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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A60FB2 it is the complementary color #59F04D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A60FB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A60FB2 shade: #AB0FAD, #BC21C0, #CD33D3, #DE45E6 and #EF57F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A60FB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A60FB2 shade: #A60FB2, #95009F, #84008C, #730079 and #620066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A60FB2 shade: #A60FB2, #B20F92, #B20F66, #B20F3A and #B20F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A60FB2 shade: #A60FB2, #7A0FB2, #4E0FB2, #220FB2 and #0F0FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A60FB2 shade matches the following richer shades: #A60FB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A60FB2 shade: #A60FB2, #981FA2, #8B2E92, #7E3E83 and #704E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A60FB2 shade: #4D0FB2, #790FB2, #A40FB2, #B20F94 and #B20F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A60FB2 shade: #5F0866, #820C8C, #A60FB2, #C912D8 and #DD28EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A60FB2 shade: #A60FB2, #B2220F and #0FB263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A60FB2 shade: #A60FB2, #B2A40F and #0FB2A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A60FB2 shade: #A60FB2, #B2220F, #1DB20F and #0F9FB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A60FB2 shade: #A60FB2, #B2530F, #1DB20F and #0F6EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

Complementary color

CMYK 63 / 0 / 68 / 6

HEX #59F04D

RGB 89 240 77

HSL 115.58, 0.84%, 0.62%

LAB 84.47, -69.25, 64.21

 

CMYK 1 / 91 / 0 / 32

HEX #AB0FAD

RGB 171 15 173

HSL 299.24, 0.84%, 0.37%

LAB 41.24, 71.51, -45.21

 

CMYK 2 / 83 / 0 / 25

HEX #BC21C0

RGB 188 33 192

HSL 298.49, 0.71%, 0.44%

LAB 46.43, 74.35, -47.95

 

CMYK 3 / 76 / 0 / 17

HEX #CD33D3

RGB 205 51 211

HSL 297.75, 0.65%, 0.51%

LAB 51.89, 76.08, -50.03

 

CMYK 3 / 70 / 0 / 10

HEX #DE45E6

RGB 222 69 230

HSL 297.02, 0.76%, 0.59%

LAB 57.56, 77.02, -51.62

 

CMYK 4 / 65 / 0 / 2

HEX #EF57F9

RGB 239 87 249

HSL 296.3, 0.93%, 0.66%

LAB 63.35, 77.41, -52.85

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 6 / 100 / 0 / 38

HEX #95009F

RGB 149 0 159

HSL 296.23, 1%, 0.31%

LAB 35.78, 67.38, -45.79

 

CMYK 6 / 100 / 0 / 45

HEX #84008C

RGB 132 0 140

HSL 296.57, 1%, 0.27%

LAB 31.34, 61.54, -41.44

 

CMYK 5 / 100 / 0 / 53

HEX #730079

RGB 115 0 121

HSL 297.02, 1%, 0.24%

LAB 26.81, 55.56, -36.98

 

CMYK 4 / 100 / 0 / 60

HEX #620066

RGB 98 0 102

HSL 297.65, 1%, 0.2%

LAB 22.15, 49.42, -32.37

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 0 / 92 / 18 / 30

HEX #B20F92

RGB 178 15 146

HSL 311.78, 0.84%, 0.38%

LAB 41.03, 68.98, -29.22

 

CMYK 0 / 92 / 43 / 30

HEX #B20F66

RGB 178 15 102

HSL 327.98, 0.84%, 0.38%

LAB 39.18, 64.07, -4.7

 

CMYK 0 / 92 / 67 / 30

HEX #B20F3A

RGB 178 15 58

HSL 344.17, 0.84%, 0.38%

LAB 38.04, 60.91, 21.86

 

CMYK 0 / 92 / 92 / 30

HEX #B20F0F

RGB 178 15 15

HSL 0, 0.84%, 0.38%

LAB 37.56, 59.53, 45.82

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 31 / 92 / 0 / 30

HEX #7A0FB2

RGB 122 15 178

HSL 279.39, 0.84%, 0.38%

LAB 33.34, 64.75, -61.39

 

CMYK 56 / 92 / 0 / 30

HEX #4E0FB2

RGB 78 15 178

HSL 263.19, 0.84%, 0.38%

LAB 27.23, 59.87, -71.65

 

CMYK 81 / 92 / 0 / 30

HEX #220FB2

RGB 34 15 178

HSL 246.99, 0.84%, 0.38%

LAB 23.32, 57.26, -78.25

 

CMYK 92 / 92 / 0 / 30

HEX #0F0FB2

RGB 15 15 178

HSL 240, 0.84%, 0.38%

LAB 22.51, 56.78, -79.64

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 6 / 81 / 0 / 36

HEX #981FA2

RGB 152 31 162

HSL 295.42, 0.68%, 0.38%

LAB 38.31, 63.09, -43.51

 

CMYK 5 / 68 / 0 / 43

HEX #8B2E92

RGB 139 46 146

HSL 295.8, 0.52%, 0.38%

LAB 36.96, 52.38, -36.09

 

CMYK 4 / 53 / 0 / 49

HEX #7E3E83

RGB 126 62 131

HSL 295.65, 0.36%, 0.38%

LAB 36.97, 38.39, -27.01

 

CMYK 3 / 32 / 0 / 55

HEX #704E73

RGB 112 78 115

HSL 295.14, 0.19%, 0.38%

LAB 38.08, 21.19, -15.54

 

CMYK 57 / 92 / 0 / 30

HEX #4D0FB2

RGB 77 15 178

HSL 262.82, 0.84%, 0.38%

LAB 27.11, 59.79, -71.85

 

CMYK 32 / 92 / 0 / 30

HEX #790FB2

RGB 121 15 178

HSL 279.02, 0.84%, 0.38%

LAB 33.18, 64.62, -61.65

 

CMYK 8 / 92 / 0 / 30

HEX #A40FB2

RGB 164 15 178

HSL 294.85, 0.84%, 0.38%

LAB 40.33, 71.11, -49.72

 

CMYK 0 / 92 / 17 / 30

HEX #B20F94

RGB 178 15 148

HSL 311.04, 0.84%, 0.38%

LAB 41.13, 69.24, -30.28

 

CMYK 0 / 92 / 41 / 30

HEX #B20F69

RGB 178 15 105

HSL 326.87, 0.84%, 0.38%

LAB 39.29, 64.35, -6.44

 

CMYK 7 / 92 / 0 / 60

HEX #5F0866

RGB 95 8 102

HSL 295.53, 0.85%, 0.22%

LAB 22.18, 47.03, -32.35

 

CMYK 7 / 91 / 0 / 45

HEX #820C8C

RGB 130 12 140

HSL 295.31, 0.84%, 0.3%

LAB 31.58, 59.4, -41.08

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 7 / 92 / 0 / 15

HEX #C912D8

RGB 201 18 216

HSL 295.45, 0.85%, 0.46%

LAB 49.26, 82.78, -57.14

 

CMYK 6 / 83 / 0 / 7

HEX #DD28EC

RGB 221 40 236

HSL 295.41, 0.84%, 0.54%

LAB 55.02, 85.65, -59.06

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 0 / 81 / 92 / 30

HEX #B2220F

RGB 178 34 15

HSL 6.99, 0.84%, 0.38%

LAB 38.97, 55.49, 46.79

 

CMYK 92 / 0 / 44 / 30

HEX #0FB263

RGB 15 178 99

HSL 150.92, 0.84%, 0.38%

LAB 64.03, -55.89, 29.93

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 0 / 8 / 92 / 30

HEX #B2A40F

RGB 178 164 15

HSL 54.85, 0.84%, 0.38%

LAB 66.56, -9.03, 67.36

 

CMYK 92 / 0 / 8 / 30

HEX #0FB2A4

RGB 15 178 164

HSL 174.85, 0.84%, 0.38%

LAB 65.45, -40.34, -3.52

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 0 / 81 / 92 / 30

HEX #B2220F

RGB 178 34 15

HSL 6.99, 0.84%, 0.38%

LAB 38.97, 55.49, 46.79

 

CMYK 84 / 0 / 92 / 30

HEX #1DB20F

RGB 29 178 15

HSL 114.85, 0.84%, 0.38%

LAB 63.46, -63.48, 61.81

 

CMYK 92 / 11 / 0 / 30

HEX #0F9FB2

RGB 15 159 178

HSL 186.99, 0.84%, 0.38%

LAB 59.99, -27.05, -19.55

 

CMYK 7 / 92 / 0 / 30

HEX #A60FB2

RGB 166 15 178

HSL 295.58, 0.84%, 0.38%

LAB 40.68, 71.44, -49.14

 

CMYK 0 / 53 / 92 / 30

HEX #B2530F

RGB 178 83 15

HSL 25.03, 0.84%, 0.38%

LAB 46.56, 35.18, 52.22

 

CMYK 84 / 0 / 92 / 30

HEX #1DB20F

RGB 29 178 15

HSL 114.85, 0.84%, 0.38%

LAB 63.46, -63.48, 61.81

 

CMYK 92 / 38 / 0 / 30

HEX #0F6EB2

RGB 15 110 178

HSL 205.03, 0.84%, 0.38%

LAB 44.9, 0.37, -43.08

 

Description

Color code: HEX #A60FB2 | qconv.com Color code: HEX #A60FB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 15 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 15 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 92 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 92% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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