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Color name
HEX #A62916

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62916 it is the complementary color #59D6E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62916 shade: #AB2911, #BC3B24, #CD4D37, #DE5F4A and #EF715D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62916 shade: #A62916, #951703, #840500, #730000 and #620000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62916 shade: #A62815 and #A61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62916 shade: #A62815, #A65015, #A67715, #A69E15 and #88A615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62916 shade matches the following richer shades: #A62815 and #B61D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62916 shade: #A62815, #973424, #883F34, #794A43 and #695552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62916 shade: #A61552, #A6152B, #A62615, #A64D15 and #A67415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62916 shade: #5D170C, #821F10, #A62815, #CB311A and #E3432B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62916 shade: #A62916, #78A615 and #153EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62916 shade: #A62916, #15A626 and #2615A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62916 shade: #A62916, #78A615, #1596A6 and #4315A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62916 shade: #A62916, #4DA615, #1596A6 and #6F15A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

Complementary color

CMYK 62 / 8 / 0 / 9

HEX #59D6E9

RGB 89 214 233

HSL 187.92, 0.77%, 0.63%

LAB 79.67, -28.91, -19.68

 

CMYK 0 / 76 / 90 / 33

HEX #AB2911

RGB 171 41 17

HSL 9.35, 0.82%, 0.37%

LAB 38.35, 51.21, 44.89

 

CMYK 0 / 69 / 81 / 26

HEX #BC3B24

RGB 188 59 36

HSL 9.08, 0.68%, 0.44%

LAB 44.16, 50.56, 42.2

 

CMYK 0 / 62 / 73 / 20

HEX #CD4D37

RGB 205 77 55

HSL 8.8, 0.6%, 0.51%

LAB 50.17, 49.52, 39.3

 

CMYK 0 / 57 / 67 / 13

HEX #DE5F4A

RGB 222 95 74

HSL 8.51, 0.69%, 0.58%

LAB 56.3, 48.3, 36.62

 

CMYK 0 / 53 / 61 / 6

HEX #EF715D

RGB 239 113 93

HSL 8.22, 0.82%, 0.65%

LAB 62.47, 47.03, 34.25

 

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

CMYK 0 / 85 / 98 / 42

HEX #951703

RGB 149 23 3

HSL 8.22, 0.96%, 0.3%

LAB 31.83, 49.58, 43.88

 

CMYK 0 / 96 / 100 / 48

HEX #840500

RGB 132 5 0

HSL 2.27, 1%, 0.26%

LAB 26.77, 48.24, 39.54

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 76 / 87 / 35

HEX #A62815

RGB 166 40 21

HSL 7.86, 0.78%, 0.37%

LAB 37.26, 50.03, 41.82

 

CMYK 0 / 87 / 87 / 35

HEX #A61515

RGB 166 21 21

HSL 0, 0.78%, 0.37%

LAB 35.4, 55.29, 40.26

 

CMYK 0 / 76 / 87 / 35

HEX #A62815

RGB 166 40 21

HSL 7.86, 0.78%, 0.37%

LAB 37.26, 50.03, 41.82

 

CMYK 0 / 52 / 87 / 35

HEX #A65015

RGB 166 80 21

HSL 24.41, 0.78%, 0.37%

LAB 44.09, 31.97, 47.48

 

CMYK 0 / 28 / 87 / 35

HEX #A67715

RGB 166 119 21

HSL 40.55, 0.78%, 0.37%

LAB 53.34, 10.25, 55.07

 

CMYK 0 / 5 / 87 / 35

HEX #A69E15

RGB 166 158 21

HSL 56.69, 0.78%, 0.37%

LAB 63.85, -11.13, 63.63

 

CMYK 18 / 0 / 87 / 35

HEX #88A615

RGB 136 166 21

HSL 72.41, 0.78%, 0.37%

LAB 63.8, -28.28, 62.63

 

CMYK 0 / 76 / 87 / 35

HEX #A62815

RGB 166 40 21

HSL 7.86, 0.78%, 0.37%

LAB 37.26, 50.03, 41.82

 

CMYK 0 / 84 / 97 / 29

HEX #B61D06

RGB 182 29 6

HSL 7.84, 0.94%, 0.37%

LAB 39.3, 57.84, 50.57

 

CMYK 0 / 76 / 87 / 35

HEX #A62815

RGB 166 40 21

HSL 7.86, 0.78%, 0.37%

LAB 37.26, 50.03, 41.82

 

CMYK 0 / 66 / 76 / 41

HEX #973424

RGB 151 52 36

HSL 8.35, 0.61%, 0.37%

LAB 36.3, 40.57, 31.96

 

CMYK 0 / 54 / 62 / 47

HEX #883F34

RGB 136 63 52

HSL 7.86, 0.45%, 0.37%

LAB 36.06, 30.23, 21.48

 

CMYK 0 / 39 / 45 / 53

HEX #794A43

RGB 121 74 67

HSL 7.78, 0.29%, 0.37%

LAB 36.68, 19.12, 12.59

 

CMYK 0 / 19 / 22 / 59

HEX #695552

RGB 105 85 82

HSL 7.83, 0.12%, 0.37%

LAB 38.04, 7.73, 4.85

 

CMYK 0 / 87 / 51 / 35

HEX #A61552

RGB 166 21 82

HSL 334.76, 0.78%, 0.37%

LAB 36.47, 58.39, 3.84

 

CMYK 0 / 87 / 74 / 35

HEX #A6152B

RGB 166 21 43

HSL 350.9, 0.78%, 0.37%

LAB 35.63, 55.98, 27.81

 

CMYK 0 / 77 / 87 / 35

HEX #A62615

RGB 166 38 21

HSL 7.03, 0.78%, 0.37%

LAB 37.02, 50.71, 41.62

 

CMYK 0 / 54 / 87 / 35

HEX #A64D15

RGB 166 77 21

HSL 23.17, 0.78%, 0.37%

LAB 43.46, 33.55, 46.97

 

CMYK 0 / 30 / 87 / 35

HEX #A67415

RGB 166 116 21

HSL 39.31, 0.78%, 0.37%

LAB 52.57, 11.95, 54.44

 

CMYK 0 / 75 / 87 / 64

HEX #5D170C

RGB 93 23 12

HSL 8.15, 0.77%, 0.21%

LAB 19.91, 31.14, 24.85

 

CMYK 0 / 76 / 88 / 49

HEX #821F10

RGB 130 31 16

HSL 7.89, 0.78%, 0.29%

LAB 28.81, 41.24, 34.19

 

CMYK 0 / 76 / 87 / 35

HEX #A62815

RGB 166 40 21

HSL 7.86, 0.78%, 0.37%

LAB 37.26, 50.03, 41.82

 

CMYK 0 / 76 / 87 / 20

HEX #CB311A

RGB 203 49 26

HSL 7.8, 0.77%, 0.45%

LAB 45.59, 58.74, 49.34

 

CMYK 0 / 70 / 81 / 11

HEX #E3432B

RGB 227 67 43

HSL 7.83, 0.77%, 0.53%

LAB 52.42, 60.45, 49.09

 

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

CMYK 28 / 0 / 87 / 35

HEX #78A615

RGB 120 166 21

HSL 79.03, 0.78%, 0.37%

LAB 62.78, -34.82, 61.35

 

CMYK 87 / 63 / 0 / 35

HEX #153EA6

RGB 21 62 166

HSL 223.03, 0.78%, 0.37%

LAB 30.3, 27.62, -59.53

 

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

CMYK 87 / 0 / 77 / 35

HEX #15A626

RGB 21 166 38

HSL 127.03, 0.78%, 0.37%

LAB 59.5, -59.53, 52.4

 

CMYK 77 / 87 / 0 / 35

HEX #2615A6

RGB 38 21 166

HSL 247.03, 0.78%, 0.37%

LAB 22.66, 52.03, -72.12

 

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

CMYK 28 / 0 / 87 / 35

HEX #78A615

RGB 120 166 21

HSL 79.03, 0.78%, 0.37%

LAB 62.78, -34.82, 61.35

 

CMYK 87 / 10 / 0 / 35

HEX #1596A6

RGB 21 150 166

HSL 186.62, 0.78%, 0.37%

LAB 56.81, -26.17, -17.59

 

CMYK 60 / 87 / 0 / 35

HEX #4315A6

RGB 67 21 166

HSL 259.03, 0.78%, 0.37%

LAB 25.21, 54.14, -67.81

 

CMYK 0 / 75 / 87 / 35

HEX #A62916

RGB 166 41 22

HSL 7.92, 0.77%, 0.37%

LAB 37.39, 49.71, 41.46

 

CMYK 54 / 0 / 87 / 35

HEX #4DA615

RGB 77 166 21

HSL 96.83, 0.78%, 0.37%

LAB 60.7, -49.81, 58.75

 

CMYK 87 / 10 / 0 / 35

HEX #1596A6

RGB 21 150 166

HSL 186.62, 0.78%, 0.37%

LAB 56.81, -26.17, -17.59

 

CMYK 33 / 87 / 0 / 35

HEX #6F15A6

RGB 111 21 166

HSL 277.24, 0.78%, 0.37%

LAB 31.04, 59.44, -58.01

 

Description

Color code: HEX #A62916 | qconv.com Color code: HEX #A62916 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 41 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 41 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 87 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 87% 35% C M Y K

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Provide designers and agencies with accurate color values.

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