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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62F95 it is the complementary color #59D06A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62F95 shade: #AB2F90, #BC41A3, #CD53B6, #DE65C9 and #EF77DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62F95 shade: #A62F95, #951D82, #840B6F, #73005C and #620049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62F95 shade: #A72F95, #A72F75, #A72F55, #A72F34 and #A72F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62F95 shade: #A72F95, #972FA7, #772FA7, #572FA7 and #362FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62F95 shade matches the following richer shades: #A72F95, #B81DA2 and #C90CAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62F95 shade: #A72F95, #954089, #84517D, #736370 and #617464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62F95 shade: #772FA7, #972FA7, #A72F97, #A72F77 and #A72F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62F95 shade: #661C5C, #862679, #A72F95, #C738B2 and #D058BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62F95 shade: #A62F95, #A7572F and #2FA787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62F95 shade: #A62F95, #97A72F and #2F97A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62F95 shade: #A62F95, #A7572F, #2FA73F and #2F7FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62F95 shade: #A62F95, #A77B2F, #2FA73F and #2F5BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

Complementary color

CMYK 57 / 0 / 49 / 18

HEX #59D06A

RGB 89 208 106

HSL 128.57, 0.56%, 0.58%

LAB 75, -54.56, 40.59

 

CMYK 0 / 73 / 16 / 33

HEX #AB2F90

RGB 171 47 144

HSL 313.06, 0.57%, 0.43%

LAB 42.31, 59.52, -26.08

 

CMYK 0 / 65 / 13 / 26

HEX #BC41A3

RGB 188 65 163

HSL 312.2, 0.49%, 0.5%

LAB 48.41, 59.92, -27.78

 

CMYK 0 / 60 / 11 / 20

HEX #CD53B6

RGB 205 83 182

HSL 311.31, 0.55%, 0.56%

LAB 54.6, 59.83, -29.08

 

CMYK 0 / 55 / 9 / 13

HEX #DE65C9

RGB 222 101 201

HSL 310.41, 0.65%, 0.63%

LAB 60.83, 59.46, -30.11

 

CMYK 0 / 50 / 8 / 6

HEX #EF77DC

RGB 239 119 220

HSL 309.5, 0.79%, 0.7%

LAB 67.06, 58.92, -30.95

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 0 / 81 / 13 / 42

HEX #951D82

RGB 149 29 130

HSL 309.5, 0.67%, 0.35%

LAB 35.75, 57.88, -28.03

 

CMYK 0 / 92 / 16 / 48

HEX #840B6F

RGB 132 11 111

HSL 310.41, 0.85%, 0.28%

LAB 30.14, 55.43, -25.09

 

CMYK 0 / 100 / 20 / 55

HEX #73005C

RGB 115 0 92

HSL 312, 1%, 0.23%

LAB 25.01, 51.16, -21.02

 

CMYK 0 / 100 / 26 / 62

HEX #620049

RGB 98 0 73

HSL 315.31, 1%, 0.19%

LAB 20.35, 45.01, -15.76

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 0 / 72 / 30 / 35

HEX #A72F75

RGB 167 47 117

HSL 325, 0.56%, 0.42%

LAB 40.46, 54.83, -12.4

 

CMYK 0 / 72 / 49 / 35

HEX #A72F55

RGB 167 47 85

HSL 341, 0.56%, 0.42%

LAB 39.42, 51.37, 6.17

 

CMYK 0 / 72 / 69 / 35

HEX #A72F34

RGB 167 47 52

HSL 357.5, 0.56%, 0.42%

LAB 38.72, 48.98, 25.98

 

CMYK 0 / 72 / 72 / 35

HEX #A72F2F

RGB 167 47 47

HSL 0, 0.56%, 0.42%

LAB 38.64, 48.73, 28.93

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 10 / 72 / 0 / 35

HEX #972FA7

RGB 151 47 167

HSL 292, 0.56%, 0.42%

LAB 40.25, 58.63, -43.42

 

CMYK 29 / 72 / 0 / 35

HEX #772FA7

RGB 119 47 167

HSL 276, 0.56%, 0.42%

LAB 35.49, 51.82, -51.32

 

CMYK 48 / 72 / 0 / 35

HEX #572FA7

RGB 87 47 167

HSL 260, 0.56%, 0.42%

LAB 31.46, 45.71, -58.05

 

CMYK 68 / 72 / 0 / 35

HEX #362FA7

RGB 54 47 167

HSL 243.5, 0.56%, 0.42%

LAB 28.4, 40.77, -63.19

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 0 / 84 / 12 / 28

HEX #B81DA2

RGB 184 29 162

HSL 308.52, 0.73%, 0.42%

LAB 43.77, 69.96, -34.49

 

CMYK 0 / 94 / 13 / 21

HEX #C90CAE

RGB 201 12 174

HSL 308.57, 0.89%, 0.42%

LAB 46.63, 77.38, -36.92

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 0 / 57 / 8 / 42

HEX #954089

RGB 149 64 137

HSL 308.47, 0.4%, 0.42%

LAB 41, 45.35, -24.15

 

CMYK 0 / 39 / 5 / 48

HEX #84517D

RGB 132 81 125

HSL 308.24, 0.24%, 0.42%

LAB 41.64, 28.53, -16.02

 

CMYK 0 / 14 / 3 / 55

HEX #736370

RGB 115 99 112

HSL 311.25, 0.07%, 0.42%

LAB 43.86, 8.9, -4.96

 

CMYK 16 / 0 / 14 / 55

HEX #617464

RGB 97 116 100

HSL 129.47, 0.09%, 0.42%

LAB 46.91, -10.45, 6.51

 

CMYK 29 / 72 / 0 / 35

HEX #772FA7

RGB 119 47 167

HSL 276, 0.56%, 0.42%

LAB 35.49, 51.82, -51.32

 

CMYK 10 / 72 / 0 / 35

HEX #972FA7

RGB 151 47 167

HSL 292, 0.56%, 0.42%

LAB 40.25, 58.63, -43.42

 

CMYK 0 / 72 / 10 / 35

HEX #A72F97

RGB 167 47 151

HSL 308, 0.56%, 0.42%

LAB 41.97, 59.6, -30.91

 

CMYK 0 / 72 / 29 / 35

HEX #A72F77

RGB 167 47 119

HSL 324, 0.56%, 0.42%

LAB 40.54, 55.08, -13.52

 

CMYK 0 / 72 / 48 / 35

HEX #A72F57

RGB 167 47 87

HSL 340, 0.56%, 0.42%

LAB 39.47, 51.56, 4.98

 

CMYK 0 / 73 / 10 / 60

HEX #661C5C

RGB 102 28 92

HSL 308.11, 0.57%, 0.25%

LAB 25.04, 40.64, -21.15

 

CMYK 0 / 72 / 10 / 47

HEX #862679

RGB 134 38 121

HSL 308.13, 0.56%, 0.34%

LAB 33.64, 49.95, -25.92

 

CMYK 0 / 72 / 11 / 35

HEX #A72F95

RGB 167 47 149

HSL 309, 0.56%, 0.42%

LAB 41.87, 59.29, -29.85

 

CMYK 0 / 72 / 11 / 22

HEX #C738B2

RGB 199 56 178

HSL 308.81, 0.56%, 0.5%

LAB 49.72, 68.16, -34.43

 

CMYK 0 / 58 / 8 / 18

HEX #D058BF

RGB 208 88 191

HSL 308.5, 0.56%, 0.58%

LAB 56.24, 59.87, -31.68

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 0 / 48 / 72 / 35

HEX #A7572F

RGB 167 87 47

HSL 20, 0.56%, 0.42%

LAB 45.96, 29.63, 37.25

 

CMYK 72 / 0 / 19 / 35

HEX #2FA787

RGB 47 167 135

HSL 164, 0.56%, 0.42%

LAB 61.65, -40.47, 7.16

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 10 / 0 / 72 / 35

HEX #97A72F

RGB 151 167 47

HSL 68, 0.56%, 0.42%

LAB 65.3, -21.35, 56.73

 

CMYK 72 / 10 / 0 / 35

HEX #2F97A7

RGB 47 151 167

HSL 188, 0.56%, 0.42%

LAB 57.59, -23.73, -16.93

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 0 / 48 / 72 / 35

HEX #A7572F

RGB 167 87 47

HSL 20, 0.56%, 0.42%

LAB 45.96, 29.63, 37.25

 

CMYK 72 / 0 / 62 / 35

HEX #2FA73F

RGB 47 167 63

HSL 128, 0.56%, 0.42%

LAB 60.43, -54, 43.42

 

CMYK 72 / 24 / 0 / 35

HEX #2F7FA7

RGB 47 127 167

HSL 200, 0.56%, 0.42%

LAB 50.18, -10.72, -28.31

 

CMYK 0 / 72 / 10 / 35

HEX #A62F95

RGB 166 47 149

HSL 308.57, 0.56%, 0.42%

LAB 41.7, 59.04, -30.13

 

CMYK 0 / 26 / 72 / 35

HEX #A77B2F

RGB 167 123 47

HSL 38, 0.56%, 0.42%

LAB 54.64, 9.46, 46.51

 

CMYK 72 / 0 / 62 / 35

HEX #2FA73F

RGB 47 167 63

HSL 128, 0.56%, 0.42%

LAB 60.43, -54, 43.42

 

CMYK 72 / 46 / 0 / 35

HEX #2F5BA7

RGB 47 91 167

HSL 218, 0.56%, 0.42%

LAB 39.37, 11.38, -45.38

 

Description

Color code: HEX #A62F95 | qconv.com Color code: HEX #A62F95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 47 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 47 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 10 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 10% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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