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Color name
HEX #A6168C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6168C it is the complementary color #59E973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6168C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6168C shade: #AB1687, #BC289A, #CD3AAD, #DE4CC0 and #EF5ED3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6168C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6168C shade: #A6168C, #950479, #840066, #730053 and #620040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6168C shade: #A6158C, #A61565, #A6153E, #A61517 and #A61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6168C shade: #A6158C, #9A15A6, #7215A6, #4B15A6 and #2415A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6168C shade matches the following richer shades: #A6158C and #B60696

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6168C shade: #A6158C, #972483, #883479, #79436F and #695265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6168C shade: #7115A6, #9815A6, #A6158E, #A61568 and #A61541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6168C shade: #5D0C4F, #82106D, #A6158C, #CB1AAB and #E32BC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6168C shade: #A6168C, #A64A15 and #15A685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6168C shade: #A6168C, #8EA615 and #158EA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6168C shade: #A6168C, #A64A15, #15A62D and #1571A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6168C shade: #A6168C, #A67615, #15A62D and #1546A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

Complementary color

CMYK 62 / 0 / 51 / 9

HEX #59E973

RGB 89 233 115

HSL 130.83, 0.77%, 0.63%

LAB 82.72, -62.58, 45.81

 

CMYK 0 / 87 / 21 / 33

HEX #AB1687

RGB 171 22 135

HSL 314.5, 0.77%, 0.38%

LAB 39.55, 65, -24.89

 

CMYK 0 / 79 / 18 / 26

HEX #BC289A

RGB 188 40 154

HSL 313.78, 0.65%, 0.45%

LAB 45, 67.09, -27.71

 

CMYK 0 / 72 / 16 / 20

HEX #CD3AAD

RGB 205 58 173

HSL 313.06, 0.6%, 0.52%

LAB 50.71, 68.19, -29.87

 

CMYK 0 / 66 / 14 / 13

HEX #DE4CC0

RGB 222 76 192

HSL 312.33, 0.69%, 0.58%

LAB 56.59, 68.63, -31.55

 

CMYK 0 / 61 / 12 / 6

HEX #EF5ED3

RGB 239 94 211

HSL 311.59, 0.82%, 0.65%

LAB 62.56, 68.64, -32.89

 

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

CMYK 0 / 97 / 19 / 42

HEX #950479

RGB 149 4 121

HSL 311.59, 0.95%, 0.3%

LAB 33.68, 61.29, -25.65

 

CMYK 0 / 100 / 23 / 48

HEX #840066

RGB 132 0 102

HSL 313.64, 1%, 0.26%

LAB 29.07, 55.97, -20.96

 

CMYK 0 / 100 / 28 / 55

HEX #730053

RGB 115 0 83

HSL 316.7, 1%, 0.23%

LAB 24.54, 49.99, -15.75

 

CMYK 0 / 100 / 35 / 62

HEX #620040

RGB 98 0 64

HSL 320.82, 1%, 0.19%

LAB 19.91, 43.88, -10.22

 

CMYK 0 / 87 / 16 / 35

HEX #A6158C

RGB 166 21 140

HSL 310.76, 0.78%, 0.37%

LAB 38.79, 64.8, -29.22

 

CMYK 0 / 87 / 39 / 35

HEX #A61565

RGB 166 21 101

HSL 326.9, 0.78%, 0.37%

LAB 37.08, 60.14, -7.45

 

CMYK 0 / 87 / 63 / 35

HEX #A6153E

RGB 166 21 62

HSL 343.03, 0.78%, 0.37%

LAB 35.97, 56.96, 16.1

 

CMYK 0 / 87 / 86 / 35

HEX #A61517

RGB 166 21 23

HSL 359.17, 0.78%, 0.37%

LAB 35.41, 55.33, 39.25

 

CMYK 0 / 87 / 87 / 35

HEX #A61515

RGB 166 21 21

HSL 0, 0.78%, 0.37%

LAB 35.4, 55.29, 40.26

 

CMYK 0 / 87 / 16 / 35

HEX #A6158C

RGB 166 21 140

HSL 310.76, 0.78%, 0.37%

LAB 38.79, 64.8, -29.22

 

CMYK 7 / 87 / 0 / 35

HEX #9A15A6

RGB 154 21 166

HSL 295.03, 0.78%, 0.37%

LAB 38.13, 66.44, -46.19

 

CMYK 31 / 87 / 0 / 35

HEX #7215A6

RGB 114 21 166

HSL 278.48, 0.78%, 0.37%

LAB 31.5, 59.88, -57.24

 

CMYK 55 / 87 / 0 / 35

HEX #4B15A6

RGB 75 21 166

HSL 262.34, 0.78%, 0.37%

LAB 26.11, 54.93, -66.29

 

CMYK 78 / 87 / 0 / 35

HEX #2415A6

RGB 36 21 166

HSL 246.21, 0.78%, 0.37%

LAB 22.53, 51.93, -72.34

 

CMYK 0 / 87 / 16 / 35

HEX #A6158C

RGB 166 21 140

HSL 310.76, 0.78%, 0.37%

LAB 38.79, 64.8, -29.22

 

CMYK 0 / 97 / 18 / 29

HEX #B60696

RGB 182 6 150

HSL 310.91, 0.94%, 0.37%

LAB 41.65, 71.26, -30.61

 

CMYK 0 / 87 / 16 / 35

HEX #A6158C

RGB 166 21 140

HSL 310.76, 0.78%, 0.37%

LAB 38.79, 64.8, -29.22

 

CMYK 0 / 76 / 13 / 41

HEX #972483

RGB 151 36 131

HSL 310.43, 0.61%, 0.37%

LAB 36.89, 56.41, -26.84

 

CMYK 0 / 62 / 11 / 47

HEX #883479

RGB 136 52 121

HSL 310.71, 0.45%, 0.37%

LAB 36.12, 44.54, -22.01

 

CMYK 0 / 45 / 8 / 53

HEX #79436F

RGB 121 67 111

HSL 311.11, 0.29%, 0.37%

LAB 36.42, 30.09, -15.49

 

CMYK 0 / 22 / 4 / 59

HEX #695265

RGB 105 82 101

HSL 310.43, 0.12%, 0.37%

LAB 37.8, 13.17, -7.33

 

CMYK 32 / 87 / 0 / 35

HEX #7115A6

RGB 113 21 166

HSL 278.07, 0.78%, 0.37%

LAB 31.35, 59.73, -57.49

 

CMYK 8 / 87 / 0 / 35

HEX #9815A6

RGB 152 21 166

HSL 294.21, 0.78%, 0.37%

LAB 37.78, 66.08, -46.77

 

CMYK 0 / 87 / 14 / 35

HEX #A6158E

RGB 166 21 142

HSL 309.93, 0.78%, 0.37%

LAB 38.89, 65.07, -30.29

 

CMYK 0 / 87 / 37 / 35

HEX #A61568

RGB 166 21 104

HSL 325.66, 0.78%, 0.37%

LAB 37.19, 60.45, -9.19

 

CMYK 0 / 87 / 61 / 35

HEX #A61541

RGB 166 21 65

HSL 341.79, 0.78%, 0.37%

LAB 36.03, 57.15, 14.24

 

CMYK 0 / 87 / 15 / 64

HEX #5D0C4F

RGB 93 12 79

HSL 310.37, 0.77%, 0.21%

LAB 20.65, 41.73, -19.46

 

CMYK 0 / 88 / 16 / 49

HEX #82106D

RGB 130 16 109

HSL 311.05, 0.78%, 0.29%

LAB 29.96, 53.77, -24.11

 

CMYK 0 / 87 / 16 / 35

HEX #A6158C

RGB 166 21 140

HSL 310.76, 0.78%, 0.37%

LAB 38.79, 64.8, -29.22

 

CMYK 0 / 87 / 16 / 20

HEX #CB1AAB

RGB 203 26 171

HSL 310.85, 0.77%, 0.45%

LAB 47.46, 75.55, -33.8

 

CMYK 0 / 81 / 15 / 11

HEX #E32BC2

RGB 227 43 194

HSL 310.76, 0.77%, 0.53%

LAB 53.98, 80.05, -36.72

 

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

CMYK 0 / 55 / 87 / 35

HEX #A64A15

RGB 166 74 21

HSL 21.93, 0.78%, 0.37%

LAB 42.85, 35.1, 46.46

 

CMYK 87 / 0 / 20 / 35

HEX #15A685

RGB 21 166 133

HSL 166.34, 0.78%, 0.37%

LAB 60.89, -43.35, 7.15

 

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

CMYK 14 / 0 / 87 / 35

HEX #8EA615

RGB 142 166 21

HSL 69.93, 0.78%, 0.37%

LAB 64.22, -25.74, 63.15

 

CMYK 87 / 14 / 0 / 35

HEX #158EA6

RGB 21 142 166

HSL 189.93, 0.78%, 0.37%

LAB 54.3, -22.05, -21.41

 

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

CMYK 0 / 55 / 87 / 35

HEX #A64A15

RGB 166 74 21

HSL 21.93, 0.78%, 0.37%

LAB 42.85, 35.1, 46.46

 

CMYK 87 / 0 / 73 / 35

HEX #15A62D

RGB 21 166 45

HSL 129.93, 0.78%, 0.37%

LAB 59.55, -58.96, 49.92

 

CMYK 87 / 32 / 0 / 35

HEX #1571A6

RGB 21 113 166

HSL 201.93, 0.78%, 0.37%

LAB 45.25, -5.76, -35.49

 

CMYK 0 / 87 / 16 / 35

HEX #A6168C

RGB 166 22 140

HSL 310.83, 0.77%, 0.37%

LAB 38.85, 64.61, -29.12

 

CMYK 0 / 29 / 87 / 35

HEX #A67615

RGB 166 118 21

HSL 40.14, 0.78%, 0.37%

LAB 53.08, 10.82, 54.86

 

CMYK 87 / 0 / 73 / 35

HEX #15A62D

RGB 21 166 45

HSL 129.93, 0.78%, 0.37%

LAB 59.55, -58.96, 49.92

 

CMYK 87 / 58 / 0 / 35

HEX #1546A6

RGB 21 70 166

HSL 219.72, 0.78%, 0.37%

LAB 32.46, 22.18, -55.99

 

Description

Color code: HEX #A6168C | qconv.com Color code: HEX #A6168C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 22 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 22 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 16 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 16% 35% C M Y K

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