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Color name
HEX #A62B8D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62B8D it is the complementary color #59D472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62B8D shade: #AB2B88, #BC3D9B, #CD4FAE, #DE61C1 and #EF73D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62B8D shade: #A62B8D, #95197A, #840767, #730054 and #620041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62B8D shade: #A62A8D, #A62A6B, #A62A4A and #A62A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62B8D shade: #A62A8D, #9E2AA6, #7C2AA6, #5B2AA6 and #3A2AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62B8D shade matches the following richer shades: #A62A8D, #B71997 and #C809A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62B8D shade: #A62A8D, #953B83, #844C79, #735D6F and #626E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62B8D shade: #7D2AA6, #9E2AA6, #A62A8D, #A62A6C and #A62A4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62B8D shade: #641955, #852271, #A62A8D, #C733A9 and #D251B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62B8D shade: #A62B8D, #A65C2A and #2AA68D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62B8D shade: #A62B8D, #8DA62A and #2A8DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62B8D shade: #A62B8D, #A65C2A, #2AA643 and #2A74A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62B8D shade: #A62B8D, #A6812A, #2AA643 and #2A4FA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

Complementary color

CMYK 58 / 0 / 46 / 17

HEX #59D472

RGB 89 212 114

HSL 132.2, 0.59%, 0.59%

LAB 76.33, -54.91, 38.32

 

CMYK 0 / 75 / 20 / 33

HEX #AB2B88

RGB 171 43 136

HSL 316.41, 0.6%, 0.42%

LAB 41.47, 59.74, -22.51

 

CMYK 0 / 68 / 18 / 26

HEX #BC3D9B

RGB 188 61 155

HSL 315.59, 0.51%, 0.49%

LAB 47.49, 60.31, -24.45

 

CMYK 0 / 61 / 15 / 20

HEX #CD4FAE

RGB 205 79 174

HSL 314.76, 0.56%, 0.56%

LAB 53.63, 60.34, -25.93

 

CMYK 0 / 56 / 13 / 13

HEX #DE61C1

RGB 222 97 193

HSL 313.92, 0.65%, 0.63%

LAB 59.82, 60.03, -27.11

 

CMYK 0 / 52 / 11 / 6

HEX #EF73D4

RGB 239 115 212

HSL 313.06, 0.79%, 0.69%

LAB 66.03, 59.53, -28.07

 

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

CMYK 0 / 83 / 18 / 42

HEX #95197A

RGB 149 25 122

HSL 313.06, 0.71%, 0.34%

LAB 34.98, 57.78, -24.24

 

CMYK 0 / 95 / 22 / 48

HEX #840767

RGB 132 7 103

HSL 313.92, 0.9%, 0.27%

LAB 29.51, 54.97, -20.93

 

CMYK 0 / 100 / 27 / 55

HEX #730054

RGB 115 0 84

HSL 316.17, 1%, 0.23%

LAB 24.59, 50.12, -16.35

 

CMYK 0 / 100 / 34 / 62

HEX #620041

RGB 98 0 65

HSL 320.2, 1%, 0.19%

LAB 19.96, 44, -10.85

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 75 / 36 / 35

HEX #A62A6B

RGB 166 42 107

HSL 328.55, 0.6%, 0.41%

LAB 39.28, 55.13, -7.95

 

CMYK 0 / 75 / 55 / 35

HEX #A62A4A

RGB 166 42 74

HSL 344.52, 0.6%, 0.41%

LAB 38.3, 51.96, 11.56

 

CMYK 0 / 75 / 75 / 35

HEX #A62A2A

RGB 166 42 42

HSL 0, 0.6%, 0.41%

LAB 37.72, 50.02, 30.81

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 5 / 75 / 0 / 35

HEX #9E2AA6

RGB 158 42 166

HSL 296.13, 0.6%, 0.41%

LAB 40.7, 61.72, -42.03

 

CMYK 25 / 75 / 0 / 35

HEX #7C2AA6

RGB 124 42 166

HSL 279.68, 0.6%, 0.41%

LAB 35.39, 54.71, -50.85

 

CMYK 45 / 75 / 0 / 35

HEX #5B2AA6

RGB 91 42 166

HSL 263.71, 0.6%, 0.41%

LAB 30.96, 48.61, -58.26

 

CMYK 65 / 75 / 0 / 35

HEX #3A2AA6

RGB 58 42 166

HSL 247.74, 0.6%, 0.41%

LAB 27.6, 43.76, -63.9

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 86 / 17 / 28

HEX #B71997

RGB 183 25 151

HSL 312.15, 0.76%, 0.41%

LAB 42.76, 69.05, -29.47

 

CMYK 0 / 96 / 20 / 22

HEX #C809A1

RGB 200 9 161

HSL 312.25, 0.91%, 0.41%

LAB 45.7, 75.8, -30.66

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 60 / 12 / 42

HEX #953B83

RGB 149 59 131

HSL 312, 0.43%, 0.41%

LAB 39.84, 46.73, -22.27

 

CMYK 0 / 42 / 8 / 48

HEX #844C79

RGB 132 76 121

HSL 311.79, 0.27%, 0.41%

LAB 40.34, 30.64, -15.56

 

CMYK 0 / 19 / 3 / 55

HEX #735D6F

RGB 115 93 111

HSL 310.91, 0.11%, 0.41%

LAB 42.19, 12.33, -6.83

 

CMYK 11 / 0 / 8 / 57

HEX #626E65

RGB 98 110 101

HSL 135, 0.06%, 0.41%

LAB 45.2, -6.45, 3.48

 

CMYK 25 / 75 / 0 / 35

HEX #7D2AA6

RGB 125 42 166

HSL 280.16, 0.6%, 0.41%

LAB 35.54, 54.9, -50.61

 

CMYK 5 / 75 / 0 / 35

HEX #9E2AA6

RGB 158 42 166

HSL 296.13, 0.6%, 0.41%

LAB 40.7, 61.72, -42.03

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 75 / 35 / 35

HEX #A62A6C

RGB 166 42 108

HSL 328.06, 0.6%, 0.41%

LAB 39.32, 55.24, -8.52

 

CMYK 0 / 75 / 55 / 35

HEX #A62A4B

RGB 166 42 75

HSL 344.03, 0.6%, 0.41%

LAB 38.32, 52.04, 10.96

 

CMYK 0 / 75 / 15 / 61

HEX #641955

RGB 100 25 85

HSL 312, 0.6%, 0.25%

LAB 23.87, 40.12, -18.37

 

CMYK 0 / 74 / 15 / 48

HEX #852271

RGB 133 34 113

HSL 312.12, 0.59%, 0.33%

LAB 32.53, 49.91, -22.61

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 74 / 15 / 22

HEX #C733A9

RGB 199 51 169

HSL 312.16, 0.59%, 0.49%

LAB 48.73, 68.47, -30.69

 

CMYK 0 / 61 / 12 / 18

HEX #D251B8

RGB 210 81 184

HSL 312.09, 0.59%, 0.57%

LAB 55.12, 62.34, -29.36

 

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

CMYK 0 / 45 / 75 / 35

HEX #A65C2A

RGB 166 92 42

HSL 24.19, 0.6%, 0.41%

LAB 46.88, 26.21, 40.77

 

CMYK 75 / 0 / 15 / 35

HEX #2AA68D

RGB 42 166 141

HSL 167.9, 0.6%, 0.41%

LAB 61.38, -39.17, 3.41

 

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

CMYK 15 / 0 / 75 / 35

HEX #8DA62A

RGB 141 166 42

HSL 72.1, 0.6%, 0.41%

LAB 64.24, -25.35, 57.25

 

CMYK 75 / 15 / 0 / 35

HEX #2A8DA6

RGB 42 141 166

HSL 192.1, 0.6%, 0.41%

LAB 54.34, -19.48, -21.32

 

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

CMYK 0 / 45 / 75 / 35

HEX #A65C2A

RGB 166 92 42

HSL 24.19, 0.6%, 0.41%

LAB 46.88, 26.21, 40.77

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 75 / 30 / 0 / 35

HEX #2A74A6

RGB 42 116 166

HSL 204.19, 0.6%, 0.41%

LAB 46.63, -5.36, -33.29

 

CMYK 0 / 74 / 15 / 35

HEX #A62B8D

RGB 166 43 141

HSL 312.2, 0.59%, 0.41%

LAB 40.83, 59.22, -26.64

 

CMYK 0 / 22 / 75 / 35

HEX #A6812A

RGB 166 129 42

HSL 42.1, 0.6%, 0.41%

LAB 56.06, 5.39, 50.08

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 75 / 52 / 0 / 35

HEX #2A4FA6

RGB 42 79 166

HSL 222.1, 0.6%, 0.41%

LAB 35.67, 18.21, -50.76

 

Description

Color code: HEX #A62B8D | qconv.com Color code: HEX #A62B8D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 43 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 43 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 15% 35% C M Y K

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Provide designers and agencies with accurate color values.

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