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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A631C6 it is the complementary color #59CE39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A631C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A631C6 shade: #AB31C1, #BC43D4, #CD55E7, #DE67FA and #EF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A631C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A631C6 shade: #A631C6, #951FB3, #840DA0, #73008D and #62007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A631C6 shade: #A430C3, #C330BB, #C33094, #C3306C and #C33044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A631C6 shade: #A430C3, #7C30C3, #5530C3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A631C6 shade matches the following richer shades: #A430C3, #AF1DD7 and #BA09EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A631C6 shade: #A430C3, #9844B0, #8D589C, #826C88 and #778074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A631C6 shade: #5530C3, #7C30C3, #A430C3, #C330BC and #C33095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A631C6 shade: #6C2081, #8828A2, #A430C3, #B54BD2 and #C26CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A631C6 shade: #A631C6, #C33033 and #30C369

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A631C6 shade: #A631C6, #C3A430 and #30C3A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A631C6 shade: #A631C6, #C33033, #50C330 and #30C3C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A631C6 shade: #A631C6, #C35A30, #50C330 and #309AC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

Complementary color

CMYK 57 / 0 / 72 / 19

HEX #59CE39

RGB 89 206 57

HSL 107.11, 0.6%, 0.52%

LAB 73.91, -59.14, 60.64

 

CMYK 11 / 75 / 0 / 24

HEX #AB31C1

RGB 171 49 193

HSL 290.83, 0.6%, 0.47%

LAB 45.23, 66.86, -50.61

 

CMYK 11 / 68 / 0 / 17

HEX #BC43D4

RGB 188 67 212

HSL 290.07, 0.63%, 0.55%

LAB 51.22, 67.37, -51.83

 

CMYK 11 / 63 / 0 / 9

HEX #CD55E7

RGB 205 85 231

HSL 289.32, 0.75%, 0.62%

LAB 57.31, 67.38, -52.72

 

CMYK 11 / 59 / 0 / 2

HEX #DE67FA

RGB 222 103 250

HSL 288.57, 0.94%, 0.69%

LAB 63.45, 67.07, -53.38

 

CMYK 6 / 53 / 0 / 0

HEX #EF79FF

RGB 239 121 255

HSL 292.84, 1%, 0.74%

LAB 68.93, 64, -47.32

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 17 / 83 / 0 / 30

HEX #951FB3

RGB 149 31 179

HSL 287.84, 0.7%, 0.41%

LAB 38.94, 65.56, -52.68

 

CMYK 18 / 92 / 0 / 37

HEX #840DA0

RGB 132 13 160

HSL 288.57, 0.85%, 0.34%

LAB 33.42, 63.1, -50.36

 

CMYK 18 / 100 / 0 / 45

HEX #73008D

RGB 115 0 141

HSL 288.94, 1%, 0.28%

LAB 28.3, 59.05, -47.15

 

CMYK 20 / 100 / 0 / 52

HEX #62007A

RGB 98 0 122

HSL 288.2, 1%, 0.24%

LAB 23.68, 53.01, -42.83

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 0 / 75 / 4 / 24

HEX #C330BB

RGB 195 48 187

HSL 303.27, 0.6%, 0.48%

LAB 48.64, 71.13, -41.44

 

CMYK 0 / 75 / 24 / 24

HEX #C33094

RGB 195 48 148

HSL 319.18, 0.6%, 0.48%

LAB 46.78, 65.64, -21.25

 

CMYK 0 / 75 / 45 / 24

HEX #C3306C

RGB 195 48 108

HSL 335.51, 0.6%, 0.48%

LAB 45.36, 61.22, 1

 

CMYK 0 / 75 / 65 / 24

HEX #C33044

RGB 195 48 68

HSL 351.84, 0.6%, 0.48%

LAB 44.42, 58.22, 24.44

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 56 / 75 / 0 / 24

HEX #5530C3

RGB 85 48 195

HSL 255.1, 0.6%, 0.48%

LAB 33.95, 52.79, -70.6

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 19 / 87 / 0 / 16

HEX #AF1DD7

RGB 175 29 215

HSL 287.1, 0.76%, 0.48%

LAB 45.5, 76.81, -62.86

 

CMYK 21 / 96 / 0 / 8

HEX #BA09EB

RGB 186 9 235

HSL 286.99, 0.93%, 0.48%

LAB 47.79, 84.58, -70.44

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 14 / 61 / 0 / 31

HEX #9844B0

RGB 152 68 176

HSL 286.67, 0.44%, 0.48%

LAB 44.15, 51.63, -42.52

 

CMYK 10 / 44 / 0 / 39

HEX #8D589C

RGB 141 88 156

HSL 286.76, 0.28%, 0.48%

LAB 45.69, 33.82, -28.35

 

CMYK 4 / 21 / 0 / 47

HEX #826C88

RGB 130 108 136

HSL 287.14, 0.11%, 0.48%

LAB 48.57, 14.09, -12.14

 

CMYK 7 / 0 / 9 / 50

HEX #778074

RGB 119 128 116

HSL 105, 0.05%, 0.48%

LAB 52.53, -5.74, 5.37

 

CMYK 56 / 75 / 0 / 24

HEX #5530C3

RGB 85 48 195

HSL 255.1, 0.6%, 0.48%

LAB 33.95, 52.79, -70.6

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 0 / 75 / 4 / 24

HEX #C330BC

RGB 195 48 188

HSL 302.86, 0.6%, 0.48%

LAB 48.69, 71.28, -41.94

 

CMYK 0 / 75 / 24 / 24

HEX #C33095

RGB 195 48 149

HSL 318.78, 0.6%, 0.48%

LAB 46.82, 65.76, -21.78

 

CMYK 16 / 75 / 0 / 49

HEX #6C2081

RGB 108 32 129

HSL 287.01, 0.6%, 0.32%

LAB 28.92, 47.54, -38.71

 

CMYK 16 / 75 / 0 / 36

HEX #8828A2

RGB 136 40 162

HSL 287.21, 0.6%, 0.4%

LAB 36.67, 57.07, -46.29

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 14 / 64 / 0 / 18

HEX #B54BD2

RGB 181 75 210

HSL 287.11, 0.6%, 0.56%

LAB 51.28, 62.16, -50.65

 

CMYK 11 / 50 / 0 / 15

HEX #C26CDA

RGB 194 108 218

HSL 286.91, 0.6%, 0.64%

LAB 59.21, 51.34, -42.5

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 0 / 75 / 74 / 24

HEX #C33033

RGB 195 48 51

HSL 358.78, 0.6%, 0.48%

LAB 44.17, 57.38, 34.32

 

CMYK 75 / 0 / 46 / 24

HEX #30C369

RGB 48 195 105

HSL 143.27, 0.6%, 0.48%

LAB 69.95, -57.62, 34.52

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 0 / 16 / 75 / 24

HEX #C3A430

RGB 195 164 48

HSL 47.35, 0.6%, 0.48%

LAB 68.29, -0.5, 60.57

 

CMYK 75 / 0 / 16 / 24

HEX #30C3A4

RGB 48 195 164

HSL 167.35, 0.6%, 0.48%

LAB 71.1, -45.01, 4.77

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 0 / 75 / 74 / 24

HEX #C33033

RGB 195 48 51

HSL 358.78, 0.6%, 0.48%

LAB 44.17, 57.38, 34.32

 

CMYK 59 / 0 / 75 / 24

HEX #50C330

RGB 80 195 48

HSL 106.94, 0.6%, 0.48%

LAB 70.14, -58.11, 59.91

 

CMYK 75 / 0 / 1 / 24

HEX #30C3C1

RGB 48 195 193

HSL 179.18, 0.6%, 0.48%

LAB 71.9, -37.09, -9.87

 

CMYK 16 / 75 / 0 / 22

HEX #A631C6

RGB 166 49 198

HSL 287.11, 0.6%, 0.48%

LAB 44.77, 66.8, -54.28

 

CMYK 0 / 54 / 75 / 24

HEX #C35A30

RGB 195 90 48

HSL 17.14, 0.6%, 0.48%

LAB 50.84, 39.35, 43.23

 

CMYK 59 / 0 / 75 / 24

HEX #50C330

RGB 80 195 48

HSL 106.94, 0.6%, 0.48%

LAB 70.14, -58.11, 59.91

 

CMYK 75 / 21 / 0 / 24

HEX #309AC3

RGB 48 154 195

HSL 196.73, 0.6%, 0.48%

LAB 59.6, -15.98, -29.69

 

Description

Color code: HEX #A631C6 | qconv.com Color code: HEX #A631C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 49 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 49 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 75 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 75% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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