0.88%, 0.65%

LAB 85.76, -69.47, 59.23

 

CMYK 64 / 0 / 44 / 4

HEX #57F488

RGB 87 244 136

HSL 138.73, 0.88%, 0.65%

LAB 86.26, -63.82, 40.13

 

CMYK 64 / 0 / 27 / 4

HEX #57F4B2

RGB 87 244 178

HSL 154.78, 0.88%, 0.65%

LAB 86.97, -56.11, 19.92

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 28 / 0 / 56 / 10

HEX #A5E565

RGB 165 229 101

HSL 90, 0.71%, 0.65%

LAB 84.47, -40.83, 55.1

 

CMYK 23 / 0 / 46 / 16

HEX #A5D774

RGB 165 215 116

HSL 90.3, 0.55%, 0.65%

LAB 80.66, -32.9, 43.5

 

CMYK 18 / 0 / 35 / 22

HEX #A5C882

RGB 165 200 130

HSL 90, 0.39%, 0.65%

LAB 76.63, -23.95, 31.28

 

CMYK 11 / 0 / 23 / 27

HEX #A5BA90

RGB 165 186 144

HSL 90, 0.23%, 0.65%

LAB 72.98, -14.83, 18.95

 

CMYK 0 / 2 / 64 / 4

HEX #F4EF57

RGB 244 239 87

HSL 58.09, 0.88%, 0.65%

LAB 92.42, -16.03, 71.21

 

CMYK 15 / 0 / 64 / 4

HEX #CFF457

RGB 207 244 87

HSL 74.14, 0.88%, 0.65%

LAB 91.08, -33.09, 68.98

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 50 / 0 / 64 / 4

HEX #7BF457

RGB 123 244 87

HSL 106.24, 0.88%, 0.65%

LAB 86.8, -61.55, 63.13

 

CMYK 64 / 0 / 62 / 4

HEX #57F45C

RGB 87 244 92

HSL 121.91, 0.88%, 0.65%

LAB 85.76, -69.57, 59.63

 

CMYK 47 / 0 / 94 / 8

HEX #7BEA0E

RGB 123 234 14

HSL 90.27, 0.89%, 0.49%

LAB 83.49, -61.56, 79.51

 

CMYK 40 / 0 / 80 / 5

HEX #90F130

RGB 144 241 48

HSL 90.16, 0.87%, 0.57%

LAB 86.53, -56.65, 76.23

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 25 / 0 / 49 / 4

HEX #B9F67D

RGB 185 246 125

HSL 90.25, 0.87%, 0.73%

LAB 90.65, -38.86, 51.72

 

CMYK 17 / 0 / 34 / 2

HEX #CEF9A4

RGB 206 249 164

HSL 90.35, 0.88%, 0.81%

LAB 93.26, -28.1, 36.4

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 64 / 0 / 19 / 4

HEX #57F4C5

RGB 87 244 197

HSL 162.04, 0.88%, 0.65%

LAB 87.37, -51.97, 10.65

 

CMYK 0 / 64 / 7 / 4

HEX #F457E4

RGB 244 87 228

HSL 306.11, 0.88%, 0.65%

LAB 63.05, 75.2, -41.6

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 64 / 32 / 0 / 4

HEX #57A5F4

RGB 87 165 244

HSL 210.19, 0.88%, 0.65%

LAB 66.11, 0.01, -46.58

 

CMYK 0 / 64 / 32 / 4

HEX #F457A5

RGB 244 87 165

HSL 330.19, 0.88%, 0.65%

LAB 60.57, 66.74, -9.58

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 64 / 0 / 19 / 4

HEX #57F4C5

RGB 87 244 197

HSL 162.04, 0.88%, 0.65%

LAB 87.37, -51.97, 10.65

 

CMYK 32 / 64 / 0 / 4

HEX #A557F4

RGB 165 87 244

HSL 269.81, 0.88%, 0.65%

LAB 53.33, 60.42, -66.66

 

CMYK 0 / 64 / 45 / 4

HEX #F45786

RGB 244 87 134

HSL 342.04, 0.88%, 0.65%

LAB 59.68, 63.54, 7.14

 

CMYK 32 / 0 / 64 / 4

HEX #A5F457

RGB 165 244 87

HSL 90.19, 0.88%, 0.65%

LAB 88.63, -48.49, 65.64

 

CMYK 64 / 0 / 0 / 4

HEX #57F4F4

RGB 87 244 244

HSL 180, 0.88%, 0.65%

LAB 88.57, -40.21, -12.12

 

CMYK 32 / 64 / 0 / 4

HEX #A557F4

RGB 165 87 244

HSL 269.81, 0.88%, 0.65%

LAB 53.33, 60.42, -66.66

 

CMYK 0 / 64 / 64 / 4

HEX #F45757

RGB 244 87 87

HSL 0, 0.88%, 0.65%

LAB 58.73, 60.04, 33.11

 

Description

Color code: HEX #A5F457 | qconv.com Color code: HEX #A5F457 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 244 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 244 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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